December 6, 2021December 6, 2021 by mvfour

CEO And Author, Janessa Rose Perez Redefines Motivational Speaking And Activism For The Culture

Photo: Courtesy of Janessa Rose Perez, Janessa Rose Perez in Coney Island

Although Latinas have been disproportionately affected the most by the economic fallout the pandemic has inflicted, accounting for 45% job loss in the U.S.; there is also good news: as of last October, new data reveals Latinas are more determined than ever to achieve entrepreneurial and financial success in the arts, entertainment, and cultural sectors. One such Latina making her mark in her community, driven to make to make an impact for generations to come is Janessa Rose Perez. The first-time author, CEO and founder of the non-profit Motivational Monsters, Inc. is taking a stand and giving voice to the under-served neighborhood that has shaped and transformed her into a pillar of strength and positivity.

We sat down with Janessa Rose to learn more about her decision to self-publish during the throes of the pandemic lockdown, her interest in community activism, and her motivation to pursue entrepreneurship.

When did you launch your nonprofit Motivational Monsters Inc.? Can you walk us through your journey in launching this organization and why you thought it was necessary?

I started the nonprofit in 2018, after I had managed independent entertainers and artists. Working with them triggered something in me – songs about street-life, dealing with situations that I had experienced, growing up in Coney Island and confronting issues that caused me pain. I wanted to start a company and build programs around the community I’m from – addressing overcoming and healing trauma. Initially, I wanted to have a platform for motivational speaking. I’d go to prisons and juvenile detention centers in New York City. I would speak to kids, young adults, and older folks and talk about healing the broken urban mentality that leads us to believe we need to have a certain lifestyle to be happy that ultimately yields undesirable results, and leads to self-loathing, absence of self-love, and in turn, makes us normalize trauma. The nonprofit was born out these thoughts I was grappling with, and motivated me to eventually write my book: HOW TO: STOP BEING A F*CKING B.U.M. (Broken Urban Mentality)

Photo: Courtesy of Janessa Rose Perez, Janessa Rose Perez

So while other people were learning to make bread and picking up other hobbies during the lockdown, you wrote a self-help manuscript. What prompted you to write the book?

It took time to heal my own trauma and do some real deep self-reflection. During the pandemic, I was home, and chose to write and think about my own behavior and how I could change it. I was born in bred in Coney Island, Brooklyn. Many refer to my neighborhood as the ghetto-by-the-sea. It’s a project environment. Watching my grandmother, the matriarch of the family, come from Puerto Rico, uneducated, and take care of 10 of us was incredible. She ran an illegal number-running business, to put food on the table and I’d see her get dragged off to jail. It was rough witnessing that. She was so strong-willed, still is. And I think I inherited her strength; I had to protect myself from harmful circumstances. I became rebellious in my teens, started cutting school, hanging around dangerous men, drug dealers and realized that was the mentality of most people in my surroundings. The consensus was: you become cool and successful in this community making money and endangering your life. And most revered and normalized this fact. I’ve had many friends who’ve been murdered because they fell into this cycle of living this fast life and acquiring material things.

Being in this environment, I had to quickly learn how to provide for myself and become more business-oriented; establish myself as a boss to survive. I founded an escort agency, not where the women slept with anyone; more of a date-for-hire for an evening out or for an important event. I knew many girls and models in the entertainment industry at the time. But, the more involved I became with that scene the more lost I became in that world and a feeling of condemnation overcame me. The business no longer served me. I didn’t feel happy. And I realized I was meant to do something more meaningful with my life.

As I read your book, I found the chapter “The SEXY B.U.M.” interesting. In the sense that, it reminded me of many people I grew up with; turning to material things and the Internet to make themselves feel better. What made you decide to write about this topic? Do you think stars like Cardi B. are detrimental to young urban Latinas or young people in general?

Cardi B. doesn’t realize the people and systems that give her a platform are conditioning her, and she fits into this paradigm. It comes from this conditioned thinking we see with young urban women; they don’t see any women of value in their lives other than being sexy, subscribing to the ideology that your sexiness can make you millions or billions, and nothing else. Cardi B., and people that look up to her are going to jump at that chance! When I became a rapper, the management company representing me liked my look and encouraged me to wear less clothing; to be more seductive, and that’s not the image I wanted to portray. I was writing deep lyrics that were truthful, things that needed to be said. They didn’t think the songs would sell. I had the street and tough factor – but they realized I was too smart for them to control, so I abandoned my rap persona: Gina Montana, temporarily though, she might resurface!

How about the chapter on “The DRUNK B.U.M.” Can you speak to what motivated you to write it —even though it’s not rooted in science?

I respect everyone’s belief system. Not everyone is going to agree with what I’ve written, but these chapters are based on my lived experiences. We are all energies – vessels housing and emitting energies. When you’re drinking alcohol your energy and spirit can be easily manipulated if you’re in a low point in your life, as I’ve been many times. When you’re a person with unhealed trauma, living in fear or anger, you’re susceptible to lower vibrational frequencies, and are easily manipulated. When I used to succumb to liquor, I would get very violent. I’m very spiritual and believe there are entities out there (outside forces, if you will) that look for vulnerable individuals open to being manipulated. While those that have complete domain of their thinking, are in a good place in their lives, and can manage their alcohol without becoming reckless. Those that seek alcohol as a coping mechanism, don’t.

The takeaway I want readers to have from the book is for them to become more self-aware of their behaviors. Break the cultural generational cycle of internalized trauma and constantly searching for things and status that leave them feeling empty. And, finally to be honest about the work they have to do to heal.

Photo: Courtesy Of Janessa Rose Perez, Janessa Rose Perez (Center) With Elected Officials At The Motivational Monster’s Inc. Gala.

What are your plans for the future with Motivational Monsters Inc. and your book?

I have so many plans. I want to make an audio version of the book and eventually go on a book tour. It’s been well received by my community. What I’m most excited about is developing an interactive creative center, where marginalized people in the community can get help with becoming entrepreneuers or having a creative outlet to build something of their own. I’ve been doing lots of work with the community this year, like launching our summer wellness fair, and our first annual Urban Pumpkin Patch event. I recently held my first Motivational Monsters Inc. Gala to promote my community garden project and get support and funding from elected officials. It’s been neglected for so long and I’d like to turn it into an urban farming community and start a daily urban farmers markets. I was recently asked to join the board as vice president. But, it doesn’t stop there. Fidelis, a big healthcare organization, recently became a sponsor and they are looking to establish wellness programs in women’s shelters and LGBTQ organizations.

It’s clear multi-hyphenate, Janessa Rose Perez shows no signs of slowing down. The entrepreneur and community activist is committed to making the same environment that caused her anguish at times – yet taught her to be resilient – a place where everyone can flourish; an inspirational hub the community can feel happy and hopeful about. As Perez meets and organizes with political leaders to get her projects off the ground, we may see political aspirations of her own in the future. Could she be the next A.O.C.? Putting her community’s needs on the political map and claiming her own moniker: J.R.P. Only time will tell for this inspirational Latina.

To learn about the programs offered by Motivational Monsters, Inc., click here and you can find Janessa Rose Perez’s book on Amazon.

February 28, 2021March 1, 2021 by mvfour

Barb And Star Go To Vista Del Mar – Lovable and Kitschy Good Fun!

Kristen Wiig (L) and Annie Mumolo (R), Photo: Cate Cameron

On the fence of what to watch to keep you entertained, while we collectively, stay home to weather the uncertainty of our existence? Look no further than Barb and Star Go to Vista Del Mar, starring Kristen Wiig and Annie Mumolo – the dynamic female duo responsible for the hilarious Oscar-nominated comedy, Bridesmaids, deliver a ridiculous and funny film – yet again. With Writer/Actor/Producer credits under their belt, Mumolo and Wiig, bring a whole new meaning to kitsch – they actually make it cool. According to Mumolo, the completed story for the film took many drafts and years to make, and both her and Wiig were thrilled to see these characters come to life.

So who are these memorable characters? The premise: Barb and Star have known each for most of their lives and come from the fictitious Midwestern city of Soft Rock, Nebraska. After recently being laid off from their dream job at Jennifer Convertibles, the delightfully chatty middle-aged best friends embark on journey of self-discovery and freedom from inhibitions at the Vista Del Mar resort in Florida. What ensues is a trippy and colorful story of a friendship tested by an amorous encounter with Edgar, played by the charismatic, Jamie Dornan, from the famed 50 Shades of Grey trilogy. Who knew Mr. Grey had comedic timing? Well, the dramatic actor who’s played him in the last 3 titillating films – that’s who. Dornan is fantastic as he sings, leaps, and rolls around in the sand, professing his love for his boss and villain in the movie, Sharon Gordon Fisherman, also played by Kristen Wiig. Wiig’s Fisherman villain is reminiscent of her kooky character, Alexanya Atoz from Zoolander 2. Fisherman’s zany plot to destroy the made-up Floridian city, where Barb and Star are vacationing, is as nutty as her costume and make up, also nothing short of spectacular.

Barb and Star Go to Vista Del Mar serves up the type of escapism and joy a movie should provide. Mumolo and Wiig do a superb job of giving these quirky and enchanting characters, in their late forties, a refreshing narrative injected with marvelous musical numbers. Directed by Josh Greenbaum, and also produced by Will Ferrell and Adam Mckay, the Lionsgate film has a running time of 106 minutes, is currently out on all major streaming platforms, arrives on digital March 26^th, and will be out on Blu-ray April 6^th. For more information on the Barb and Star Go to Vista Del Mar, click here.

October 15, 2020October 16, 2020 by mvfour

Amara La Negra’s Star Power Continues to Illuminate: Undeterred by the Pandemic Lockdown, ‘The Love and Hip Hop: Miami’ Personality Pursues Bigger Aspirations

Diana Danelys De los Santos, otherwise known as Amara La Negra, ascent into fame didn’t happen overnight. The singer/songwriter/author and TV host has been in the limelight since age 4 as part of “Sábado Gigante’s” el Clan Infantil (children clan), hosted by Don Francisco. “Sábado Gigante” was the holy grail of entertainment for Latino households across the U.S. – a variety show filled wild performances, comedy skits, games, and lots of models. On for 53 years and acknowledged by the Guinness World Record as the longest-running variety show, it shaped Latino television as we know it. As a teen, if I dared to change the channel – I’d be punished by my parents or encounter a flying chancleta. I remember watching Amara dancing with other little girls – the only Afro-Latina in the group with energy to spare.

I’ve hummed her songs (Ayy and Se Que Soy) and seen her on “Love and Hip Hop: Miami”, but recently watched her on HBO’s “Habla Now” documentary discussing colorism in the Latin community. Out of the 14 celebrities that spoke on Latinidad and their experiences in the U.S., Amara’s words resonated with me: “Colorism and racial issues happen among Latinos as well. We can be very racist amongst Latinos with one aonther. And that’s the truth!” Amara went on to say, “We consistently are trying to see what nationality is better than the other. What race is better? We create this division amongst ourselves. If we don’t see each other as equals we’re never going to be able to grow and feel empowered.” Quite the statement, calling out the hypocrisy in our own cultures, I was drawn to her candor. And reached out for an interview. We chatted about everything from her experience on reality TV, to reinventing herself during the pandemic, to building generational wealth among Latinos.

You’ve accomplished so much before the age of 30. Singer/Author/Actress/TV Host. That’s Quadruple Threat Status. What are you most passionate about and can’t live without doing?

Yes, I guess I am a quadruple-threat (laughs). Being on stage, that’s it. I love performing. I love getting dressed up. I love my dancers and rehearsing with them. I’m a showgirl. I grew up admiring Tina Turner, Janet Jackson. People that put on a show. I love being in contact, in touch with the audience. Feeling that we have a connection. That’s why I appreciate my fans so much.

“Love and Hip Hop: Miami” is in its 3^rd season and you are one of the breakout stars that has gained popularity. Has production resumed and do the producers coerce or suggest that you engage in certain situations that are scripted?

“Love and Hip Hop: Miami” isn’t scripted. I would never bad mouth my producers, no matter what my thoughts are, out of respect and gratitude. But I will say some scenarios are not the ones that exist in my day-to-day life. When you’re on a reality TV show, you have to confront certain situations. Me, away from the camera, I don’t have time for these exchanges and I leave. I’m not a fan of the drama. People place artists, celebrities on a pedestal. Thinking it’s impossible for them to get upset. In real life, people have real personalities – no matter how much you admire them, they have good and bad days. Sometimes you might get them on bad day.

Do you find at this point in your career you still have to explain your Afro-Latina heritage to new members on the show or anyone else you encounter?

When it comes to the show, I’ve made my stance known and everybody knows I’m Afro-Latina. I don’t think I’m the most famous Afro-Latina and everyone should know who I am. I don’t see myself that way. Will I continue to answer questions about my ethnicity and background, if people have questions and don’t know? Definitely. As long as it comes from an educational place, not a disrespectful place and they want to learn.

Amara La Negra in Tu Cara Me Suena, Photo: Amara La Negra’s Instagram

You’ve recently been co-hosting “Tú Cara Me Suena” on Univision. What has that experience been like?

I’ve been with Univision with a long time. I basically grew up in Univision. I never thought as an adult I’d see myself hosting with the network. I’m lying. I’m lying. When I was younger that was my dream. When I used to See Lili Estefan on “El Gordo y La Flaca” I said: One day I want to be a host and do what she’s doing. It’s surreal that I’ve been doing it for the last 2 years. I hosted” Premios Juventud,” “Mira Quién Baila” backstage, and “Sal y Pimienta.”I’m doing another awards show in November, legally, I can’t mention it. But it’s big for Latinos. It’s a blessing. Feels good. I’m able to break barriers for others to come. I’m giving young girls and young men that come from the Afro-Latino community, like me, visibility. It wasn’t easy. I’ve been very vocal about it, but I was able to get a spot. And thanks to this spot, I’m able to open doors for others.

Do you feel Afro-Latina celebrities are scrutinized more as opposed to non Afro-Latina celebrities?

It’s really hard. I’m just speaking for myself. I have only but the best intentions. I’ve never wanted to make anyone feel uncomfortable or offend anyone’s culture or religion, etc. A lot of times, people have these really high standards for me because I’ve become one of the most recognizable faces for the Afro-Latino community, not just as an artist, as an activist too. It’s A LOT of pressure because you have to be so careful with what you say, because you may come across as offensive, even if what you say is true to you. I have to think about my career – something I’ve worked so on hard my whole life. A lot of things can be ruined in a second based on my opinions. It’s hard to be real and be yourself, express how you feel, how people view me without jeopardizing my job.

What do you think about cancel culture? Especially if in the past, you’ve made a controversial statement.

People have become very judgmental. It’s very easy to point fingers at everybody else’s mistakes, without pointing fingers at themselves first. I feel we have to give people opportunities, because we’re human. There’s no guidebook to how to live in this world. We learn as we go. In that process, we make mistakes, and we grow. A lot of people make mistakes – that doesn’t mean we should disregard all the hard work they’ve done, their accomplishments, or impact they’ve made for their culture and communities, up until that moment they said something deemed wrong. I don’t think it’s fair.

What are your thoughts on the anti-Black sentiment expressed by certain Dominican communities in Washington Heights, New York?

I’m not 100% informed on the subject, but I heard something. I don’t want to call out Dominicans specifically. Colorism and racism exist all over the world in every single Latin community. The lack of education, the lack of knowledge brings a lot of ignorance to the forefront. The way people react is based off of ignorance. Everyone is trying to find his or her niche. Everyone is trying to find a spot where they belong. It’s also a system that has brainwashed us for hundreds of years – a brainwashed mentality that has been passed down from one generation to the next and so forth, dividing us instead of uniting us. If we united forces, we’d be unstoppable. It’d be crazy. They wouldn’t know how to handle us as a community. Through education, we can press the reset button in our minds and break that cycle for the next generation to come.

Amara La Negra has kept busy during the pandemic, apart from TV hosting, leading on-air radio shows, and partaking in our interview, she’s been buying real estate. The multi-faceted star bought her first home for her mother, Ana Maria Oleaga, last year. Amara said, “She worked so hard for me to become successful. I wanted to give her something in return.” Amara wants to make smart investments as the pandemic has shut down entertainment production across the globe, she, and all of us, have come to realize: you can’t rely solely on just one source of income – a true test in reinvention. She preaches to her fans about generational wealth and leaving future generations with tools and the foundation to becoming successful. She plans on owning 5 properties by the end of 2020; an empowering Latina female artist realizing her potential and leading by example.

September 15, 2020September 16, 2020 by mvfour

Amy Poehler’s Grassroots Biden Funded Event Gave Viewers Much Needed Comedic Relief

From Top Left: Democratic Vice Presidential Nominee, Kamala Harrris, Former Secretary of State, Hillary Clinton, Bottom Left, Amy Poehler, Maya Rudolph

If you’re like me, you may be experiencing Zoom fatigue. Whether it’s for your job, activism, or getting together with friends and business associates via virtual chat – the novelty of this communication method seems to be waning for many. And with the pandemic, thriving in many states across the U.S. – Zoom or other virtual conferencing platforms seem likely to stay. Yet, the virtual Grassroots Event hosted by Amy Poehler and Maya Rudolph with guest speakers Democratic Vice President nominee, Kamala Harris and former Secretary of State, Hillary Clinton, this week, made me less sour about the medium and restored some of my faith on its benefits.

There were some hiccups, as there always is on Zoom meetings. Someone’s muted; they keep talking, don’t know they are muted, go off to the side, come back and start speaking again and everyone can hear them. In this case, it happened to Amy Poehler: the host. She carried on with her funny animated gestures while Maya Rudolph stepped in. Rudolph attributed to the glitch to a conspiracy plot, while Hillary Clinton blamed the Russians. It was all done in good fun and the mood was light. These two comediennes, who are known to impersonate their guests, knew how to ask pressing questions without the rigidity of typical political discourse and also make us laugh. We found out some interesting facts about the panelists. Hillary likes to nap during quarantine, Kamala has been cooking the same three meals on rotation, Amy has been teaching her kids sign language and Maya has been immersed in playing new games with her children. The hosts did pose serious questions to Harris and Clinton.

They discussed the lack of leadership in the White House, the admission made by Trump on tape, recorded by journalist, Bob Woodward, about how deadly the Coronavirus is, it’s impact, and the near 200,000 Americans left to die because of Trump’s inaction. How Trump projects hostility and can’t take a joke, or make a joke for that matter; a sign, all the speakers agreed is telling of a flawed character. Kamala Harris spoke about Biden’s plans to address climate change with the devastating fires pummeling the West Coast. Joe Biden’s commitment to unite the country. Both Harris and Clinton couldn’t praise the other enough and Clinton assured conference attendees to watch Kamala Harris emerge as the victor during Kamala Harris and Mike Pence’s debate, scheduled in a few weeks. To learn more about future grassroots events and to get Joe Biden and Kamala elected, click here. Also to learn whether you are registered to vote, click here.

August 21, 2020August 21, 2020 by mvfour

Review: ‘American Street Kid’ – Narrative Meets Documentary Style Portrayal of America’s Homeless Youth – Bitingly Gritty and Honest

Homeless kids in Los Angeles, Photo: Jeff Farkash

By definition, documentaries are meant to educate, shed light, and “document reality” to inspire and move audiences on any given subject they may know nothing about. American Street Kid, by writer/director Michael Leoni, met these criteria – and then some. He pushed the genre further by injecting himself into the story; weary at first, I thought his inclusion would taint the outcome of the film – turns out I was wrong. Leoni begins the film by asking random people – young and old – their perception of homeless youth. Typical responses: lazy, unmotivated, and labeled as undesirable. Disheartening to hear as the absence of empathy reflects society’s lack of interest and understanding of how these youths become entrenched in these unfortunate circumstances.

Director Michael Leoni gives us a glimpse into the lives of these troubled young people by hanging out in the Los Angeles neighborhoods they frequent. Unsettled by and distrusting of Leoni, it took time for the filmmaker to gain the kids’ trust. Once he did, the audience meets incredibly charismatic and endearing characters like Ish, a talented African-American musician who struggles with childhood abandonment and abuse by a pimp father and prostitute mother, Greenz and Nick, likeable guy-next door types with winning personalities, yet drugged-addicted with abusive parents that led them to run away and seek a better life in the streets of Los Angeles. Bublez and Kiki, two of the younger kids, the filmmaker encounters, with so much promise, likely destined for tragedy. Although post-film release, Marquesha “Kiki” Babers has launched a successful career as a poet, touring nationwide and speaking about her experiences in conferences.

Bublez on the streets of Los Angeles, Photo: Jeff Farkash

For many of these kids, their fates are sealed in death or imprisonment. It’s inevitable. Failed bureaucratic agencies doing the minimum to assist these kids and overworked staff unable to meet the influx of homeless teens in overcrowded facilities, as Leoni experiences when reaching out to them. But, the filmmaker doesn’t solely rely on the mishaps and the negative circumstances these young people endure to tell the story, he incorporates narrative elements to build storylines with these real-life characters – to not just keep you engaged and sympathize with their abysmal situations, but root for them as you’d be inclined for protagonists in any narrative drama or comedy. It’s a refreshing spin. And it works.

Homeless kids on the streets of Los Angeles, Photo: Jeff Farkash

What started as an assignment to produce a 2-minute PSA on America’s homeless youth turned into an 8-year journey for director, Michael Leoni. Compelled to document the struggles and hardship of America’s 1.8 million forgotten homeless youth, after struggling with financial hardship in New York City at the age of 19, became more than a passion project for him. Leoni launched the Spare Some Change nonprofit to engage and empower homeless youth to change their lives and create a stable future. The film earned the Social Impact Award at the Hollywood Film Festival and Excellence Award at the Impact Doc Awards! The film has a run time of 104 minutes. American Street Kid begins streaming worldwide today on Apple, Amazon Prime, Spectrum, and another popular services. To learn more about more the American Street Kid documentary, click here.

August 15, 2019August 15, 2019 by mvfour

3rd Annual Festival of Cinema NYC: Hosted Brave, Brash, and Beautiful Films

Photo: Courtesy of Festival of Cinema NYC

Festival of Cinema NYC has wrapped its 3^rd season – and it was a season replete with films tackling trauma, love, and hope with authenticity. Cinema fanatics from not just Queens (host location), but all over the world were treated to more than 125 films, relentlessly holding audiences’ emotions hostage and settling up well-deserved ransoms at the end of each screening with sensational works of art.

Photo: Courtesy of Red Dress. Red Straps film

This years’ roster of indie shorts held their own and commanded as much attention as their full-length narrative features and documentary counterparts. The films that merit mention: Red Dress, Red Straps, Keylight, and Coffee and a Donut – brief in presentation, robust with long-lasting, heart-felt and controversial themes that permeated well after their screenings. Red Dress. Red Straps by director Maryam Mohajer follows the story of a young girl in her grandparents’ home in the midst of Iran-Iraq war in 1985. She’s enamored by a pretty pop star’s red dress she sees on television all the while listening to her grandfather’s favorite radio program spouting “Death to America” chants. The child is nonetheless consumed with how the dress her grandmother is making for her will turn out during this upheaval in her life. The whimsical animation touching upon war, coupled with a child’s perception of the world she lives in is bittersweet and enchanting. Red Dress. No Straps was produced in the U.K. and won the Best Animation award from the 11^th annual NYC Independent Film Festival. To learn more about Red Dress. Red Straps, click here.

Photo: Courtesy of Keylight film

Keylight by director Simon Kay begins with former child star Sarah, (Samantha Strelitz) about to audition when she’s suddenly confronted with what seems like stage fright but turns out to be thoughts of a traumatic incident in her past she’s incapable of letting go. Sarah finds a way to channel this experience to bring forth her best stage performance – but via dark introspective means. Winning the Festival of Cinema NYC’s Best Cinematography Award, Keylight offers a fresh perspective on how people can address past trauma to release cathartic enlightening and rise above it. To learn more about Keylight, click here.

Photo: Courtesy of Coffee and a Donut film

Finally, the last narrative short that resonated with me was Coffee and a Donut by director Cary Patrick Martin. The story is about a young Spanish-speaking immigrant (Memo), whom after hearing a patron request a coffee and a donut at a local diner, perpetually asks for the same order because it’s the only English phrase he’s learned. He suffers in silence as he watches others order mouth-watering pancakes and the like – until he meets a fellow Spanish-speaking customer (Rocio Mendez) that helps him learn English, but not without some hiccups. This short film has resonated with audiences as it explores the universal immigrant experience of adapting to a new country they now call home; it’s sweet, funny and empathetic; a film so vital in today’s current political climate, particularly with the current administration’s animosity towards immigrants. Actress Rocio Mendez received this year’s Festival of Cinema NYC Best Supporting Actress Award. To learn more about Coffee and a Donut, click here.

Photo: Courtesy of Over 18: A Documentary About Porn film

Documentaries must be given their spotlight too. After all they focus on topics that are rarely covered in mainstream films. This year’s standouts: Over 18: A Documentary About Porn and The Queens. Over 18 by directors Jared Brock and Michelle Brock chronicle the life of Joseph, a 13 year-old boy recovering from a porn addiction since age 9. Shocking? Absolutely. As the film progresses and shares eye-opening data, the more disturbing it becomes. The filmmakers examine the correlation between the Internet and the easy accessibility children have to porn sites with inadequate, limited restrictions; the male porn stars and companies who’ve profited and continue to make money from pornography, the female stars exploited and left to pick up the pieces – post porn work, and most importantly, the devastating effects and consequences porn addiction can have on children and adults. The directors did a fantastic job of interviewing subjects to discuss their roles in porn culture – specifically content, distribution and consumption; and what ultimately needs to change to safeguard children’s accessibility. To learn more about Over 18: A Documentary About Porn, click here.

Photo: Courtesy of The Queens film

The Queens documentary introduces audiences to a whirlwind of female impersonators and female illusionists around the country vying for the coveted title of Miss Continental. The national pageant, founded by Jim Flint in 1980, is held annually in Chicago and has preliminary qualifying Miss Continental contests around the country and the world. Forget everything you’ve heard or know about traditional pageants. The true super stars are the contestants in this documentary. Filmmaker Mark Saxenmeyer follows contestants that have invested tens of thousands in becoming Miss Continental; the dance routines they create and practice; the lavish costumes and makeup they spend money on; the perseverance they posses is immeasurable. Saxenmeyer delves into the culture of female impersonators and what’s at stake for them to follow their dreams with grace and integrity. To learn more about The Queens, click here.

Photo: Courtesy of Quest: The Truth Always Rises film. L to R, Dash Mihok as Tim and Greg Kasyan as Mills.

In a film festival, more often than not, there’s a film that makes you stop, reflect and ponder for a while what you just saw. For me, this film was: Quest: The Truth Always Rises. Quest, written and directed by Santiago Rizzo, is autobiographical. Rizzo’s character Mills is played by Greg Kasyan. Kasyan (Netflix’s “Daybreak”) portrays a troubled teen in Los Angeles from an abusive home that seems destined for doom with tremendous grit and vulnerability. The teen is a graffiti artist and is talented in his tagging pursuits and expresses interest in school, but lashes out, as he internalizes the consistent physical and verbal abuse his stepfather (Lou Diamond Phillips) bestows on him. There’s a teacher and football coach that takes notice of his behavior and attempts to befriend the youth, albeit with resistance, but ultimately changes his life. The educator played by Dash Mihok (Showtime’s “Ray Donovan”) shows a display of compassion and lack of judgment so admirable and mirrors Rizzo’s true-life mentor, Tim Moellering. Mihok interprets the character with great stoicism and sincerity and the audience can’t help but root for both student and teacher. Receiving Best Feature Narrative at this year’s Festival of Cinema NYC, I can’t recommend this film enough. We need more stories like these to be told and raise awareness of troubled youth, the good these films can do to improve their lives and impact change. I impart Santiago Rizzo’s words from his emotional post-film Q&A: “Trust Your Struggle.” To learn more about Quest: The Truth Always Rises, click here.

Festival of Cinema NYC’s name was recently changed from Kew Gardens Film Festival to promote film submissions globally. The Mayor’s Office of Media and Entertainment and Governor Andrew Cuomo recently acknowledged the tremendous strides the festival is making to promote filmmakers and their work, and the free programming film panels and workshops events they sponsored in New York City. To learn more about Festival of Cinema NYC, click here.

June 3, 2019June 4, 2019 by mvfour

Female Filmmakers Rule The Spotlight At The 22nd Annual Brooklyn Film Festival

Activism, Art, documentaries, Features, FemaleFilmmakers, Film, Filmmaking, IndieFilm, Pop Culture, Positive
Animation, BFF2019, Brooklynfilmfestival, Cinema, Shorts
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Photo: Mercedes Vizcaino

If you’ve had enough of the quintessential Hollywood hyped films that have been – and will continue to be – splashed all over TV stations and streaming services with overly saturated ads (after all it’s only the beginning of June), then check out the roster of films at the 22^nd Annual Brooklyn Film Festival to embrace global innovation and creativity. I’ve seen a few films thus far, in the narrative and documentary features and shorts, and experimental and animation categories, and wow! have they made an impact on me. And, we still have 6 more days of film festival-ing to revel in and see more fascinating films.

It all began with the presentation of The Gathering on BFF’s opening night and this year’s festival theme of empowering women to tell their stories and call out Hollywood for their inaction towards predatory powerful men. The Gathering, directed by Emily Elizabeth Thomas, showcases actresses dressed in character (the nun, elf queen, spy) all sharing personal accounts of sexual assaults within the film industry. The film and director’s message: “NYC…Brooklyn is a space for the other, the weird, the disruptors. And, that a better Hollywood is possible.” Following this powerful short film was the world premiere of Above The Shadows by Claudia Myers starring Olivia Thirlby, Alan Ritchson, Jim Gaffigan, and Megan Fox.

Olivia Thirlby and Alan Ritchson, Photo: Courtesy of Brooklyn Film Festival

Above The Shadows is a supernatural action romance between a tabloid photographer (Holly) and a disgraced MMA fighter (Shayne). Holly has been invisible to her family and society for more than a decade. After discovering that one of her tabloid photos resulted in Shane’s downfall, she tracks him down to make things right and realizes he can see her and has the potential to restore her existence in the world. Director Claudia Myers brings a softer perspective to the sport of MMA and reverses the age-old boy-saves-girl paradigm with Thirlby as a believable heroine and savior of the day.

Elephant in Africa’s Congo Basin Region, Photo: Courtesy of the Brooklyn Film Festival

Regardless if you love elephants or whether you just love all animals, the documentary, Silent Forests, is worth seeing. Taking place in Africa’s Congo Basin region, the film follows Cameroon’s first female eco-guard conversationalist, a Congolese biologist studying elephant behavior, an anti-poaching sniffer dogs team leader led by a Czech conservationist all tackling the unbelievable corruption, lack of funding and weapons, as they deal with the huge crisis of the decreasing population of forest elephants. The film is eye-opening and sentimental in the depths these activists undertake to examine the problem head-on, from poaching to conversation and vice-versa. Check out director Mariah Wilson’s documentary feature on June 4th at 10pm at the Wythe Hotel.

Numa Perrier as Susan (Center), Photo: Courtesy of Brooklyn Film Festival

A recent film that had me immersed in thought long after it ended was: Una Great Movie by Director Jennifer Sharp. The story begins with an African-American woman (Susan) traveling back to Mexico to rekindle a romance with a former lover; then it cleverly switches to the film’s screenwriter second-guessing her characters and their actions in the film and the all-too-familiar producers, “screen therapists,” agents, and movie insiders injecting their formulaic and over-used anchors to drive the film to “sell” and have a mass appeal. This film will speak volumes to all, but is especially poignant for any creative who has dreamt, tried-but-failed, or succeeded in making their vision come to life. It’s funny, full of heart, and entertaining for the entirety of its 96 minutes. Check it out and buy tickets to the world premiere on June 7^th at the Wythe Hotel at 8pm.

Mollie Cowen as Casey, Photo: Courtesy of Brooklyn Film Festival

The documentary short, 3 Sleeps, by painter-turned-director, Christopher Holt is based on the true story of a 9-year-old girl (Casey) left to take care of her younger siblings for a whole weekend in a tough London neighborhood. After her mother leaves young Casey with little money to watch over herself and sisters, her youngest sister, aged 5, becomes ill. While Casey is forced to make the harrowing decision to either protect her mom or save her sister’s life, the audience is at standstill – grappling and sympathizing with Casey’s predicament. Fine acting by actresses Mollie Cowen, Keira Thompson, and Emily Haigh. 3 Sleeps has its U.S. premiere tonight at the Wythe Hotel at 6pm and encore on June 7th.

Bernard in Bristled, Photo: Courtesy of Brooklyn Film Festival

The animation short Bristled is a gem of a film that captures the idiosyncrasies of dating perceptions in the modern world. After countless failed blind dates, Bernard believes he may have found “the one,” only to find yet another fault in the person and is quickly consumed with his perceived “fault” she possesses, only to discover he’s not perfect either. The narration’s comedic dialogue and timing is superb. Bristled, by Scott Farrell has been selected by the Beverly Hills Film Festival, Chicago Comedy Film Festival, and Canadian International Comedy film Festival to name a few. Go see this quirky film on June 5^th at the NY Media Center.

This year The Brooklyn Festival’s programmers are committed to advocating for filmmakers who are working in critical systems, taking risks and challenging themselves to tell stories that are breaking barriers. Please check out these amazing films and support these extraordinary and talented artists. To see Brooklyn Film Festival’s full schedule, click here. Plus, don’t miss my festival wrap-up piece next week. The Brooklyn film festival will be running through, June 9^th.

March 3, 2019March 5, 2019 by mvfour

Complexions Contemporary Ballet 25th Anniversary: Bittersweet and Bold!

Left To Right: Dwight Rhoden and Desmond Richardson. Photo: Courtesy of Complexions Contemporary Ballet

Black History Month has concluded, and the month of February has been replete with exciting events that have left a lasting impression on the patrons of New York City’s cultural art scene. One worthwhile mention: Complexions Contemporary Ballet’s 25^th anniversary benefit performance. The night began with host, Courtney B. Vance, veteran television and film actor and consummate supporter of dance programs around the globe, bringing enthusiasm and awareness to the fundraising efforts of the organization. The gala’s aim: To help build Complexions’ educational initiatives through scholarships, mentorship programs and the continued development of Dwight Rhoden and Desmond Richardson’s methodology of dance training.

Dwight Rhoden and Desmond Richardson co-founding artistic directors and executive directors of Complexions Contemporary Ballet both have incredible careers spanning decades of choreography and dance performances in some of the most prominent theater and dance companies around the world. Their passion for dance and experimentation with cutting edge performances has earned them worldwide recognition and thanks to their dedication, Complexions Contemporary Ballet celebrates their 25^th anniversary this year. This marks the end of an era for Richardson. He is hanging up his dancing shoes as a full-time company member, and is passing the dance torch to a slew of new up-and-coming rising stars eager to enter the dance foray – particularly, the students from the pre-professional New Orleans Ballet Association part of Complexions Contemporary Ballet Educational program. They performed the world premiere of Nostalgia. These students’ focus and commitment to dance is admirable and witnessing the various body types and statures dancing in the company was refreshing. Long gone are the conventional rigid body type requirements of the past; progression and inclusivity is prevalent for the future of dance. Dwight Richardson performed Moonlight as his farewell number. His grace and flexibility are still in tact – as evidenced by his coordination with a chair prop – his dance moves melted seamlessly into the music score.

Desmond Richardson, Photo: Gene Schiavone

Star Dust, a ballet tribute to David Bowie – conceptualized, staged and choreographed by Dwight Rhoden was thrillingly captivating since its premiere in Detroit, MI 2016 and continues to be present day. With new company members debuting their rendition, of this now signature Complexions performance; their dance moves and lip-syncing capabilities were in perfect unison to David Bowie’s haunting and melodious voice. Songs like Lazarus, Changes, Life On Mars, and Modern Love transport you to a time in place where anything is possible and dreams if big enough, manifest. The elaborate costumes, makeup and set design is a sight to behold. The iconic singer would’ve been proud.

Complexions Contemporary Ballet Dance Company Performing Star Dust, Photo: Sharen Bradford

Complexion’s educational initiatives were offered in six cities this past year, allowing the company the ability to mentor and train hundreds of dancers. Although their season at the New York Joyce Theater has ceased, these dazzling superstars of contemporary ballet are traveling throughout the country to entertain and enchant audiences. Check out their upcoming performances and get tickets here!

“Nostalgia”

Choreography by: Dwight Rhoden, Staged by: Clifford Williams, Music by: Ryuichi Sakamoto, Lighting & Design by: Michael Korsch, Performed by: students from NORD/New Orleans Ballet Center for Dance: Angelle Brown, Kaleb Clausell, A’briel Mitchell, Scarlett Mitchell-Yang, Amari Patterson, Chloe Roberts, Manon Scialfa, Violette Stonebreaker, Marguerite Valadi, Amaya Williams, Special thanks to the staff and faculty of the New Orleans Ballet Association.

“Moonlight”

Choreography by: Dwight Rhoden, Music by: Kemp Harris, Lyric Composer: Dwight Rhoden, Lighting and Design by: Michael Korsch, Costume Design by: DR Squared, Performed by: Desmond Richardson

“Star Dust”

I. LAZARUS (Blackstar album 2016), II. CHANGES (Hunky Dory album 1971), III. LIFE ON MARS (Hunky Dory album 1971), IV. SPACE ODDITY (Space Oddity album 1969), V. 1984 (Diamond Dogs album 1974), VI. HEROES (Heroes album 1977) Sung by Peter Gabriel, VII. MODERN LOVE (Let’s Dance album 1983), VIII. ROCK AND ROLL SUICIDE (The Rise and Fall of Ziggy Stardust and The Spiders from Mars album 1972), IX. YOUNG AMERICANS (Young Americans album 1975), Performed by: The Company, Choreographed by: Dwight Rhoden, Music by: David Bowie, Staged by: Dwight Rhoden and Desmond Richardson, Costume Design and Construction: Christine Darch, Lighting and Set Design by: Michael Korsch

November 15, 2018November 16, 2018 by mvfour

Ailey Extension Honors Alvin Ailey American Dance Theater 60th Anniversary – With Exhilarating Classes To Meet Your Holiday Fitness Goals

Photo: Courtesy of Karen Arceneaux’s Instagram @kaep247, Students and Instructors at the Ailey Extension

If you’re like me and need to some inspiration to try a new fitness routine; look no further. The Ailey Extension has you covered. On a recent November evening I was invited to a press-only dance and fitness class event at the Ailey Extension studio in Manhattan. They promoted the most popular classes on their holiday schedule: BellydanceBURN – a mix of interconnected spine, chest, hips, and shoulders movement designed to make you become one with the music. All Styles Vogue – teaches students the fundamentals of Vogue Dancing, as well as current trends with special emphasis on its rich history, and classic Runway. The class begins with a funky contemporary jazz warm-up, targeting core muscle strength, grace, clean lines, balance and control. The third and most exhilarating class I took, was DanceFit. I’m not impartial to this class and I’ll tell you why. Created and developed by instructor, Karen Arceneaux – this is my 4^th time taking DanceFit. It’s a high-intensity training, full-body workout that will push your muscles to the limit and beyond. I was introduced to DanceFit over the summer for Ailey’s NYC Dance Week. For this DanceFit class sampling, students received a 15-minute teaser. The class is normally 60-minutes of dance-based training with a mix of cardio and strength training to sculpt the entire body. Karen keeps the momentum going throughout the whole class with intermittent pauses to let you catch your breath. Thanks! Karen.

Photo: Courtesy of Janelle Issis’ Instagram @jbellyburn

The evening began with BellydanceBURN. Instructor Janelle Issis distributed colorful sarongs with chains, sparkles, and sequins to get your mind bellydance-ready and move to the sultry beats of the dance’s traditional music. Belly dancing is believed to date back to 6,000 years ago with origins in Turkey and Egypt. As the class progressively reached hip-swaying levels of 15 – everyone relished in the upbeat energy and sensuality of Janelle’s steps. Issis has been studying classic Egyptian bellydance since the age of 4. Featured, as the top 6^th female finalist on “So You Think You Can Dance” Season 9 and debuting her first international T-Mobile commercial with artist, J. Balvin, is a testament to Janelle’s rising star. Apart from joining the Ailey Extension in 2018, she currently travels teaching with “Hollywood Dance Jamz” and “Showstoppers on Tour.” Her love for the art of choreography extends past bellydancing. Janelle has trained in multiple genres of dance including contemporary jazz, hip-hop, lyrical, Bollywood, modern, tap, salsa and more. Don’t Miss Janelle’s BellydanceBurn Schedule.

Photo: Courtesy of the Ailey Extension

The second class to get students revved up was All Styles Vogue with Cesar Valentino. Out of all the classes, this had to be the most intimidating for me. Images of Madonna’s hit song, “Vogue” came to mind. I remembered as a teen being in awe of the elegance and enviable fluidity Madonna and her dancers exuded throughout the black and white video. How my friends and I would try to mimic their poses by rewinding and fast-fowarding our VCRs – to get the moves right. Cesar’s demeanor completely obliterated my voguing fears. He instilled a resolute confidence in the class –stripped away our shyness – with no turning back. Leading with skilled precision, Cesar and his students sashayed across the studio and to learn the fundamentals of vogue dancing, and the elements of classic runway stances and walks. Cesar Valentino is a legend on his own. You wouldn’t be able to tell by his youthful appearance, but Cesar has 35 years of dancing under his belt. Caesar became a fixture in the vogue dance genre early – with the underground ballroom and club scene winning trophies for his performances. Valentino was featured in the cult classic vogue documentary Paris is Burning, Netflix original series Get Down, has appeared in music videos with Toni Braxton and Carmen Electra, and served as runway and performance coach for New York’s Olympus and Mercedes Benz Fashion Week. Apart from being the resident vogue expert at the Ailey extension, Cesar Valentino is a master craftsman and designer of one-a-kind garments, costumes and accessories. Check out his upcoming All Styles Vogue schedule.

Photo: Courtesy of Kyle Froman, Karen Arceneaux

Last, but never least, was DanceFit. Karen Arceneaux combines cardio, strength training, her high-octane energy and dance-based training background. This final class of the evening was not meant to wind you down – but lift you up into the stratosphere! Karen’s choreography and teaching expertise is extensive and impressive. Receiving her B.F.A in Choreographic Design from the University of Louisiana-Lafayette (ULL) and Master of Arts Degree in Organizational Management from the University of Phoenix may have led you to believe that she wanted to pursue a career in academics. You would be wrong. She has choreographed performances for the Saint Paul’s Church annual Christmas concert in NY, ULL in Louisiana, collaborates with dancers from the Ailey/Fordham B.F.A program, and founded the Genesis Dance Company, LLC – she serves as the Artistic Director and has presented her work in New York, Connecticut, Michigan, and South Carolina. Besides being a celebrated choreographer, Karen is a certified personal trainer, weight loss specialist, and TRX Suspension Trainer. Part of the Ailey Extension for over 10 years, Karen’s mission is to be an inspiration to others. Click here for the upcoming DanceFit schedule.

This year the Alvin Ailey American Dancer Theater is celebrating its 60^th Anniversary. To commemorate this milestone, the company will be hosting an array of events, workshops, panels and performances for patrons to indulge in. From November 28^th – December 30^th, you can catch these holiday engagements featuring the world premiere of Ronald K. Brown’s The Call and Rennie Harris’ Lazarus. Contemporary workshops by Ailey Company dancer and choreographer, Jamar Roberts, plus Young New York Night, where patrons aged 21 – 30 can purchase tickets (any seat in the house) for $29. Free your mind of holiday stress and join the Alvin Ailey American Dance Theater Company for these captivating performances. To learn more, click here.

November 6, 2018November 15, 2018 by mvfour

Rock The Vote: Teen Vogue X TOMS Event Slayed! – Politically and Socially

Photo: Courtesy of TOMS, Rock the Vote Attendees at the New TOMS Williamsburg, Brooklyn Store

Covering the Rock the Vote: Teen Vogue X TOMS event has been one of the most thrilling moments for me this year. Why? It was unexpectedly delightful and inspirational. It moved me to act; to care more; to save our democracy; to donate; to tweet and raise awareness about the impact of the midterms and how each of us – really can make a difference. I had this preconceived notion that this event, geared toward Teen Vogue’s Gen Z audience, a far cry from my hazy Generation X/ millennial cusp residency, wouldn’t be relatable to me. Thoughts of ill-conceived, potentially overheard conversations I’d be succumbed to, filled my head: From Cardi B’s/Nicki Minaj’s latest feud-y clap-backs to the best unicorn hair color dye brands on the market. Boy, was I proven wrong. I was surrounded by teens and girls in their early twenties that had founded nonprofits for trans youth in need, created grassroots organizations to get women elected, and launched crowdsourcing campaigns for victims of gun violence. These girls have powerful messages to convey: Get ready. We are changing the world!

Founded in 2003 by parent company Condé Nast, Teen Vogue still caters to fashion lovers, keeping up with the beauty and fashion trends, its sister magazine, Vogue exemplifies as the beacon of high fashion and beauty . These days, Teen Vogue, primarily a digital magazine, captures the attention and support of political and social activists. According to Alli Maloney, Teen Vogue’s news and politics features editor: “We cover news as it happens. But we also cover things that we reframe in a new lens. We get pushback every day basically with people telling us to stay in our lane, but our readers’ lane includes politics now. It’s a political world.” And on this night the political world took center stage. New York Senator Kirsten Gillibrand was the guest speaker for the Rock the Vote discussion, moderated by Teen Vogue’s news and politics editor, Lucy Diavolo. Gillibrand, who began her political career in Congress in 2006, ran for an incumbent held Republican seat, which she defeated, and in 2009 became Senator of New York State.

Photo: Courtesy of TOMS, from L to R, Senator Kirsten Gillibrand and News+ Politics Editor, Lucy Diavolo

Gillibrand, who’s seat is also up for re-election, didn’t shy away from audience questions on our failed political system under-serving Americans. She acknowledged the system is broken and that young people, women, people of color need to take action to see themselves represented in the House and Senate. The work is tireless and essential to protecting people’s rights for adequate healthcare, education, and women’s reproductive rights. Gillibrand became the first member of Congress to post her official daily meetings, and personal financial disclosures. Her push for transparency in politics led to the passing of the STOCK act, which makes it illegal for members of Congress, their families, and their staff to benefit from insider information gained through public service. Diavolo posed questions to Gillibrand on the minds of many Americans right now: What are the pressing issues, if Democrats take back the House and Senate, that will take precedence? Is she running for president in 2020? What are some bipartisan solutions both parties can agree on and pursue – with gun reform regulation? And of course, with Trump’s proposed agenda to erase Transgender rights, especially affecting trans youth. I asked Lucy, as a transgendered journalist, her thoughts on the following:

DSMC: In a Teen Vogue article from October 24th, you wrote: “As I said in the speech I gave during the Hell No to the Memo rally on Sunday, October 21, I believe voting alone is not enough right now. I believe it is important to go beyond the polling booth and provide direct, material support to transgender people.” Can you elaborate on this statement? What do you mean by “material support?”

Lucy Diavolo: In terms of providing material support to transgender people, I think there’s a number of options. As I wrote on the 22nd, it can be as simple as just checking in on your trans, non-binary, and gender non-conforming friends with a kind word, calling a congressperson, or educating your family and friends. In terms of material support, simple things like donating directly to a trans person, taking the time to make a trans friend a meal, helping them cook or clean, giving them a place to crash if they don’t have one, or weighing in on a job application can all be very direct ways to do so.

DSMC: Should the proposed Trump bill reversing Obama-era protections for LGBTQ citizens be instated, what can the LGTBQ community and their supporters do to fight back?

Photo: Courtesy of TOMS, Lucy Diavolo, News + Politics Editor, Teen Vogue

Lucy Diavolo: If you’re talking about the transgender HHS memo, absolutely not. Under Obama, the LGBTQ community saw serious progress made at the federal level for the first time in history — it’s a low bar, but Obama (like many Democrats) changing his tune on marriage equality and standing up for trans kids in schools was unprecedented. Many of us believed a Trump presidency would undo much of that progress, and the HHS memo was the latest horrifying proof that the current administration is actively engaged in looking for ways to strip our community’s basic human rights.

Lucy Diavolo: Whether you’re a binary trans person, a non-binary trans person, or experiencing your gender in other ways, know that you’re valid. Being young and trans (or any kind of queer) in a hostile environment can be very challenging. I know because I was outed as bisexual in the 8th grade and spent most of high school suffering for it. My best advice for a young person in a situation like that is to look for community where you can. It can be online, where there are lots of great community spaces for learning and having conversations. Or it can be in the other folks who might be struggling at your school, who can commiserate with you over your situation, even if it’s when no one else is listening. A sense of community has made even the most difficult, painful, and ugly parts of my transition feel safe and supported.

If you find yourself in a truly untenable situation, know that, in many cities, there are people, social services, and communities that will support you. Young LGBTQ people have been running to the cities for decades, and in many places, there are not only organizations working to serve them, but entire populations of older LGBTQ folks who want to support them. Look for those organizations and people in online spaces if you feel you absolutely have to get away from wherever you are.

Apart from curating news and politics for Teen Vogue’s monthly 5 million plus monthly visitors to the site, Diavolo help founded the Transfeminine Alliance of Chicago and plays bass in the Chicago-based band The Just Luckies.

Photo: Courtesy of TOMS

Rock the Vote event host and Teen Vogue advocate, TOMS, opened their new store/café – complete with an outside patio in Williamsburg, Brooklyn. DSMC asked TOMS’ Director of Global Brand Marketing, Kate Faith, to discuss the – successful and impactful – Teen Vogue and TOMS collaboration.

DSMC: TOMS has partnered with Teen Vogue in the past, the recent Teen Vogue Summit in Austin last month, what makes this partnership so special?

Kate Faith: Our partnership with Teen Vogue started last year with the first ever Teen Vogue Summit where we hosted the opening day reception at TOMS HQ in Los Angeles. To continue this partnership, this year we hosted meet ups at our TOMS stores across America including Chicago, Austin, Los Angeles, and finally at our new store here in Brooklyn. Teen Vogue is educating and inspiring young people to take action, which is at the heart of what we’re doing here at TOMS. We both know that Gen Z has the power and courage to change the world. We are here to support Teen Vogue as they rally the next generation to create a better world for us all.

DSMC: With over 60 million pairs of shoes donated to children around the world so far, what does TOMS hope to establish with the one-for-one model eyewear? Is eyewear as scarce as shoes around the world? Why this product line?

Kate Faith: Since our founding in 2006, TOMS has given over 80 million pairs of shoes to those in need both abroad and here in the United States. That number is something we’re very proud of, but we also recognize we can do more and have the opportunity to scale our impact beyond our shoe gives. TOMS launched eyewear in 2011 as we saw a need to help more people in a new way that would make a very big difference in their lives. During Blake’s travels, he saw many kids who weren’t able to see the chalkboard at school so would fall behind and elderly people developing cataracts which affected their work life and the livelihood of their family. Wanting to find a solution, he came up with TOMS eyewear – with every pair of sun and optical purchased, a person is provided an eye exam and given treatment through prescription glasses, medical treatments, or sight-saving surgery. We have now provided sight to over 600,000 individuals around the world. I recently was in India on a Giving Trip and was able to witness a cataract surgery first hand. It was incredibly moving to see people’s reactions when their bandages came off and they were able to see their loved ones – some for the first time! I’m proud to work at a company that is creating this level of impact in the world.

DSMC: Does TOMS support/endorse certain politicians for the midterms?

Kate Faith: Our #1 objective is to inspire and educate young people around the importance of using their voice to create positive change. Voting is one (very important) avenue for people to address the issues they care about most, and we want to provide the tools for people to make informed decisions when heading to the polls. We don’t endorse specific politicians, but our hope is that elected officials support basic human rights for all individuals. We are in this together and must create a world that works better for all of us. To learn more about TOMS global work and products, click here.

Photo: Courtesy of TOMS, Attendees at the Rock The Vote Teen Vogue X TOMS Event

This event opened my eyes to a whole new group of passionate activists that are committed to making a difference in our nation. I had once solely perceived them as meme-creating, snap-chat happy simplistic youth consumed with finding the perfect selfie. Sure, they may engage in these activities on their down-time, as most of us have, but they are laser-focused on championing for causes that are vital to their generation and ours.

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