‘Wednesday’ Season 2 Leans into the Disturbing. Dark. Stirs Up Family Drama — And Embraces its Latinness

Netflix’s newest adaptation of the Addams family is currently the number one series, bringing back kooky cast members and new oddballs you’ll love to hate.

Cast of ‘Wednesday’ Season 2; Photo courtesy of Netflix.

Goth teen with the mostest, Wednesday Addams, is back for another year at Nevermore Academy. This time, she’s wiser, more defiant, and ready to solve a new murder in the fictional town of Jericho, Vermont. She also contends with uncontrollable, disturbing visions of her roommate Enid’s death and black tears descending from her eyes. Adding to Wednesday’s distress is the loss of Goody’s book (spiritual guide from a deceased Addams relative), which Wednesday’s mother, Morticia Addams, confiscated, fearing she’d succumb to madness like her sister, Orphelia. Throw in a stalker to Wednesday’s turmoil, who seems to be three steps ahead of her at every turn.

Jenna Ortega (Beetlejuice, BeetlejuiceScream) reprises her role as Wednesday Addams, along with Luis Guzman (Dumb and DumberCarlito’s Way) as Gomez Addams, Catherine Zeta-Jones (Ocean’s 12The Mask of Zorro), as Morticia Addams, Isaac Ordoñez (A Wrinkle in Time) as Pugsley Addams and Fred Armisen (PortlandiaSNL) as Uncle Fester. What’s super exciting about this version of the beloved show created by Charles Addams in 1938 as a single-panel cartoon that appeared in The New Yorker, and later adapted to a television show in 1964.

Jenna Ortega as Wednesday Addams in ‘Wednesday’ Season 2; Photo: Courtesy of Netflix.

According to showrunners and principal writers Alfred Gough and Miles Millar, they wanted to emphasize Wednesday’s Latin heritage in the series, a representation often not seen in popular series or films:

“It’s so rare to find an iconic [Latina] character of this stature. We really try to find ways to [highlight that] authentically. What would Wednesday listen to when she was growing up? What would Gomez be playing? And finding moments where we could really make it feel like a girl who’s grown up in New Jersey with a Latino parent, and how would that resonate with her as a teen? Certainly, this season we’re looking for more ways to explore that.”

Season 2 of Wednesday does just that. We see Gomez (Luis Guzman) utter sayings like “Cara Mia” (signature Gomez phrase) and listen to “Besame Mucho” (the most sung Mexican song in history) by Mexican singer Consuelo Veláquez, recorded in 1941, during a shower scene. But more than these common Spanish-language interludes, there are noticeable Spanish dialogue sprinkled throughout the series. Phrases like “mi cariño” (my sweety), “lobo” (wolf), “tormenta” (storm). It’s refreshing and essential to the family dynamic to see Spanish dialogue sprinkled throughout, solidifying Wednesday’s roots.

Steve Buscemi as Principal Barry Dort in ‘Wednesday’ Season 2; Photo courtesy of Netflix.

But Wednesday is more than her ancestry; the character is 3-dimensional in that she’s an admirer of literary titans like Voltaire and Sylvia Plath, often quoting them, and laser-focused on taking down the patriarchy while saving the day in a hilarious student camp scene. Wednesday admonishes fitting in, especially when Nevermore’s new enthusiastic principal Barry Dort suggests so, played to perfection by character actor Steve Bucsemi (FargoThe Sopranos). He’s eccentric, pushy, yet likable with a pyrotechnic ability. He asks Wednesday if she ever suffers from FOMO when not participating in camp activities, to which she replies, “No, I suffer from FOBI (Fear of Being Included) instead.” It’s quintessential Wednesday Addams, and Jenna Ortega nails her character to a tee. Her brother Pugsly has more screen time in season 2, joining his sister at Nevermore and developing his electrokinetic powers. He unearths a buried zombie with an insatiable appetite for brains, whom he keeps as a pet, naming him Slurp. Slurp is grotesque and can’t give up his taste for the mushy matter.

The first four episodes of Wednesday Season 2 do not disappoint. Stream it now on Netflix. Stay tuned for the next final four, dropping on September 3rd, with Lady Gaga making a guest appearance!

OSEA Skincare Not Only Helped Pioneer the Clean Beauty Movement with Legislation, But the Founder and CEO Also Created a Blueprint for Sustainability Practices

The clean beauty brand has been walking the walk and talking the talk in ethically sourced skincare ingredients since 1996, with the mother-daughter family enterprise building a successful business model steeped in transparency from day one, disrupting industry standards.

From L to R: Melissa (CEO) and Jenefer (Founder) Palmer;
Photo: Courtesy of OSEA.

OSEA — Ocean Sea Earth Atmosphere — the acronym for the beloved eco-conscious Malibu, California-based brand referencing the environment’s elements, rooted in the family’s belief in the healing powers of nature, where the founder’s grandmother, Elsa, retreated to the sea to treat pain and inspire others to incorporate the ocean’s beneficial resources into their lifestyle.

As a beauty writer and clean skincare aficionado, I’ve tried more brands than I can remember. Some memorable. Others forgettable. Each touting the promise of renewal and restoration. And a healthy-looking complexion. These products often come in attractive packaging or biodegradable containers to minimize their environmental impact. Still, many have fallen short in terms of consistency or messaging in one way or another. The OSEA brand distinguishes itself from the clean beauty pack in terms of authenticity and delivering proven results. I’m living proof.

After three months of using their face and body products, my eczema flare-ups on my face, neck, and chest have subsided by 96%, leaving my skin with a renewed glow that is foreign to me. Sure, I’ve had a few chlorine-induced patches surface, here and there, after prolonged swimming and excessive sweating, but nothing that hasn’t been contained, especially by OSEA’s Hyaluronic Sea Serum and Undaria Algae™ Body Oil (a best-selling cult favorite). It’s as if Poseidon, the Greek God of the Sea, personally blessed these products.

Hyaluronic Sea Serum retails for $88. Photo: Courtesy of OSEA.

I recently spoke with Jenefer Palmer (founder/mother) and Melissa Palmer (CEO and daughter) to learn about OSEA’s enduring impact in a saturated clean beauty market and why my skin was drawn to these products like a magnetic force.

The OSEA brand has been a mainstay, breaking ground in the clean beauty industry by advocating for product transparency laws and regulations, and urging other companies to follow suit for decades before it became fashionable. What were some challenges OSEA faced when it was first launched?

“At the time, brands were largely free to use any ingredients in their products, leaving consumers with little visibility into potentially harmful components. OSEA chose a different path — one that surprised many in the industry — by prioritizing transparency and formulating only with clean, safe ingredients, and using glass bottles instead of plastic ones. Since the term ‘clean beauty’ didn’t exist yet, it was challenging to gain traction with retailers who didn’t initially understand the concept. We like to say we were green when it was just a color.”

Big corporations like Sephora didn’t embrace clean beauty brands until 2018, when they carried 50 at the time; now, they boast over 133 brands. The lack of ingredient transparency, combined with consumer awareness and education about safe products and a previously unregulated industry, has led to confusion and misleading product labels.

According to Jenefer and Melissa Palmer:

“In 2002, we became the first company to sign the Compact for Safe Cosmetics. A landmark initiative to promote safety and transparency in the beauty industry. To this day, we continue to advocate for ingredient safety and lobby for legislation that ensures access to safe skincare for all.”

The mother-daughter duo innovated their signature seaweed-infused ingredients and continues to experiment with clean ingredients, developing their taglines, “Skincare from the Sea®” and “Sea the Difference®.” They plan to expand into product categories and bring even more innovation to future launches.

“Our goal is to be intentional with everything we create — going beyond traditional skincare to meet the evolving needs of our community. One recent inspiration has been the concept of “skinification” in bodycare: the idea that your body deserves the same level of care and powerful ingredients as your face. This led to the launch of our Hyaluronic Body Serum, designed to deliver advanced hydration and treatment-level results for the skin below the neck.”

Besides OSEA’s signature proprietary seaweed-infused ingredients, is there another element you want to add or experiment with in the skincare line that’s just as effective?

“In addition to seaweed, we’re excited to explore nutrient-rich marine botanicals, as well as continue tapping into the diverse benefits of various seaweed species. Our Hyaluronic Sea Serum, which your skin responded well to, for example, features powerful hydrators like snow mushroom and hyaluronic acid — ingredients we’re eager to work with more in the future. We’re also increasingly interested in developing wellness-centered products that support the nervous system and promote relaxation, drawing a deeper connection between skin health, mindfulness, and overall well-being.”

After nearly thirty years in the clean beauty industry, what are you looking forward to, or what would you like to change?

“We look forward to expanding strategic collaborations, increasing accessibility through wholesale partnerships, and deepening OSEA’s impact in ingredients and environmental advocacy — all while preserving the company’s core value. Of course, we’re looking forward to the brand’s 30th birthday as well. It’s so gratifying to see that more brands and people are riding the clean beauty wave with us.”

And the clean beauty wave continues to surge and gain momentum. By 2033, the clean beauty market is projected to reach 39 billion, a 16.65% Compound Annual Growth Rate (CAGR), according to Yahoo! Finance. Although consumers now prefer brand transparency, greenwashing and misleading marketing claims persist, reinforcing the need for additional laws to be enacted and for enhanced consumer protections to be established.

Ocean Wave Cleanser retails for $38. Photo: Courtesy of OSEA.

Every product I’ve tried from OSEA has been transformational for my skin. If you have sensitive skin like me and are in the market for a cleanser and makeup remover combo, try their newest product, Ocean Wave Cleanser. It’s made up of Undaria Seaweed, Camelina Seed Oil, and Bisabolol, ingredients rich in amino acids, Omega 3, to name a few. My skin felt unbelievably soft and hydrated. And the texture of the cleanser, although oil-based, is light and doesn’t leave any residue on the hands. One of the best cleansers I’ve tried! To learn more about or shop, visit OSEA products online or in store at Ulta Beauty.

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Mango’s South Beach Epitomizes Nightlife Entertainment — With an Interactive Lively Cabaret-Style Supper Club Soiree

Fine Dining. Salsa Lessons. Sizzling Performances. Just a sampling to satiate your evening’s thirst for unabashed partying.

M. Vizcaino at Mango’s Tropical Cafe South Beach; Photo: E. Villegas.

In part one of my two-part series featuring the South Beach staple, opened in 1991 by David Wallack, Mango’s Tropical Cafe South Beach is unlike any other dinner and dancing venue I’ve experienced. Hands down!

On a recent family trip to Florida, I was determined to find a new hotspot that was both economical and offered a unique culinary experience, as well as provide thrilling recreational activities. I stumbled upon Mango’s Tropical Cafe, located in the heart of South Beach on Ocean Drive. Granted, South Beach has been known in recent years to be an over-the-top, overpriced destination exuding Euro-cheesiness and opulent flamboyance. I’m from New York and jaded, and I’ve had these same thoughts. But boy, were my preconceived notions debunked, and I ended up having an exhilarating night to remember!

Bird handler/photographer at Mango’s Tropical Cafe South Beach; Photo: M.Vizcaino.

Outside Mango’s, exotic birds perched on the trainer/photographer’s arms, which mimicked his voice and belted tunes, while possibly sipping on alcohol-infused cocktails (the trainer wouldn’t confirm or deny). These were some talented fowls. Once we stepped inside, my eyes were drawn to the stage, where bustling bartenders served Mango’s refreshing signature libations, like Cuban Coffee Martini and Coco “Nuts” For You. On the ground floor, tables were draped with crisp white tablecloths, and stainless steel spiral staircases led to balconies filled with colorful artwork from Caribbean artists.

It was like a theater-style ambiance reminiscent of Miami nightlife from the 1970s and 1980s, where dressing up and going out was a way of life, not a transient fad.

Hawaiian Big Eye Tuna tartare on a bed of fresh mango and avocado; Photo: DKC News.

Our table was right in the center of the action. I was unsettled and excited at the same time. We started our meal with flavorful grilled steak quesadillas, Hawaiian Big Eye Tuna tartare on a bed of fresh mango and avocado accompanied with wonton chips, and succulent fall–off–the–bone Caribbean Jerk ribs — perfect appetizers (comes as an entree, too!) to whet your appetite for the main courses.

I’ll delve more into the menu offerings and customized drinks from Mango’s Tropical Cafe South Beach in my next feature. You don’t want to miss part two of my series and exclusive interview with Executive Chef, Byron Rubio!

Participants at Mango’s South Beach Sip, Savor, and Salsa Lesson; Photo: M.Vizcaino

As we enjoyed our meal and eagerly anticipated the live show, we were escorted upstairs to Mango’s nightly Sip, Savor, and Salsa lessons lounge, where you can go solo or as part of a bachelorette or birthday outing, beginning at 7:30 pm. Here, you’re greeted by seasoned dance instructors who show you the fundamental steps of Salsa and Bachata, dances popularized in Cuba, Puerto Rico, and the Dominican Republic. The instructors teach you the steps, you practice, they add music, and motivate you to become a dancing queen or king! The dance lessons include a mojito and delectable bites, such as tostones and chicken and cheese empanadas, but the kitchen’s menu rotates regularly. It was a fun-filled adventure, complete with missteps and hilarity, enjoyed by a friendly group of bridesmaids and those celebrating their anniversaries.

After catching our breath from salsa-ing and bachata-ing, we joined patrons for a live show that didn’t disappoint. The performers came out in show-stopping, elaborate costumes with dance moves that’d put any Broadway performer to shame. The performers interacted with the crowd, not only asking them to sing along but also to dance to classic salsa and merengue songs, as well as electrifying soca and American favorites. At the performer’s insistence, patrons began singing and dancing, with light strobes moving throughout the restaurant (me included).

Mango’s Tropical Cafe South Beach Performers; Photo: 305 Promedia.

Mango’s South Beach is a dinner and show extravaganza for anyone looking to drink, dine, and dance the night away, all under one roof! The party keeps going into the wee hours, but I needed to get some beauty sleep for sightseeing the next day. You’d be remiss to pass this superb nightly show and nightclub experience. To find out more about Mango’s Tropical Cafe South Beach entertainment offerings and to book an event, click here. They also have a location in Orlando, too!

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OPI Launches LGBTQIA+ — Inspired “Make ’Em Jelly” Nail Collection, Celebrating Pride — Raising Capital and Awareness for Suicide Prevention

Fan-favorite and top-selling global brand OPI introduces 12 hot new nail shades for summer, designed to promote empowerment and self-expression.

“Make ’Em Jelly Nail Collection at the OPI ‘Do Hue & Strike A Pose’ Event at Lips NYC. Photo: M.Vizcaino.

OPI kicked off Pride month with a dazzling Do Hue & Strike A Pose event at the legendary Lips restaurant and bar, often referred to as NYC’s mecca destination for nightly longest-running drag queen shows, which also hosts brunch, birthdays, and bachelorette parties. The venue was adorned with shimmering silver and gold disco balls, striped walls, and tables draped with bright sequins and colorful cellophane, capped off with fresh flowers mirroring OPI’s new shades, and befitting of ballroom decor; an a homage to the spirit of ballroom dancing, where dancers express their individuality and joy of self-expression. What better place to encompass the essence of Pride?!

MC Kandy Muse at OPI’s ‘Do Hue Strike A Pose ‘Event at Lips NYC. Photo: M.Vizcaino

Serving as hostess with the mostess for the frenzied, fun-filled evening was Kandy Muse, drag queen extraordinaire, TV personality, and runner-up from RuPaul’s Drag Race Season 13. Kandy kept the night lively, cracking jokes and showcasing Lip’s hottest divas to get the audience amped up. Taking to the stage and whipping patrons into submission were Mistress Twiggy, Sophya Medina, and Roxie Chanel:

From L to R: Mistress Twiggy, Sophya Medina, and Roxie Chanel at OPI’s ‘Do Hue Strike A Pose’ event at Lips NYC. Photos Mistress Twiggy and Roxie Chanel, M.Vizcaino, Sophya Media by Madi Goldman.

Keeping the unbridled and unadulterated energy in the room going, OPI provided photo-op activations by NYC Photo Booth (Unique Photo Booth Experiences) and set up nail stations for guests to channel their inner show diva.

Guests at OPI’s ‘Do Hue Strike A Pose’ event at Lips NYC. Photo: NYC Party Booth.

If you think OPI (Odontorium Products, Inc.), co-founded by brand ambassador and “The Queen of Nails,” Suzi Weiss-Fischmann, in the 80s, is capitalizing on the Pride marketing bandwagon, think again. The brand has collaborated with the Trevor Project for four years to address and combat suicide among LGBTQIA+ and young people, contributing $100,000 in support for the nonprofit this year. The Trevor Project connects LGBTQIA+ individuals and youth to counselors who provide support in dealing with this type of crisis. OPI hopes to expand support in the coming years.

OPI “Make ’Em Jelly” Collection. Photo: OPI.com

Check out OPI’s 12 New Make ’Em Jelly shades in Nail Lacquer and GelColor Intell-Gel™ System with inspirational names like: “Blue Them All Away,” “Vogue in Violet,” and “Drop to the Florchid” to unleash your creativity and live your life to the fullest!

**If you or anyone you know is experiencing difficulty with suicide, please get in touch at x988 or visit https://www.iasp.info/suicidalthoughts/ for help.

‘Real Women Have Curves,’ the Musical, Highlights Body Positivity, Immigration, and Female Empowerment Themes on Broadway with Punchy Songs and Witty Lyrics

Adapted from the 2002 film of the same name, written by Josefina López and George LaVoo, the new play is more resonant than ever in our current political and social climate.

From L to R: Florencia Cuenca (Estela), Tatiana Córdoba (Ana) and Justina Machado (Carmen) in ‘Real Women Have Curves.’ Photo: Julieta Cervantes

Real Women Have Curves follows the García family, living in Boyle Heights, a predominantly Chicano/Mexicano neighborhood in East LA, set in 1987. Ana García (Tatiana Córdoba, making her Broadway debut!), the main protagonist, has been accepted to Columbia University’s journalism program. Cause for celebration, right? Not for everyone. Ana’s parents are unaware, and her sister Estela doesn’t share her enthusiasm for her Ivy League journey.

Ana is the sole U.S. citizen in her family who handles taxes and any other governmental logistics. Her older sister Estela owns a textile shop, barely making ends meet, and Ana’s mother, Carmen, wants Ana to work at the factory. Once Estela accepts an order for 200 dresses with a tight deadline and loses a worker to deportation, Ana steps in to help. She isn’t a seamstress; she has a few mishaps but gets the hang of it while her mother, Carmen, chastises her. Makes derogatory comments about her weight. Reminds her of her unrealistic ambitions, lack of sacrifice, and unwillingness to follow traditional female roles.

Even though the musical touches on universal complex topics of family obligations, guilt, and pursuing dreams, at the core is the love these women have for each other. A true sisterhood. Communicating their joy, frustration, and camaraderie through feet-stomping, electrifying songs like “Make it Work” and “Oye Muchacha,” and the poignant “If I Were a Bird,” sung by Ana and Itzel (Aline Mayagoitia, Broadway debut).

From L to R: Tatiana Córdoba as Ana and Aline Mayagoitia as Itzel in Real Women Have Curves; Photo: Julieta Cervantes.

Tatiana Córdoba is sensational as Ana García, hitting all the right notes and convincingly conveying emotions — from defiance, sadness, to jubilation. Poised for continued success on the Great White Way, the young performer graces the stage like a seasoned pro. Florencia Cuenca (Estela, also making her Broadway debut) is the first Mexican immigrant to star as a co-lead, dominating the role as the goading older sister yet empathetic best friend and champion of Ana’s dreams. Veteran stage and television actress Justina Machado (In the HeightsA Free Man of Color) joins the cast as Carmen, the overbearing mother, a multi-layered character who warrants both compassion and reproach. Machado’s acting is fantastic, making Carmen likable and relatable. Last, but not least, is the patriarch of the family, Raúl (Mauricio Mendoza, Resurrection BlvdMatlock), a calming force amid a sea of estrogen. Seasoned actor Mauricio Mendoza is up to the task, serving as the voice of reason to his family’s boisterous, resolute women with captivating charm.

Florencia Cuenca (Estela) and ensemble in ‘Real Women Have Curves.’ Photo: Julieta Cervantes.

The set design (Arnulfo Maldonado, Buena Vista Social Club) and costumes are rich in warm, Latin American cultural hues, featuring stunning, vibrant dresses that embody the spirit of Mexican Americans.

Real Women Have Curves, the musical, directed and choreographed by Sergio Trujillo (first-ever Latino to receive the Tony for Best Choreography, Ain’t Too Proud to Beg: The Life and Times of the Temptations), written by Lisa Loomer (The Waiting Room) and Nell Benjamin (Mean Girls) and music and lyrics by Joy Huerta (Broadway debut and first Mexican-American woman to compose a musical), and Benjamin Velez (Broadway debut) is playing at the James Earl Theatre. Don’t miss this spectacular musical. Click here for tickets!

Full Creative and Production Cast

Female Entrepreneurs Aim to Revolutionize the Cannabis Industry, Debuting Brooklyn’s Newest Dispensary — Yerba Buena Striving to Educate and Empower Consumers

Former legal, finance, tech, and marketing executives congregated to educate and inspire communities to embrace cannabis products that heal their mind, body, and soul as an alternative to traditional medicine.

From L to R: Yerba Buena co-founders Jillian Dragutsky, Dio, and Doralyn Brito at the store opening March 6th; Photo: Astro Management.

Cobble Hill, Brooklyn, was buzzing with activity as Yerba Buena’s “Un Chin Más” (a little bit more) event celebrated female cannabis entrepreneurs and activists working to change the perception and relationship between cannabis and marginalized communities. The dispensary’s budtenders are equipped with the latest cannabis knowledge to help consumers (seasoned or novice) navigate their colorful cannabis-infused products, ranging from potent Flowers to sleep aids to anxiety-reducing gummies, primed for your wellness boost.

The evening’s top honorees included Leann Mata, founder of Matawana, Brooklyn’s first Black woman-owned dispensary, and author of Money & Marijuana: Growing And Infusing Your Cannabis; and Amy Chin, founder of Calm Better Days, a CBD wellness platform dedicated to helping people struggling with anxiety and postpartum depression. Chin has also co-launched a cannabis-centric marketing agency, High Exposure, with co-partners Annette Fernandez and Kassia Graham, to help businesses amplify their brand messaging and sell their products and services. Jahmila Edwards, a cannabis entrepreneur (founder of Stash Queens) and policy advocate, champions the passing of regulations to expunge cannabis-related criminal records like Clean Slate and the emergence of progressive laws in the industry.

Founder of Calm Better Days, Amy Chin, receiving her Impact Maker Award at the Yerba Buena Event; Photo Credit: Speke Media.

What is Yerba Buena?

Yerba buena, referred to by many in Spanish-speaking countries as the “good plant,” comes from the mint family and is used for medicinal purposes to treat everything from toothaches to arthritis, especially in the Dominican Republic, where the co-owners and spouses of Yerba Buena, Doralyn and Dio Brito, are from.

Doralyn, a former Brooklyn assistant district attorney and founder of De Dios Law, specializing in criminal and immigration law, has spent her career working with individuals charged with cannabis-related offenses and championing the reduction or dismissal of sentences while contemplating an avenue to promote the benefits of cannabis that consumers can enjoy legally. Her spouse, Dio, has a background in design and operations, was named one of Fast Company’s Creative People, and is attuned to New York’s changing cannabis-regulated market.

Rounding out the team of Yerba Buena’s co-founders and pushing for inclusion in the cannabis industry is Jillian Dragutsky, whose involvement with cannabis dates back to her father’s conviction and arrest when the plant was illegal and she was a teen. Undeterred and unfettered to advocate for cannabis regulation and equity once the MRTA passed in 2021, Dragutsky capitalized on the opportunity to obtain a CUARD (Conditional Adult-use Retail Dispensary) license approved by New York officials. She works closely with the NY Cannabis Retail Association (NYCRA), chairs the Law & Regulation Committee, and co-chairs the Women’s Committee.

Yerba Buena Dispensary in Cobble Hill, Brooklyn; Photo: Speke Media.

Interested in opening a dispensary in New York?

Although the NYCRA’s mission is for advocacy, equality, transparency, and essential reforms to create a healthy and thriving cannabis industry in New York, there are a lot of hurdles to opening a business. According to Jillian Dragutsky:

“Anyone looking to open a dispensary: get involved. Meet others across the ecosystem — cultivators, processors, microbusinesses, and fellow retailers. Attend industry events, have conversations, and join advocacy and industry groups. The more you connect, the more you’ll understand the landscape you’re stepping into.

*BIPOC ownership grew year-over-year, going from 15.4% to 18.7% of all cannabis owners. 50% of cannabis marketing and finance professionals are women

Upcoming Family-Friendly Cannabis Event Hosted by High Exposure Agency

Event Name: Cannabis: Art, Culture & Commerce

DateSaturday, 5/10/2025

Time: 11 AM — 5 PM

Location: Boricua College, 3755 Broadway, 10032

Cost: Free

Ages: 13+ (a parent or guardian must accompany minors under 18)

Topics: Cannabis, community, education, health, local entrepreneurs

Mathematics Reinvents The Wu-Tang Sound with the New ‘Black Samson, The Bastard Swordsman’ Album

Wu-Tang Clan members and guest artists collaborated on the record, which features fresh beats and sonically elevated rhymes reminiscent of the group’s legendary hits.

Black Samson, The Bastard Swordsman Album; Photo: DKCNews.

Young and old, hip-hop heads gathered at the IMI Studios in Manhattan recently as producer/DJ Mathematics debuted the tracks off the highly anticipated Wu-Tang Clan x Mathematics Black Samson, The Bastard Swordsman album. The intimate setting enabled attentive listeners to soak in the melodies and arrangements selected by Mathematics, who provided anecdotes, tales of his carpentry background, and inspiration for the songs.

Mathematics is more than Wu-Tang’s multi-talented go-to-producer, even before the critically acclaimed Enter the Wu-Tang (36th Chambers) dropped in 1993 and changed Hip Hop forever (recognized as one of the top five most influential Hip-Hop albums ever made!). Mathematics, aka Ronald Maurice Bean, is the group’s musical muse and graphic artist. Not only has he produced many of Wu-Tang’s greatest hits like “Protect Ya Neck,” “C.R.E.A.M,” and “Bring Da Ruckus,” but he also designed the Wu-Tang Clan logo.

‘Black Samson, The Black Swordsman’ cover art; Photo: M. Vizcaino.

Black Samson features the current Wu-Tang members: RZA, Raekwon, Method Man, GZA, Ghostface Killah, Inspectah Deck, Cappadonna, Mastah Killa, and U-God. The album also includes renowned artists Kool G Rap, Benny The Butcher, 38 Spesh, Crooked I, R.J. Payne, Willie The Kid, Nicole Bus, Kameron Corvet, and Kurupt. According to Mathematics, each added their distinct rhyme style and creativity to each track.

“The artists all kept it hard and kept it beautiful.”

And audibly, the beauty of seasoned lyricists annihilating the mike was transcendently evident. Tracks like “Cleopatra Jones,” featuring Raekwon Masta Killa, and “Warriors Two, Cooley High,” featuring Benny the Butcher and Method Man, had the guests in the studio bopping their heads, immersing themselves in the hard-hitting beats, taking them on a musical rap odyssey.

Wu-Tang Clan x Mathematics ‘Black Samson, The Black Swordsman’ Album listening session, pictured (Mathematics). Photo: @Robert.photoshoot + @jon_officials.

Experimental, soulful storytelling and, in true Wu-Tang Clan fashion, karate flick sound effects and soundbites are prevalent on the album with an edgy spin. Black SamsonThe Bastard Swordsman is the first collaboration from existing Wu-Tang members since 2015’s Once Upon a Time in Shaolin. The album drops as a limited edition on April 12th on National Record Store Day on a 2LP audiophile-grade vinyl featuring 5,000 one-of-a-kind covers. The whole LP will be available worldwide on April 25thClick here for a sneak peek!

Buena Vista Social Club’ the Musical Provides Cuban Seasoning for the Soul — And a Heartfelt Nostalgia for the Island’s Music of Yesteryear

The new Broadway musical strikes a universal chord of excitement, joy, and love-loss among theater patrons.

Ensemble and band from the Buena Vista Social Club musical; Photo: Matthew Murphy/Polk&Co.

Move over MSG and Radio City Music Hall; this new Broadway musical recently brought the house down to a packed 1,080-seat smaller venue. The clapping, head-bopping, and toe-tapping continued throughout the performance from theatergoers, young and old. It was an electrifying musical shock to the senses, reverberating well after the curtain call and the lights went dark.

The story, inspired by true events, follows producer Juan de Marcos González (Justin Cunningham, King LearSuccession) attempting to reunite acclaimed Cuban performers from a pre-revolution era of the Buena Vista Social Club from Marianoa, Cuba, where infectious live music filled the hearts and tickled the feet of Black Cubans banned from playing in white clubs on the island for one last record. An album compilation that would win a Latin Grammy and see worldwide success much later. De Marcos is determined to collaborate with Omara Portuondo (Natalie Venetia Belcon, MatildaAvenue Q), one of the most talented vocalists since the 50s. Omara reproaches De Marcos’ offer. She’s standoffish. Distant. And unwilling to disclose her reluctance to the reunion.

Renesito Avich as Eliades and Natalie Venetia Belcon as Omara in the Buena Vista Social Club musical; Photo: Matthew Murphy/Polk&Co.

Until…

We flashback to her younger self at age 19, when she was part of a singing group with her older sister, Haydee. The duo performs regularly in Cuba’s infamous Tropicana Club and has an opportunity to sign with Capital Records in America. However, young Omara (Isa Antonetti) is conflicted about moving to America, and her desire for singing soars after an encounter with a young Afro-Cuban musician, Ibrahim Ferrer (Wesley Wray), who doubles as a busboy at The Buena Vista Social Club. It’s at this club that Omara awakens the capacity of her vocal instrument and sings from her heart with Ibrahim and other talented musicians like Compay Segundo, played wonderfully by Julio Monge (On Your FeetWet Brain), and Eliades (Renesito Avich, Cuban Grammy-nominated singer-songwriter), that breaks out into a jaw-dropping guitar solo that will blow your mind.

It’s a musical tale rife with upended familial bonds and new friendships formed and disintegrated with music at the center. As young Omara, Isa Antonetti makes her Broadway debut with a multi-ranged voice primed for the stage. Belcon, as the older Omara, steps the solemn singer’s role with ease and conviction. Wesley Wray also makes his Broadway debut as young Ibrahim Ferrer, a charmer who masterfully sings through his character’s turmoil. The set and costume design transports viewers into a pre-revolution Cuba with beautiful orange/red sunsets, shimmering outfits, and intoxicating Cuban music that can’t be quelled and activates every cell in your body.

Isa Antonetti as Young Omara in the Buena Vista Social Club musical; Photo: Matthew Murphy/Polk&Co.

The Buena Vista Social Club musical, written by Marco Ramirez (Orange is the New Black, Daredevil), developed and directed by Saheem Ali (Goddess, Fat Ham), choreographed by Patricia Delgado and Justin Peck, and music by Buena Vista Social Club™, is running at the Gerald Schoenfeld Theatre. To learn more about this phenomenal musical and get tickets, click here.

Entire CastProduction, and Band Credits.

‘Get Away’ — A Serial Killer Sleeper Film That Blends Horror and Comedy Brilliantly

It’s National Lampoon Vacation meets Midsommar. The film keeps you laughing and on your toes throughout with a strangely fun who-dun-it twist.

From L to R: Nick Frost (Richard), Sebastian Croft (Sam), Maisie Ayers ( Jessie), and Aisling Bea ( Susan) in ‘Get Away’; Photo: IMDB.

As a horror and comedy film buff, I’ve never thought that, as some film critics and historians attest, both genres could coexist in one film and do so seamlessly. I found a movie that pulled off this medium mashup, made me laugh, and had scary scenes sans the cheesiness factor. It is almost impossible for contemporary horror films to pull off.

And that film is Get Away.

It stars British actor and comedian Nick Frost, who also wrote and produced the movie. You may know him from Cuban Fury (one of my favorites by Frost), Shaun of the Dead, and Paul, where he co-stars with his best friend and fellow writer/actor, Simon Pegg, who helped launch Nick Frost’s film career.

In Get Away, Frost plays Richard, the patriarch of the Smith family. They are on their way to the isolated Swedish island of Svälta, where locals are about to celebrate their traditional annual event, Karantan. The residents have no interest in foreigners participating in their rituals and do everything they can to deter the Smiths from enjoying their vacation.

Sure, there are horror film tropes that audiences will recognize: the strange and rude shopowners insisting the Smiths miss their ferry to the island; the ominous old lady at Svälta chanting Swedish sayings and continually hissing at the family; and the creepy Airbnb host, with a penchant for young girls and boys, eagerly shows Jessie (Maise Ayers, Criminal Record) around the house while getting inappropriately close.

Maisie Ayers (Jessie) and Eero Milonoff (Matts) in ‘Get Away’; Photo: IMDB.

What starts as a familiar family road trip with annoying teenagers in the back seat, complaining about snacks, boredom, and engaging in sibling banter takes a turn from the expected to the surprisingly gory. Richard, an unassuming, mild-mannered father, wants the family to have a good time. The obliging mom (Aisling Bea, This Way Up)is ready to embark on an island where her ancestors may have caused mayhem and the demise of its citizens. The story does a complete 180 in the most unhinged and unexpected way. I won’t give you any spoilers. Some reviewers and audiences may have seen the carnage coming. But others, like me, did not and enjoyed every bit of the 86-minute slasher/comedic ride.

And I think you will, too. Steffen Haars (New Kids) directs. Frost and Haars also teamed up for the 2024 film Krazy House, starring Alice Silverstone, where Russian criminals posing as workers threaten a fictional sitcom family, and chaos and gore ensue. If you’re ready to laugh and succumb to some thrilling scares, stream Get Away on Apple TV.

DVF Sets NY Fashion Week Ablaze with Reimagined and New Sultry Animal Prints with Her Spring 2025 Odyssey Collection

The heritage brand, launched in 1974, catapulted Diane von Furstenberg’s signature wrap dress into a mainstay in women’s wardrobes more than fifty years ago. It continues to evolve with daring designs!

From Left to Right: Photograph of Diane von Furstenberg from the 1970s and Collage
of DVF’s First Wrap Dress; Photo: M. Vizcaino/DVF Flagship NYC Store.

This year, the renowned designer drew inspiration from previous collections and created versatile pieces in knit, silk, and cotton blends with stunning blue/green, pink and purple, and black hues ready to transform your closet dramatically.

Step into the Wild

Choose between tiger, cheetah, or zebra prints in luxury, lightweight fabrics that perfectly meet the moment at any time of day or night. Whether in a business meeting, brunch setting, or evening excursion, these designs have you covered in effortless style, from a show-stopping print trench that can double as a dress to light up the room or sidewalk to a playfully plunging neckline tiger-print wrap or a fabulously form-fitting dress for the trendsetting woman.

From left to right: The Amara Wrap Dress Retails for $498, the Jasper Trench Coat for $698, and the Florence Short Sleeve Dress for $458. Photo: DVF.com.

Classic Prints Are The Rage, Too!

Diane von Furstenberg channels designs from past collections to create silk cotton and viscose ensembles for a new generation of fashion-forward and fearless females, embracing femininity and empowerment in their everyday lives with bold, vibrant pieces.

*Standout piece: A dazzling black and white, bohemian chic 70s-style jumpsuit that exudes confidence in any room.

The Delia Jumpsuit Retails for $498; Photo DVF.com.

Bonus accessory: A flag scarf ( in various colors retails for $258) can instantly transform your outfit from 100 to 1000!

Black Hues Are Back Better Than Ever

You can never go wrong with black if you’re looking for a solid, contemporary hue. It’s sleek, elegant, and transitional. And this season, the fashion legend created pieces to mix and match with staples in your fashion arsenal or wear as a sensational stand-alone.

DVF Ballerina Dress retails for $588; Photo: DVF.com

Meet the Ballerina dress, made with a smooth matte jersey for traversing the city and dancing the night away—in deliciously unrestricted construction! Click here to shop Diane Von Furstenberg’s Odyssey Collection!