Mathematics Reinvents The Wu-Tang Sound with the New ‘Black Samson, The Bastard Swordsman’ Album

Wu-Tang Clan members and guest artists collaborated on the record, which features fresh beats and sonically elevated rhymes reminiscent of the group’s legendary hits.

Black Samson, The Bastard Swordsman Album; Photo: DKCNews.

Young and old, hip-hop heads gathered at the IMI Studios in Manhattan recently as producer/DJ Mathematics debuted the tracks off the highly anticipated Wu-Tang Clan x Mathematics Black Samson, The Bastard Swordsman album. The intimate setting enabled attentive listeners to soak in the melodies and arrangements selected by Mathematics, who provided anecdotes, tales of his carpentry background, and inspiration for the songs.

Mathematics is more than Wu-Tang’s multi-talented go-to-producer, even before the critically acclaimed Enter the Wu-Tang (36th Chambers) dropped in 1993 and changed Hip Hop forever (recognized as one of the top five most influential Hip-Hop albums ever made!). Mathematics, aka Ronald Maurice Bean, is the group’s musical muse and graphic artist. Not only has he produced many of Wu-Tang’s greatest hits like “Protect Ya Neck,” “C.R.E.A.M,” and “Bring Da Ruckus,” but he also designed the Wu-Tang Clan logo.

‘Black Samson, The Black Swordsman’ cover art; Photo: M. Vizcaino.

Black Samson features the current Wu-Tang members: RZA, Raekwon, Method Man, GZA, Ghostface Killah, Inspectah Deck, Cappadonna, Mastah Killa, and U-God. The album also includes renowned artists Kool G Rap, Benny The Butcher, 38 Spesh, Crooked I, R.J. Payne, Willie The Kid, Nicole Bus, Kameron Corvet, and Kurupt. According to Mathematics, each added their distinct rhyme style and creativity to each track.

“The artists all kept it hard and kept it beautiful.”

And audibly, the beauty of seasoned lyricists annihilating the mike was transcendently evident. Tracks like “Cleopatra Jones,” featuring Raekwon Masta Killa, and “Warriors Two, Cooley High,” featuring Benny the Butcher and Method Man, had the guests in the studio bopping their heads, immersing themselves in the hard-hitting beats, taking them on a musical rap odyssey.

Wu-Tang Clan x Mathematics ‘Black Samson, The Black Swordsman’ Album listening session, pictured (Mathematics). Photo: @Robert.photoshoot + @jon_officials.

Experimental, soulful storytelling and, in true Wu-Tang Clan fashion, karate flick sound effects and soundbites are prevalent on the album with an edgy spin. Black SamsonThe Bastard Swordsman is the first collaboration from existing Wu-Tang members since 2015’s Once Upon a Time in Shaolin. The album drops as a limited edition on April 12th on National Record Store Day on a 2LP audiophile-grade vinyl featuring 5,000 one-of-a-kind covers. The whole LP will be available worldwide on April 25thClick here for a sneak peek!

The Queen of Salsa, Celia Cruz, Gets Her Own Barbie — Just in Time for Hispanic Heritage Month

But the honor bestowed on the legendary singer transcends her contribution to Latin music and recognition for acclaimed Hispanics, solidifying our culture and influence in America.

Mural of Celia Cruz; Photo: M.Vizcaino

Celia Cruz’ Barbie doll symbolizes much more than the legendary performer putting the music genre on the map. Although she passed in 2003, 20 years later, she’s still seen as a beacon of hope and a staunch advocate for freedom, especially in historically challenging times.

Mattel’s Inspiring Women series inclusion of the Celia Cruz doll reflects the Cuban icon’s legacy and stronghold on Latin music. They’ve struck commerce gold with the Barbie doll. No longer available on the toy retailer’s website and perpetual backorder, the Celia Cruz Barbie is in high demand and sold out from other popular retailers. Walmart has it. But it’ll cost you. Almost double, in fact (original Mattel price: $35). My partner recently purchased it as I’ve admired the singer all my life and we share the same heritage.

So, what does the Celia Cruz Barbie look like?

Celia Cruz Barbie; Photo: Courtesy of Mattel

Known for her dazzling, colorful outfits and elegant wigs on stage, Mattel recreates the singer’s signature look with an eye-popping red and gold dress, matching gold block-heeled sandals, and pristine blonde wig, complete with a gold microphone in hand and images of the performer in the sixties and seventies throughout the box seal the packaging’s aesthetic.

Celia Cruz, born 1925 in Barrios Suarez, Havana, Cuba, was one of four children. Lover of music and dance from an early age, she acquired her first pair of shoes by performing for a tourist in Cuba. From then on, Celia’s passion for singing led her to perform in school productions, notably Havana’s National Conservatory of Music. Her talent caught the attention of musicians and producers after winning a radio contest called the “Tea Hour.” She joined the Las Mulatas Del Fuego group and became the first female lead singer of La Sonora Matancera, Cuba’s most famous orchestra.

On the heels of her success with the orchestra and while touring in Mexico, Cruz decided not to return to Cuba as the Cuban Revolution was in full swing in 1960. Enraged at Celia’s defection and realizing he had lost one of the country’s national treasures, the vindictive dictator banned the singer from returning to the island. And she never did. She made America her permanent home and joined the Tito Puente orchestra in the mid-1960s. Cruz’s dazzling costumes, high-energy performances, and magnetic personality catapulted the group’s popularity. The label (Fania) dedicated to salsa, a sound mixing Cuban and Afro-Latin beats, emerged in the late 1960s and 1970s when she recorded one of her trademark hits, “Quimbera.” Unfazed by being the only female performer in a large band (unheard of at the time in the male-dominated industry), Celia’s fame continued to ascend — touring internationally and performing with the biggest names in music.

Fania All Stars in 1980; Photo: Celia Cruz Biography

The multi-Grammy-award-winning celebrated songstress’s career spans six decades with 80 albums, earning 23 Gold Records. She pioneered the music genre of salsa globally, paved the way for other artists, and amplified her Afro-Latinidad heritage through song, dance, and dress. Mattel creating a doll in her honor is an incredible source of pride for me and countless Latinos, further establishing her star power and legacy. Check out Mattel’s website to buy the Celia Cruz Barbie and other dolls from their Inspiring Women Series.

‘In Case You Didn’t Know: A Conversation with Rhonda Ross’ – Revelatory and Raw!

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Photo: Courtesy of Rhonda Ross

As the eldest daughter and only child of music legends Diana Ross and Berry Gordy, Rhonda Ross has managed to rise above her famous parents’ shadow and carve out a career replete with film, TV and theatrical triumphs. She was bit by the acting bug at the start of her entertainment career and joined the cast of NBC’s popular soap opera, “Another World” as “Toni Burrell – which led to an Emmy nomination. Ross later went on to star in Showtime’s “Bessie Coleman: A Dream to Fly,” the film Hook’d Up, and toured nationally with the Vagina Monologues; It’s clear Ross doesn’t shy away from the spotlight, she revels in it.

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L to R: Patrick L. Riley and Rhonda Ross

And recently, all eyes were on Rhonda Ross as Patrick L. Riley from the digital talk show, “The Happy Hour” hosted and served as moderator for an intimate setting at The National Black Theatre. As he posed personal and professional questions to the singer/songwriter, I was surprised at her candor. She revealed details about her childhood that I think most celebrities with her family lineage would be inclined to withhold. For instance, discovering at the age of 13, that her then stepfather, Robert Ellis Silberstein, Diana Ross’ former husband, wasn’t her biological father and receiving confirmation why her younger sisters seemed different than her with their physical attributes. She thanks her mother Diana for being truthful and arming her with the resilience and guidance to navigate the world and providing unconditional love, as evidenced by the tight bond the 5 siblings (sisters: Tracee Ellis Ross (star of the hit series, “Black-ish,” Chudney Ross, younger brothers: Evan Ross and Ross Naess) share with each other. If you follow them on social media, they support and advocate for each other’s professional endeavors and their extended families with sweet, playful displays and undoubtedly fierce loyalty. As moderator, Patrick L. Riley coined it: “No one does blended, like the Rosses.”

Adding to the excitement of the night was Rhonda’s 10 year-old son, Raif Henok – whom Ross home-schooled. He can speak 4 languages and is very comfortable in the limelight, stealing the show on multiple occasions throughout the evening. Ross, when speaking about her son was honest about the hardships she and her husband (Rodney Kendrick), and musical partner of 20+ years had conceiving. She went on discuss the lack of and misguided instruction he endured at the hands of private school teachers and was lucky to find a home-schooling collective of people that helped her make the right decision for her son’s education.

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L to R: Rhonda Ross and son, Raif Henok

The audience, including myself, hung on to Rhonda’s every word. How could we not? It was a rare opportunity to witness a celebrity  divulge so much of their personal and professional journey with such honesty and bravado. Ross is determined to speak her truth and live an authentic life. The Neo-Soul singer continues to tour with her husband and mother, Diana Ross, throughout 2020 and has exciting plans to enter the acting world soon. To learn more about Rhonda Ross and check out tour dates, click here.

Illustrious Choreographers Dwight Rhoden and Desmond Richardson Supersede Expectations With Complexions Contemporary Ballet’s New Season!

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L to R: Dancers: Candy Tong, Tatiana Melendez, Eriko Sugimura Performing “Love Rocks,” Photo: Justin Chao

Complexions Contemporary Ballet’s 26th season is back in full swing. Bringing to the stage previous audience favorites from the last two decades and sensational world premieres such as “Kaleidoscope,” “Elegy,” and “Love Rocks”. And, if you’re an aficionado of dance and Lenny Kravitz, you’d be remiss to overlook this magical performance as Complexions pays homage to the Grammy award-winning songwriter and advocate of love and unity.

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L to R Complexions Contemporary Ballet’s Pre-Professional Program Dancers, L to R Dwight Rhoden and Desmond Richardson, Photo: THEGINGERB3ARDMEN

The evening, celebrating Complexions Contemporary Ballet fundraising Gala, highlighted co-founders Desmond Richardson and Dwight Rhoden’s educational initiatives to guide the young dancers of tomorrow through scholarships, mentorship programs and reinforce the artistic directors’ methodology of dance training. A testament to Richardson and Rhoden’s dance instruction was manifested by the dancers from Complexions Contemporary Ballet’s Pre-Professional Program performing “Kaleidoscope,” the aspiring professional dancers are poised, (some hail from as far as Winnipeg, Canada) to join an acclaimed dance company in the near future. Actress, songwriter, and musician Rhonda Ross kicked off the night to remind audience members the importance of dance as self-expression and daring everyone to reach for more – sentiments shared, and at the heart of Complexions Contemporary Ballet’s mantra.

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Singer, Songwriter Rhonda Ross, Photo: THEGINGERB3ARDMEN

Setting the stage ablaze with her statuesque physique and mesmerizing dance moves was Jillian Davis. Davis has been with the company since 2014 and not only does she tower over the other dancers – male and female; she owns her height and glides across the stage with grace and confidence. On this night, Davis’ solo and world premiere of “Elegy” solidified her talents as a solo act and theater patrons will marvel at her performance.

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Jillian Davis, Photo: THEGINGERB3ARDMEN

The final act of the evening was “Love Rocks” – a compilation of Lenny Kravitz’s music catalogue set to Dwight Rhoden’s choreography and performed by the entire company. These dancers did not miss a step. With their beautiful movements, the dancers captured Kravitz’s soulful and sultry voice. “Are You Gonna Go My Way, “ Fly Away,” and “I Belong To You,” – are some of the rock star’s popular songs featured in the tribute. The sensual costume design coupled with equally titillating mood lighting and backdrop, set the ambiance and ended the night on a high note.

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Dancer Tim Stickney and The Company, Photo: Steven Pisano

Complexions Contemporary Ballet will showcase their 26th season now through February 2, 2020 at the Joyce Theater in Manhattan. Do not miss this opportunity to see these incredibly gifted dancers on stage featuring classical, modern, and experimental ballet. To get tickets for upcoming shows and learn more about Complexions Contemporary Ballet, click here.

Credits:
KALEIDOSCOPE
Choreography by: Dwight Rhoden; Staged by: Natiya Kezevadz & Clifford Williams; Music by: African Drums and Soukouss – Beat the Drum, Mari Samuelson, Konzerthausorchester Berlin & Jonathan Stockhammer – November, Michael Bublé – Who’s Lovin’ You; Featuring the Complexions Contemporary Ballet Pre-Professional Program.
ELEGY
Choreography by: Dwight Rhoden; Music by: Beethoven; Lighting Design by: Michael Korsch; Costume Design by: Christine Darch; Performed by: Jillian Davis.
LOVE ROCKS
Choreography: Dwight Rhoden / Desmond Richardson; Music: Lenny Kravitz; Costume Design and Construction: Christine Darch; Lighting and Set Design: Michael Korsch; Sound Design: Corey Folta; Performed by: The Company.