Kew Gardens isn’t known to be epicenter of film, but with this year’s film festival lineup – it is well on its way. This culturally rich Queens enclave is currently hosting 110 films from 23 countries, including the U.S. Canada, Italy, Turkey and South Africa. The Kew Gardens Festival of Cinema, now in its 2nd year, is claiming its status as a purveyor of cutting edge cinema. Watch out Cannes! This year’s festival categories include narrative features, documentaries, short films, animation, experimental, music video and web series. The Kew Gardens Festival of Cinema has partnered with the Regal Entertainment Group’s UA Midway Stadium 9 and The Queens Museum to bring these brilliant films the recognition they deserve. After meeting their crowdfunding goals, festival organizers are committed to endorse neighborhood businesses to festival attendees.
On opening night, there’s always a film that steals the spotlight and sets the bar for the rest of the festival, At the Kew Gardens Festival of Cinema, this night was no exception. “The Song of Sway Lake” directed by Ari Gold was it. The film about a young man, Ollie Sway (Rory Culkin), who travels along with his friend, a comical and sly Russian transient, to the his family’s once glamorous lake house in the Adirondacks to steal a one-of-a-kind vintage record with the secret recording of the hit “Sway Lake.” Ollie believes the record will improve his life and help him understand his father’s suicide at the famed lake – until his plans are thwarted by his grandmother, Charlie Sway (Mary Beth Peil). The cinematography and original music by the director’s brother, Ethan Gold are expertly sprinkled throughout the film and transport the audience back-and-forth to a simpler elegant era in America. The scoring in the film is a character in itself with nostalgic interludes between scenes. “The Song of Sway” is a romantic drama tackling the complexities of family, love, friendships, and death with beautiful storytelling. Rory Culkin and Mary Beth Peil are extraordinary to watch. The late actress, Elizabeth Peña as Charlie’s housekeeper/confidante/friend/punching bag is resilient and stoic. Known for “La Bamba” and “Jacob’s Ladder,” Peña will be missed.
Festival closer and critically acclaimed film, “Virginia Minnesota” also examines complicated friendships. The indie film by Daniel Stine about two friends reconnecting after 15 years for a will reading at the foster home they both lived in as young girls and vowed never to return, due to the mysterious childhood tragedy bestowed on their young friend Virginia. Now in their mid-twenties, Lyle and Addison embark on a journey of painful childhood memories, turbulent relationships, and self-reflection. This film will make you believe in fairy tales and the monsters that sometimes inhabit them – with optimism and faith.
Two whodunits worthy of recognition are “Murder Made Easy” by director Dave Palamaro and Canadian film “The Doctor’s Case,” directed by James Douglas and co-director Leonard Pearl. Each offers a creative spin on the murder-mystery genre. “Murder Made Easy” follows Joan and Michael, two friends throwing an elaborate dinner party for their close friends to remember the passing of Joan’s husband, Neil, on the one-year anniversary of his death. The friends may not want to ingest what these hosts are serving – literally and figuratively. Although some of the scenes are far-fetched and a little over-the-top, the plot twists are so entertaining you’re willing to forego some of the missteps in this clever pop horror film. Based on the short story by Stephen King, “The Doctor’s Case” shines the spotlight on Sherlock Holmes’ assistant, Dr. Watson, as he takes the lead in solving the murder of a contemptuous English lord. When you couple The King of Horror’s story with the mastermind detective, audiences are in store for a thrilling ride. Add to that, actors William B. Davis as Dr. Watson from “The X-Files” series and Denise Crosby (also guest-starred on “The X-Files”) as Captain Norton from “Star Trek: The Next Generation,” who keep the suspense going throughout the movie.
A film festival isn’t complete without stellar documentaries making powerful statements. And, after watching “Modified” and “Beneath the Ink,” mission accomplished. Filmmaker Aube Giroux takes a startling look at the inclusion of GMOs – Genetically Modified Organisms – for instance: corn crops being injected with pig genes by food manufacturers in the US and Canada with no regulations in place. Scared yet? You will be after viewing “Modified.” Giroux took over 10 years to finish this personal project and interjects touching memoir-style scenes of her family and her love of food throughout the years. It’s eye opening, frustrating and necessary to watch. “Beneath the Ink” by director Cy Dodson is a timely documentary exposing the hate and racism in a Southeastern Ohio (Appalachian region) community and what one tattoo artist is doing to help change people’s views and a chance at redemption. The film shows various facets of racism – how it is taught through generations and the individuals in this community that are committed to changing their indoctrinated hateful beliefs. It’s raw and real and we need more films like these highlighting solutions – not problems – with racism, exacerbated by the current administration.
Short film “R.V” was made right after the 2017 elections by directors Will Hawkes and Melissa Center to give women a voice and take a stand on the injustices seen in this country as basic human rights are consistently stripped away by elected officials. The film follows a couple after they make a difficult decision to have an illegal abortion in a seedy motorhome after the wife is left with no other legal alternative. This film’s subject matter couldn’t be any more relevant as the looming induction of Supreme Court Justice Brett Kavanaugh is underway. Kavanaugh is a vocal opponent of Roe v. Wade. Time will tell if the landmark case and law that followed to make abortions legal will be phased out.
On a lighter note, the Belgium animated film “Catherine” by director Britt Raes, is about a girl who loves pets, but has a hard time keeping them alive, until she gets a cat. The film illustrates the universal empathy children display to animals. As she grows up she has a hard time socializing with other people but is comforted by her cat and ultimately becomes a crazy old cat lady. This film is reminiscent and a sweet reminder of the childhood pets we love and become accustomed to and how we recover from the limited time they spend with us – funny and bittersweet film worth seeing.
Apart the fantastic screenings, The Kew Gardens Festival of Cinema presents two panels: The Jury’s Out: Meet the 2018 Festival Jurors, and A Change Overdue: Diversity in Cinema, a discussion on diversity in independent film featuring invited filmmakers from the festival at the Center at the Maple Grove in Queens. On Sunday, August 12th, the final day of the festival, the Awards Dinner Gala returns to Terrace on the Park in Flushing Meadows-Corona Park. Do not miss out on this incredible film festival! To get more information and to buy tickets to the Kew Gardens Festival of Cinema, click here: