‘Wednesday’ Season 2 Leans into the Disturbing. Dark. Stirs Up Family Drama — And Embraces its Latinness

Netflix’s newest adaptation of the Addams family is currently the number one series, bringing back kooky cast members and new oddballs you’ll love to hate.

Cast of ‘Wednesday’ Season 2; Photo courtesy of Netflix.

Goth teen with the mostest, Wednesday Addams, is back for another year at Nevermore Academy. This time, she’s wiser, more defiant, and ready to solve a new murder in the fictional town of Jericho, Vermont. She also contends with uncontrollable, disturbing visions of her roommate Enid’s death and black tears descending from her eyes. Adding to Wednesday’s distress is the loss of Goody’s book (spiritual guide from a deceased Addams relative), which Wednesday’s mother, Morticia Addams, confiscated, fearing she’d succumb to madness like her sister, Orphelia. Throw in a stalker to Wednesday’s turmoil, who seems to be three steps ahead of her at every turn.

Jenna Ortega (Beetlejuice, BeetlejuiceScream) reprises her role as Wednesday Addams, along with Luis Guzman (Dumb and DumberCarlito’s Way) as Gomez Addams, Catherine Zeta-Jones (Ocean’s 12The Mask of Zorro), as Morticia Addams, Isaac Ordoñez (A Wrinkle in Time) as Pugsley Addams and Fred Armisen (PortlandiaSNL) as Uncle Fester. What’s super exciting about this version of the beloved show created by Charles Addams in 1938 as a single-panel cartoon that appeared in The New Yorker, and later adapted to a television show in 1964.

Jenna Ortega as Wednesday Addams in ‘Wednesday’ Season 2; Photo: Courtesy of Netflix.

According to showrunners and principal writers Alfred Gough and Miles Millar, they wanted to emphasize Wednesday’s Latin heritage in the series, a representation often not seen in popular series or films:

“It’s so rare to find an iconic [Latina] character of this stature. We really try to find ways to [highlight that] authentically. What would Wednesday listen to when she was growing up? What would Gomez be playing? And finding moments where we could really make it feel like a girl who’s grown up in New Jersey with a Latino parent, and how would that resonate with her as a teen? Certainly, this season we’re looking for more ways to explore that.”

Season 2 of Wednesday does just that. We see Gomez (Luis Guzman) utter sayings like “Cara Mia” (signature Gomez phrase) and listen to “Besame Mucho” (the most sung Mexican song in history) by Mexican singer Consuelo Veláquez, recorded in 1941, during a shower scene. But more than these common Spanish-language interludes, there are noticeable Spanish dialogue sprinkled throughout the series. Phrases like “mi cariño” (my sweety), “lobo” (wolf), “tormenta” (storm). It’s refreshing and essential to the family dynamic to see Spanish dialogue sprinkled throughout, solidifying Wednesday’s roots.

Steve Buscemi as Principal Barry Dort in ‘Wednesday’ Season 2; Photo courtesy of Netflix.

But Wednesday is more than her ancestry; the character is 3-dimensional in that she’s an admirer of literary titans like Voltaire and Sylvia Plath, often quoting them, and laser-focused on taking down the patriarchy while saving the day in a hilarious student camp scene. Wednesday admonishes fitting in, especially when Nevermore’s new enthusiastic principal Barry Dort suggests so, played to perfection by character actor Steve Bucsemi (FargoThe Sopranos). He’s eccentric, pushy, yet likable with a pyrotechnic ability. He asks Wednesday if she ever suffers from FOMO when not participating in camp activities, to which she replies, “No, I suffer from FOBI (Fear of Being Included) instead.” It’s quintessential Wednesday Addams, and Jenna Ortega nails her character to a tee. Her brother Pugsly has more screen time in season 2, joining his sister at Nevermore and developing his electrokinetic powers. He unearths a buried zombie with an insatiable appetite for brains, whom he keeps as a pet, naming him Slurp. Slurp is grotesque and can’t give up his taste for the mushy matter.

The first four episodes of Wednesday Season 2 do not disappoint. Stream it now on Netflix. Stay tuned for the next final four, dropping on September 3rd, with Lady Gaga making a guest appearance!

‘Get Away’ — A Serial Killer Sleeper Film That Blends Horror and Comedy Brilliantly

It’s National Lampoon Vacation meets Midsommar. The film keeps you laughing and on your toes throughout with a strangely fun who-dun-it twist.

From L to R: Nick Frost (Richard), Sebastian Croft (Sam), Maisie Ayers ( Jessie), and Aisling Bea ( Susan) in ‘Get Away’; Photo: IMDB.

As a horror and comedy film buff, I’ve never thought that, as some film critics and historians attest, both genres could coexist in one film and do so seamlessly. I found a movie that pulled off this medium mashup, made me laugh, and had scary scenes sans the cheesiness factor. It is almost impossible for contemporary horror films to pull off.

And that film is Get Away.

It stars British actor and comedian Nick Frost, who also wrote and produced the movie. You may know him from Cuban Fury (one of my favorites by Frost), Shaun of the Dead, and Paul, where he co-stars with his best friend and fellow writer/actor, Simon Pegg, who helped launch Nick Frost’s film career.

In Get Away, Frost plays Richard, the patriarch of the Smith family. They are on their way to the isolated Swedish island of Svälta, where locals are about to celebrate their traditional annual event, Karantan. The residents have no interest in foreigners participating in their rituals and do everything they can to deter the Smiths from enjoying their vacation.

Sure, there are horror film tropes that audiences will recognize: the strange and rude shopowners insisting the Smiths miss their ferry to the island; the ominous old lady at Svälta chanting Swedish sayings and continually hissing at the family; and the creepy Airbnb host, with a penchant for young girls and boys, eagerly shows Jessie (Maise Ayers, Criminal Record) around the house while getting inappropriately close.

Maisie Ayers (Jessie) and Eero Milonoff (Matts) in ‘Get Away’; Photo: IMDB.

What starts as a familiar family road trip with annoying teenagers in the back seat, complaining about snacks, boredom, and engaging in sibling banter takes a turn from the expected to the surprisingly gory. Richard, an unassuming, mild-mannered father, wants the family to have a good time. The obliging mom (Aisling Bea, This Way Up)is ready to embark on an island where her ancestors may have caused mayhem and the demise of its citizens. The story does a complete 180 in the most unhinged and unexpected way. I won’t give you any spoilers. Some reviewers and audiences may have seen the carnage coming. But others, like me, did not and enjoyed every bit of the 86-minute slasher/comedic ride.

And I think you will, too. Steffen Haars (New Kids) directs. Frost and Haars also teamed up for the 2024 film Krazy House, starring Alice Silverstone, where Russian criminals posing as workers threaten a fictional sitcom family, and chaos and gore ensue. If you’re ready to laugh and succumb to some thrilling scares, stream Get Away on Apple TV.

‘No One Wants This’ Resusitates Life Into the Dormant Rom-com Genre

The Kristen Bell Adam Brody vehicle will restore viewers’ proclivity for T.V. romance.

Kristen Bell and Adam Broday in ‘No One Wants This.’ Photo: Netflix.

I can’t remember the last time I rooted for an on-screen couple’s relationship journey the way I have been for Joanne and Noah in Netflix’s No One Wants This. Is it because I watched the series post-election and needed an entertaining distraction from the bleak, catastrophic plunge our country has taken? Or is it because of the welcomed offbeat storytelling, likable characters, and funny, sharp dialogue? I will confess: it’s all of the reasons I mentioned earlier.

The premise and meet-cute:

Joanne (Kristen Bell, QueenpinsFrozen), a thriving sex podcaster and jaded relationship cynic, attends her publicist’s party after another failed date, waltzing in with an over-the-top mink coat and care-free attitude that catches the attention of everyone, especially the rumored rabbi that’s in attendance, Noah (Adam Brody, American Fiction, “The O.C.”). Noah and Joanne engage in casual, witty conversation. Although Joanne isn’t aware he’s the actual rabbi who’s recently broken up with his girlfriend, there’s an instant attraction.

From L to R: Joanne’s dad, Henry (Michael Hitchcock), Kristen Bell (Joanne), Joanne’s sister,
Morgan(Justine Lupe), and Joanne’s mom, Lynne (Stephanie Faracy). Photo: Netflix.

Joanne and Noah, from opposite worlds, hit it off. Of course, they do. It’s a rom-com universe. But their worlds are so strikingly different and comical. Joanne’s sister, Morgan ( Justine Lupe, “Succession,” “Mr. Mercedes”), is abrasive, divorced, and deceptively vulnerable, which you gravitate towards later in the series, and her co-podcasting host. Their parents are separated because their father came out as gay and is openly dating men, yet their mother remains in love with him.

On the other hand, Noah’s family comes from a traditional Jewish family. His parents have been married for over 40 years. His brother has a Jewish wife whose best friend is Noah’s ex and may be plotting to get them back together. Although Noah enjoys his chosen profession as a rabbi and the Jewish faith, something is lacking, and Joanne seems to be filling the void.

Kristen Bell and Adam Brody in ‘No One Wants This.’ Photo: Netflix.

Joanne is conflicted. She’s overwhelmed by Noah’s gentlemanly traits, honesty, and sense of humor. Qualities she’s unaccustomed to in her last failed relationships. Joanne and Noah acknowledge their differences and try to make it work despite their families’ opposition to their union. You have the quirky siblings, admonishing them to be realistic about their unconventional attraction. Noah’s mother calls Joanne a Shiska, a Yiddish term for a gentile woman of non-Jewish faith who may purposely be trying to lead Noah down the wrong path—everyone’s sewing seeds of doubt.

Despite the unlikelihood that Joanne and Noah will remain together, viewers are in for a great romantic ride with this engaging and dynamic story — and not to mention the crisp dialogue. Bell’s and Brody’s sensational chemistry, natural comedic flair, plus fast-paced storytelling will keep you glued to the T.V. with limited breaks (even bathroom ones!). Watch this refreshing 10-episode (less than 30 minutes each) series on Netflix now!

**Season 2 is in the works!

There’s a Little Bit of Loudermilk in Every Writer — Take my Word for it — and Watch the 3-Season Series of the Same Name

The Peter Farrelly (There’s Something About MaryMe, Myself, and Irene) and Bobby Mort led (Comedy JamDead Man Walking) comedy-drama has been around since 2017. Still, the themes of addiction, redemption, and finding purpose are more relevant than ever and brimming with countless funny jokes.

     Clockwise: Will Sasso as Ben, Ron Livingston as Loudermilk, and Anja Savcic as Claire;
                   Photo: Courtesy of Amazon Prime.

The series follows Sam Loudermilk (Ron Livingston, Office Space, Sex and the City), a former music critic for Rolling Stone and recovering alcoholic who counsels a support group in a church called Immaculate Heart in Seattle, managed by a no-nonsense, truth-telling priest ready to call out Loudermilk’s potty-mouthed approach to keeping members sober and motivated. When the priest gives Loudermilk an ultimatum: help a drunk, meth-addicted 19-year-old whose mother is a vital donor or lose the location for the support group, he’s at a standstill. With an arduous task ahead, Loudermilk brings the teen to live with him and Ben (Will Sasso, Mad TV, Young Sheldon), his best friend and sponsor. The troubled teen, Claire (Anja Savcic, Big Sky, Nancy Drew), is a mess.

Yes, placing a teen in the care of two recovering male addicts may seem strange, but in this series, it isn’t. The common bond of addiction and the road to recovery is what makes their living situation work. Not to mention, Ben, who looks like a big teddy bear (and sometimes acts like one), provides a pleasant mix of snark and clever retorts to the environment. Loudermilk is just as snarky and clever, only he never laughs. He’s had it with people’s behavior. If Larry David is known as the “social assassin” on Curb Your Enthusiasm, Loudermilk tops him as the social terrorist. He’s called an asshole by most people he encounters and knows he’s one. Providing his unsolicited thoughts on people’s actions and mocking their idiocy and, at times, their bad grammar is Loudermilk’s trademark.

    L to R: Jackie Flynn (There’s Something About Mary) and Tyler Layton-Olson (The Man in the High Castle) in Loudermilk; Photo: Courtesy of Amazon Prime.

Throughout Season One, we meet an oddball mix of young, middle-aged, and old regulars that attend the support group — from the 19-year-old Derek Jeter lookalike who’s trying to figure out his ancestry to the older man who shacks up with a blow-up doll to a bookie by trade, who’s given up one addiction for another — you’ll recognize from other Farrelly films. Their narratives are anything but dull. Then Loudermilk Senior makes an appearance, a womanizing, irresponsible 70+ man, living the life of a twenty-something who pays for his careless, irresponsible antics in a later season.

The rotten apple doesn’t fall far from the rotten tree. We can see similar traits of the older Loudermilk in the younger. But that doesn’t make him unlikeable. Loudermilk commits to becoming a better person and writer, leaving his dead-end job cleaning floors in a bank and resuscitating his once-thriving writing career. He’s crude — an acquired taste, but if you dig deep, he’s good-hearted and loves first-class music and literature. Amazon Prime hasn’t greenlit a fourth season of Loudermilk, but you can now catch the first three sensational seasons on Prime Video and Netflix.

‘Quiz Lady’ is the Movie of the Moment — It’s the Awkwafina, Sandra Oh, and Will Ferrell Collaboration You Didn’t Know You Needed

The star-studded cast breathes new life into the much-needed comedy genre.

From L to R: Sandra Oh and Awkwafina in ‘Quiz Lady’; Photo: Courtesy of 20th Century Studios.

Quiz Lady follows Anne Yum (Awkwafina, Crazy Rich AsiansOcean’s 8), an introverted, game-show-loving woman whose penchant for the show Can’t Stop the Quiz, hosted by whimsical and quirky Terry McTeer (Will Ferrell, BarbieElf), begins at a young age while her mother gambles and her dad drinks, and her actress-wannabe older sister chases fame. It’s the latch-key kid syndrome all over again — this time for the millennial generation. Anne continues to preoccupy her time with the show and grows to be an unassuming accountant her coworkers barely pay any mind to.

One day, Anne’s mother’s assisted living residence calls to let her know her mother has fled the facility and they don’t really want her back if and when she’s found. To make matters worse, Anne’s mother’s gambling vice hasn’t subsided with age, and she owes 80 grand to a gangster named Ken, who’s kidnapped Anne’s beloved dog, Mr. Linguini until Anne can settle the debt. The pug is living the life. Anne fears he may not want to return to her after experiencing a lavish lifestyle, and she panics. Jenny, Anne’s sister (Sandra Oh, Grey’s Anatomy, Killing Eve), visits indefinitely, as she’s financially unstable and unrelentingly impulsive and has a strained relationship with her younger sister. Anne isn’t happy.

Sandra Oh as Jenny Yum, holding Mr. Linguini in ‘Quiz Lady’; Photo: courtesy of 20th Century Studios.

Jenny secretly films Anne’s rapid-fire succession of correct answers to the questions on Can’t Stop the Quiz and posts the video on the Internet, which goes viral. Suddenly thrust into the spotlight, Anne must contend with becoming a contestant and beating the reigning champion, Ron Heacock, played smarmily with just the right amount of dislike-ability as only Jason Schwartzman (RushmoreAsteroid City) can pull off. Can’t Stop the Quiz’s Will Ferrell mirrors his SNL days as Alex Trebek and other game show hosts he’s masterfully assumed on SNL with deadpan panache.

Will Ferrell as Terry McTeer on ‘Quiz Lady’: Photo: courtesy of 20th Century Studios.

Both Awkwafina and Sandra Oh give standout performances. But it’s Oh’s departure from serious, complex, and sarcastic characters that make her quirky and funny portrayal of Jenny shine — a testament to Oh’s acting range. Directed by Jessica Yu, written by Jen D’Angelo, and produced by Will Ferrell, Quiz Lady is a funny, heartfelt, relatable sister relationship movie you don’t want to miss. Watch it on Hulu now!

**Follow me for more BIPOC stories and content.**

Rachel “La Loca” Strauss-Muñiz – Get Ready for the Next Household Name in Comedy!

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Photo: Rachel “La Loca” Strauss-Muñiz

Latinos loved to be entertained. We love, laugh, cry and yearn to see our cultural truths and customs depicted – especially on social media. And in recent years, many comedic Internet superstars have emerged and drawn material from their Dominican, Cuban, and Puerto Rican heritage with hilarious content. Taking it to the next level, with popular audio streaming services, is Rachel “La Loca” Strauss-Muñiz, who co-hosts the weekly podcast“ “Latinos Out Loud” on the Revolver Network with Michael “Juan Bago” Diaz, Jaime “JFernz” Fernandez, and Frank Nibbs. Now in its 7th season and winning a Tecla award for “Best Podcast Content Creator” this Latino vehicle is amplifying Latino voices throughout the country. We chatted with comedienne/actor/producer Rachel “La Loca” Strauss-Muñiz to get the inside scoop as to why this multi-hyphenate star on the rise, merits the spotlight. Apart from cohosting “Latinos Out Loud,” Rachel is part of the comedy troupe Room 28, featured on NBC’s “Bring on the Funny,” hosts and produces HERlarious, a diverse and all female collective featuring the best sketch, stand up and character acts in New York. With her involvement in variety of entertainment projects, Rachel is primed to shake up the Hollywood status quo for Latinx.

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Room 28 Comedy Troupe on NBC’s “Bring on the Funny,” Photo: Rachel “La Loca” Strauss-Muñiz

DSMC: What’s your earliest memory of wanting to be in entertainment?

Rachel: I can remember as far back as age 9 when my parents would go out on Saturday nights and leave me behind with my older siblings. They were 9 years older than me. And they’d let me stay up late to watch Saturday Night Live so I’d stop annoying them. I was in awe. These actors would interpret these different multiple roles and act them out. I remember thinking to myself: That’s the coolest thing ever! I want to do this! I was always involved in the performing arts in school, growing up in South Brooklyn, I was very much part of after-school life. Participating in plays, rehearsals, dance, and theatre. Growing up with a Dominican mother, my mom was like “No, mija that’s not going to make you money…Aaa-aah.” So I went to college. Pursued a career in marketing and I never let the acting bug go, once it’s in you – you never let it go. It’s like a parasite and it creeps into your system, until finally, you’re like fine! It has to come out. When my son Donovan was born 4 years ago, that’s when it came seeping through my pores. I said to myself: Why am I here, in corporate America? The money brings me some happiness, but there’s nothing like making other people smile, laugh – entertaining them. I gave all the corporate stuff up and said: Fuck it! Let’s see where this goes. I want to be the mother that I always wanted to be and the actress that I wanted to be. Those are the two things I’ve been pursuing hard body full-time the last four years.

DSMC: Brooklyn College is both our alma mater. At one point they had a thriving diverse performing arts program? Did you receive formal acting training from Brooklyn College?

Rachel: I took a few undergrad classes, but when I decided to pursue acting full time with formal training, I enrolled in private acting lessons with well-known teachers. I’m a two-time recipient of the diversity scholarship at the Upright Citizen’s Brigade. With a career in comedy it’s smart to understand the methods and approaches of the different schools of comedy that are recognized and accredited throughout the world. I began with Improv Comedy 101 and heard about the diversity scholarship. I saw the lack of diversity within the student body. I went for it. I didn’t get it the first 3 times I applied. I just kept at it. Finally, I got the good news in 2016. Since then, I’ve been nonstop. The beauty of being a diversity scholarship recipient is that they hook you up! If there are open seats, in other classes that don’t sell out, the scholarship recipients are the first to get the notifications about open seats at UCB. I’m so thankful. Now that I’m 40, I’m super focused, and want to do everything I can to add “sazón” to the comedy bucket. I’m trying to hone in on where my passions lie and that’s sketch comedy right now. I just finished the sketch writing circuit at the school. I’ve touched on the 3 pillars of the Upright Citizens Brigade (UCB).

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Center: Amy Poehler, Photo: Courtesy of UCB

Side note: The Upright Citizens Brigade, which readers in case you didn’t know – was co-founded by the supremely talented, Amy Poehler, which also founded Amy Poehler’s Smart Girls, bringing to the spotlight incredible women making strides in varied industries. The Upright Citizens Brigade is the only accredited Improv and sketch comedy school in major cities like New York and Los Angeles. To learn more about the Upright Citizens Brigade, click here.

DSMC: You have a lot on your plate with acting, parenting two toddlers, producing, podcasting. You co-founded the podcast: “Latinos Out Loud” What’s it like sharing the airwaves with 3 men?

Rachel: Finding your voice is so important, but maintaining it, is equally as important. Sometimes, all the testosterone around me can easily drown me out. We have this ongoing joke that they have crowned me the Queen Bee of the podcast. And, “Dejame decirte!” I’m not about that life: Oh, bow down! You know, Beehive, but I have to maintain that position. I can get stepped on, not literally, but figuratively. I gotta represent. The female voice within this crowd of funny men is so important. I feel I have to play multiple roles. I modulate and sometimes I have to be the voice of reason, or the voice of femininity. When there’s too much dick talk, and I’m like, all right guys let’s bring it back to comedy.

DSMC: You have a knack for switching up character voices on the podcast, after listening to the 100th episode with Lin-Manuel Miranda Jr. and Sr. as guests, I observed that. Congrats on this milestone! You’re able to do urban, prim and proper, corporate voice, whereas the others on the podcast panelists struggle at times.

Rachel: Thank you, I don’t think I code-switch. I do think it’s important to know your audience. I actually attribute and thank my corporate background for having that ability to modulate, because we need to. I could be hood, but there’s a time and a place. I’m working on me also. I’m a work-in-progress on the Mic. I went from dropping F-bombs on the 1st season every other minute to occasionally using the N- word and that’s not who I wanted to be on the Mic. I still struggle with the F-bombs. I’m from Brooklyn. You know what Im sayin’? I would like to get to the point where I don’t need to say it. The same way I don’t need to say the N-word or curse every other 3 words. I want to be who’d I like to listen to on a podcast. I listen to every episode of the podcast 5 times. It’s my method. I look for errors to edit and fix in the car. To make sure the episode is the best it can be audibly. I’m very structured and anal with voice and what I’m projecting. We take a lot of pride in the audible quality. I get angry when I listen to some of my favorite podcasts and the jokes fall flat, and not because they’re not funny, but the crispness of the sound isn’t there. Nobody wants to hear white noise, black noise, and hear anything else other than the podcast host. We’re all on the same page and I love that. It’s our friendship and our interdependence that makes it thrive. Collectively we’ve been friends for a little over 10 years. We hang out with each other on the side, holidays too. We’re still friends. It’s cool.

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Top (L) Jaime Fernandez, Bottom (L) Juan Bago, Rachel “La Loca” Strauss-Muñiz, Frank Nibbs, Photo: Revolver Network

DSMC: I remember listening to Howard Stern and Robin Quivers, when it was free on local NY stations. And they had great chemistry. They did pop culture, comedy sketches. Sure, it was controversial, but funny. There doesn’t seem to be anything like that for Latinos. What comes close is New York’s 97.9 FM La Mega, and they seem to fall short. What are your thoughts on this?

Rachel: I would love that – to eventually be the Howard Stern, Robin and Bababooey for the Latino market. We don’t have that. We recently had the president and CEO, and co-founder of Casanova Advertising Agency, Ingrid Otero-Smart. She’s Puerto Rican and has been in the industry for a while. We asked her about the current state of Latinos in podcasting? And she mentioned: “You guys are pioneers right now. You are setting a path for those that are going to follow in your footsteps and it’s so important to make the best decisions you can.” There is a huge weight on our shoulders. She’s right. We don’t have a textbook to read, handbook or manual or someone that came before us. What comes close is La Mega, “El Vacilón de La Mañana.” That’s not a podcast!

DSMC: Whenever I heard “El Vacilón De La Mañana,” I’d interpret the skits and majority of the listeners as gullible – a dumbing down of the Latino population that I never liked. That’s not who Latinos are. We’re educated. We’re smart. We are not here to be disparaged. 

Rachel: I appreciate what the Luis Jimenezs’ of the world do. My mom still thinks he’s hilarious. Sadly, I do not. I don’t relate to most of the content. He’s a funny man. I get it and he’s talented. No disrespect. I’m 40 years-old. I’m on a different comedy wavelength than those guys. We have to do our part to elevate this void. I watch SNL, white/black/Asian sketch shows. When I was out in L.A. to do NBC’s “Bring on the funny.” I was in The Ubers – hittin’ up the dispensaries, left and right. One night I was with the director of Room 28, Jerry Diaz, in the back seat. And, the Uber driver turns around and says: “Rachel “La Loca” – Latinos Out Loud.” Yeeees! That’s me. “I listen to you guys all the time. “You don’t know how much we need you.” I said, really, how so? “They feed us this chancletazo bullshit or Mexican-American comedy that we don’t find funny anymore. My friends and I listen to you even though you’re Caribbean, Dominican, even though your jokes have a New York-centric attitude, my friends and me think it’s hilarious. It’s still Latino, it’s still cultural, and we can still relate.” I think this divide we saw in the past, among different pillars, one of them comedy, is fading out – it’s fizzling away. Finally, we are approaching this convergence that black comedy has already crossed, where we are just about each other and NOT where we are from anymore and it’s about the cultural relevance and the unity, especially with 45 right now. Comedy will always be a universal language.

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Daniel Craig on SNL, Photo: Mary Ellen Matthews

DSMC: What’s next for Rachel “La Loca”? Are you doing more sketch comedy? Continuing with the “Latinos Out Loud” podcast?

Rachel: Collectively, the 4 of us are treating this as a business. We are rebranding and redoing our website and looking to elevate the brand for 2020. We are looking to do more live shows – especially with the markets that have shown us a lot of love; right now it’s a tie between New York and L.A. Our top five markets are New York, California, Chicago, Texas and D.C.; it fluctuates. We want to bring more live shows, hopefully with sponsors attached to them across the country. Our listeners hear themselves when they listen to us. They feel like they’re chillin’ with their cousins snappin’ on each other in a living room. We want to do pop-up podcasts across the country.

Rachel con’t: We took 2019 to focus on our network television debut, branded content development and performing in the comedy festival circuit, as well as a bit of company restructuring, and are really looking forward to our off-Broadway return after our stint on NBC’s “Bring the Funny.” We’re proud to have released a 5-part web series written, produced and starring Room 28 players for the non-profit organization Somos Community Care. The goal of the content is to connect our community with in-culture and in-language primary care doctors that can target the ailments that plague our community before they get to urgent levels.  The organization’s research has shown that on average, our people wait until the last minute to seek medical attention when it comes to the ailments that attack their health, thus making it harder to combat at that stage.  We partnered up and created the “Sick!!” series where our very own Jaime Fernandez plays “El Profeta de la Salud,” a Walter Mercado-like character that can predict your health future.  I believe this is Jaime’ best character yet! He’s a stellar writer. The series is available on the MiSomos app or on their web site https://misomos.com/sick.

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Rachel “La Loca” Strauss-Muñiz and Jaime Fernandez

DSMC: You mentioned acting as your passion, apart from the sketch comedy and podcasts, what are you looking to do acting-wise?

Rachel: I’ve set this goal for myself: my manager and I are trying to get me booked on networks with co-starring roles. I’m coming so close! I’m out there. I’m auditioning. I’m getting callbacks. I had booked a gig for Identification Discovery. I did a crime-scene reenactment; I was the principle for one episode. I would love to do a recurring role on a network. Pilot season is coming up. I did background work recently. Over the summer I got a taste for film, I did background for West Side Story, working with Spielberg was amazing, and every now and again I do background for SNL. I don’t want to do steady background work anymore unless I’m absorbing and learning something from it. The goal is to book a feature film gig.  

With the ongoing global pandemic grinding life, as we know it, to a startling halt, Latinos everywhere know how to persevere and make the best of the current situation. And that means getting creative when producing comedy. Whether we turn to memes (JLo and Shakira’s history-making halftime show performances are still on people’s minds and social feeds) or creating TikTok videos to Bad Bunny’s or J. Balvin’s tunes, our resilient spirit will never wane. We just can’t hug or kiss like we used to when greeting people – but we make do! Recently, Latinx has made significant strides with shows like Gentefied making its debut, and with the returning season series: On My Block – on Netflix. Latino visibility only accounts for 3% of representation in Hollywood – a dismal situation at best. But, with personalities like Rachel “La Loca” Strauss-Muñiz committed to breaking barriers in the entertainment industry and paving the way for more Latinx stars, our stories will finally be told and knock mainstream entertainment on its head. Check out and subscribe to the “Latinos Out Loud” podcast on Apple podcasts, Spotify, iHeart and Stitcher today.