December 7, 2023 by mvfour

The ‘Bad Surgeon: Love Under the Knife’ Docuseries Will Inspire You To Get Not Only a Second Medical Opinion But Maybe Twenty!

Italian thoracic surgeon Paolo Macchiarini, who rose to prominence after developing an organ transplant with no evidence of successful clinical trials, is at the center of the Netflix three-episode drama.

Dr. Paolo Macchiarini is holding his transplant device; Photo: Courtesy of Netflix.

Many doctors often exhibit the “God Complex,” a term bestowed on physicians, exuding confidence and commanding superiority. They are perceived to be saviors by patients and the institutions that celebrate their pioneering contributions and enable their hubris. One man who fully embodies this larger-than-life persona is Paola Macchiarini, a surgeon who developed a plastic transplant device shrouded in the patient’s stem cells to replace their damaged or non-functioning trachea — a life-saving procedure if it actually worked.

In the first episode, we meet Benita Alexander-Noel, a long-time NBC producer and eventual fiancee of Paolo Macchiarini, assigned to tell the surgeon’s story after getting extensive press from mainstream media and international news organizations for his innovative invention.

Benita Alexander-Noel and Dr. Paola Macchiarini; Photo: Courtesy of Netflix.

The twist.

Paolo is not the revolutionary scientific surgeon he makes himself out to be.

This stranger-than-fiction true-crime tale will draw you in because it’s unfathomable that so many people, including an investigative journalist, were duped by this individual.

For over ten years, a narcissist fraud operated on eight patients in whom he implanted a plastic device and suffered severe complications, of which seven died. What’s most gripping about the docuseries is seeing footage of these people beforehand, living their lives, full of hope, and Dr. Paolo Macchiarrini assuring them that they will be fine after the procedure.

Dr. Paolo Macchiarini; Photo: Courtesy of Netflix.

Macchiarrini’s deception doesn’t end with his medical profession. He’s also a raging philanderer and pathological liar in his personal life. Carrying five cell phones at a time, taking mysterious trips to Russia Barcelona, and touting to be a celebrity doctor to the pope, the Clintons, and Barack Obama, the extent of his rich, colorful lies have no bounds. Swedish investigative journalists present video of the surgeon committing crimes, and hard evidence documentation from former colleagues surfaces, yet there is barely any retribution for Macchiarinni.

This 3-part series is a roller-coaster ride of intrigue and deception that will keep you glued to your screen. And rethink how much trust you place in healthcare providers. To watch Bad Surgeon: Love Under the Knife, click here.

September 9, 2023 by mvfour

‘All Up in the Biz’ — Tells the Tale of Talent, Influence, Adversity, and Controversy Before Hip Hop Pioneer Biz Markie’s Untimely Death

Filmmaker Sacha Jenkins chronicles The self-proclaimed “Clown Prince of Hip Hop’s” legacy through candid interviews with colorful animations, a Biz Markie puppet, and old videos of the rapper in proper form.

Image of Biz Markie; Photo: Showtime Networks.

The Humanbeat beatbox. Ascending to fame with the improvised quirky yet melodic sounds he could belt at any given moment and his universal hit, “Just A Friend,” Biz Markie was more than just his goofy exploits. And ‘All Up in the Biz’ captures the multi-faceted performer’s essence through his career’s ups and downs.

Many Hip Hop heads like myself are still celebrating Hip Hop’s indelible mark the music genre has made on pop culture and pretty much every facet of life. And while Hip Hop’s official birthday was on August 11th, with a 50th anniversary celebrated worldwide, homage and tributes are still on the horizon for the rest of the year. One recent commemoration was held on August 31st, tentatively proclaimed Biz Markie Day, by the New York Mayor’s office as they announced the proclamation at Marcus Garvey Park in Harlem.

Biz Markie Day T-Shirt; Photo: Just A Friend Foundation.

Champions and supporters of this campaign include the late rapper’s wife, Tara Hall, who leads his Just A Friend foundation, established to provide resources for foster kids as once Biz Markie was. Plus, organizers of the event ImageNation, a cultural nonprofit entertainment hub in Harlem, advocating for and helping to sponsor spectacular community cinema and music events and Up In The Biz’s distributor, Showtime.

This late summer Thursday evening leading up to the All Up In the Biz screening attracted people of all ages and races. From men in their Zulu nation get-ups and women outfitted in head-to-toe African bohemian and contemporary fashion, dancing non-stop to the nostalgic grooves of DJ Hollywood and listening intently to the rhythmic verses of the Last Poets, who celebrate 55 years together this year, it was an ode to Hip Hop nostalgia.

Following the eclectic mix of artists on stage came a projection of All Up In the Biz, directed by Sacha Jenkins (Bitchin’: The Sounds and Fury of Rick James, Word Is Bond), a Hip Hop historian, visual artist, and preservationist of the music genre.

Young Big Daddy Kane and Biz Markie; Photo: All Up in the Biz documentary.

The film begins with old footage of Biz Markie’s early life, moving from Harlem to Long Island’s Patchogue region. He found a passion for music, coming into his own as a human beatbox, rapper, and DJ. While performing, he encountered 17-year-old Big Daddy Kane and Rakim, who went to the same high school as Biz, encouraging both to raise their profile in New York City clubs by rapping. Hip Hop powerhouses Big Daddy Kane and Rakim acknowledge Biz Markie’s influence on their careers. Others like Dougie Fresh and Roxanne Shanté, a prominent Juice Crew member and Biz Markie was part of, reflect on and reminisce about the rapper’s passion for music, collectibles, and his undeniable gift for beatboxing.

But Marcel Theo Hall took the moniker Biz Markie, a name rooted in his mother calling him a busybody when he was young and neighborhood friends giving him the name Markie for short; life wasn’t always a bed of roses. The rapper was battling Type 2 diabetes for most of his life and had fallouts with a few rappers, shady business dealings with music producers, and the repercussions of unlicensed music samples. Despite it all, the beloved rapper persevered and kept reinventing himself, as the documentary illustrates. Click here to check out this in-depth portrait of Biz Markie’s contributions to Hip Hop and eventful life, now streaming on Showtime and Paramount+.

September 25, 2020 by mvfour

Review: ‘Undocumented Lawyer’ – Against All Odds, Protagonist Risks Everything For Immigration Rights – Relentlessly Moving

We are on the brink of fascism. To sugarcoat and soften the blow of the current state of affairs in this country is a disservice to the truth. We are facing the most important elections of our lives to save our democracy. It’s not alarmist; it’s reality. There is so much at stake: the repealing The Affordable Care Act. Intrusive policies on women’s reproductive rights, and the war on immigrants by the far-right. And at the center of the immigration topic and championing undocumented immigrants like her, is Lizbeth Mateo; the subject of the award-winning documentary, Undocumented Lawyer, by directors Chris Temple and Zach Ingrasci and producer Jenna Kelly.

Lizbeth Mateo crossed the border with her family at age 14. They fled cartel violence and poverty from Oaxaca, Mexico to seek a better life: a common thread for many immigrants leaving their homeland behind. But what makes Lizbeth’s story so remarkable is even after 20 years of being in this country, Lizbeth remains undocumented. Undeterred by her circumstances, and living in California, which is a sanctuary state, provided her the opportunity to attend college and law school, and pass the bar exam. Nothing short of exceptional, really. In 2018, she was appointed to a state post as an advisory committee member by senate president, Kevin de leon. The California Student Opportunity and Access Program Project Grant Advisory Committee, (CAL-SOAP) – the committee’s mission is to assist students in underserved communities attend college. This drew criticism in the form of vitriol: death threats to de leon and nasty statements directed to Mateo, calling for her deportation; scrutinizing Mateo and catapulting her into the spotlight. Unfazed by all the attention, Mateo tweeted: “undocumented and unafraid.”

Dissuaded by efforts to have her deported, as the documentary illustrates, Mateo did more than accomplish the impossible without citizenship or even legal status. She set up a legal practice and hired 4 employees in L.A. to fight for immigration rights. Determined to take on immigration cases that are challenging such as: Edith Espinal’s, a woman avoiding deportation by taking sanctuary in a church in Ohio since 2017. The case has received national attention, including support from former presidential nominee and Massachusetts Senator, Elizabeth Warren urging Congress to help to support a bill to protect asylum seekers. With the critical elections looming, there is hope voters are incentivized to vote Democrat across the ballots, and the attack on asylum seekers cease with a new administration at the helm come January 2021.

Top: Lizbeth Mateo, Bottom: Kate del Castillo

Mateo’s fight for equitable immigration law through activism and advocacy is inspirational and she persists in her quest, in spite of a recent deportation case that has been brought against her. Recently, actress Kate del Castillo and Latinx House, hosted an Instagram Live Q&A with Lizbeth Mateo to bring national awareness and fundraising initiatives to Mateo’s own immigration case and that of her clients. An impassioned Kate del Castillo is an ardent supporter of Mateo and said “she will do everything in her power to keep her in the U.S.” – a great moment of solidarity for viewers to witness and get involved in. To stream Undocumented Lawyer now and donate to Lizbeth’s cause, click here. HBO Latino acquired the documentary and will begin airing it early 2021. Undocumented Lawyer has a 20 minute run time.

August 31, 2020August 31, 2020 by mvfour

Review: ‘Mr. Soul!’- A Black Cultural Experience To Be Treasured – Hypnotic and Poignant

Photo: Ivan Cury, Courtesy of Shoes in the Bed Productions

Not long ago, when life had some semblance of normalcy, I had covered the Urbanworld Film Festival in person and was tasked with writing about the festival’s anticipated blockbusters. While waiting for one of these films to begin, I snuck into an adjacent theater to watch the documentary, Mr. Soul! by director and producer, Melissa Haizlip. I was intrigued by the film’s poster; it read: Before Oprah, Before Arsenio…There was: Mr. Soul! As a longtime fan of late-night talk shows, I was irritated and frustrated at myself for not knowing whom this revolutionary pioneer of Black entertainment and culture was. His name: Ellis Haizlip. The producer and host of the PBS variety show: Soul! changed the national scope and existing perceptions of Blacks in a volatile 1960s backdrop – forever! No surprise it won Urbanworld Film Festival’s Best Documentary category and received a standing ovation the Sundance Film Festival. So what was so extraordinary about Ellis Haizlip and this entertainment show he launched in 1968?

Ellis Haizlip Surrounded by Members of the J.C. White Choir, Photo: Alex Harsley, Courtesy of Shoes in the Bed Productions

Ellis Haizlip was a visionary and determined to shatter contrived media perception of Blacks at the time, as victims subjected to abject poverty or lawless citizens in the United States. Raised in Washington in a middle-class family and setting his sights on New York to form his production company, his aim was to push Black Arts forward, as it was evident to Haizlip that there was a huge void to fill. Blair Underwood, executive produced and narrates Ellis Haizlip’s thoughts in the film so eloquently and powerfully states: “Before we can educate and entertain, we need to share the Black experience.” And that Ellis did. In its inception, Soul! aired only in New York and managed to go national in 1969. The once local program set forth the careers of the most prominent artists in Black history: Earth, Wind & Fire, Stevie Wonder and his Wonderlove band, Al Green, Cicely Tyson, Sidney Poitier, and Toni Morrison to name a few. Haizlip was fearless in giving a visual platform to outspoken Black poets like The Last Poets – including 6 female poets, such as Sonia Sanchez, and pushed boundaries by interviewing Minister Louis Farrakhan and Kathleen Cleaver (wife of exiled Black Panther leader, Eldridge Cleaver).

Nikki Giovanni and James Baldwin in 1971, Film Still Courtesy of: Shoes in the Bed Productions.

In his quest to unleash artists’ natural talents via the television medium, he often prompted poets and singers to take the stage unfiltered and unencumbered. He employed females on his set and advocated for an interview conducted by renowned poet and activist, Nikki Giovanni and literary legend, James Baldwin in England. The footage of the animated and captivating Baldwin and inquisitive Giovanni is unprecedented – a Black female interviewer engaging in a fiery conservation with one of America’s beloved writers is quite impressionable to see in 1971, shortly after, Soul! aired until 1973, defunded and shut down by nefarious forces, as detailed in the documentary.

(L to R) – AMANDA SEALES; TOP – MELISSA HAIZLIP/BLAIR UNDERWOOD; MIDDLE – STAN LATHAN/NIKKI GIOVANNI; BOTTOM – SONIA SANCHEZ/ROBERT GLASPER/THE LAST POETS/BLACK IVORY – Courtesy of Shoes in the Bed Productions

So where are we now? It’s 2020 and social justice continues to be a pressing urgent issue in the United States as police brutality continues to plague Black Americans, exacerbated by the tragic loss of our Black icons this year. Mr. Soul’s recent Kickback premiere reminded us of the past, present, and future Black Excellence represents and the need to cultivate and preserve its existence. Host and comedienne, Amanda Seales led the conversation with guests, Melissa Haizlip (Ellis Haizlip’s niece & creative engine behind Mr. Soul!) Actor Blair Underwood, acclaimed director, Stan Lathan (former director of Soul!) Activist and poet Felipe Luciano who guest-hosted the popular “Shades of Soul” episode, featuring Tito Puente and his orchestra, Haizlip exposed television audiences to Latin music and multi-cultural Afro-Latino bands. To say the Soul! television show was groundbreaking doesn’t suffice; it was one of a kind until this day. The legacy Ellis Haizlip left behind cemented the foundation for Black culture never before seen on a national scale – fusing poetry, activism, theatre, dance, and music for the world to experience and solidify the richness of Black arts. Mr. Soul! is available in more than 70 virtual cinemas worldwide through September 10th. To buy tickets and learn more about Mr. Soul! click here.

August 21, 2020August 21, 2020 by mvfour

Review: ‘American Street Kid’ – Narrative Meets Documentary Style Portrayal of America’s Homeless Youth – Bitingly Gritty and Honest

Homeless kids in Los Angeles, Photo: Jeff Farkash

By definition, documentaries are meant to educate, shed light, and “document reality” to inspire and move audiences on any given subject they may know nothing about. American Street Kid, by writer/director Michael Leoni, met these criteria – and then some. He pushed the genre further by injecting himself into the story; weary at first, I thought his inclusion would taint the outcome of the film – turns out I was wrong. Leoni begins the film by asking random people – young and old – their perception of homeless youth. Typical responses: lazy, unmotivated, and labeled as undesirable. Disheartening to hear as the absence of empathy reflects society’s lack of interest and understanding of how these youths become entrenched in these unfortunate circumstances.

Director Michael Leoni gives us a glimpse into the lives of these troubled young people by hanging out in the Los Angeles neighborhoods they frequent. Unsettled by and distrusting of Leoni, it took time for the filmmaker to gain the kids’ trust. Once he did, the audience meets incredibly charismatic and endearing characters like Ish, a talented African-American musician who struggles with childhood abandonment and abuse by a pimp father and prostitute mother, Greenz and Nick, likeable guy-next door types with winning personalities, yet drugged-addicted with abusive parents that led them to run away and seek a better life in the streets of Los Angeles. Bublez and Kiki, two of the younger kids, the filmmaker encounters, with so much promise, likely destined for tragedy. Although post-film release, Marquesha “Kiki” Babers has launched a successful career as a poet, touring nationwide and speaking about her experiences in conferences.

Bublez on the streets of Los Angeles, Photo: Jeff Farkash

For many of these kids, their fates are sealed in death or imprisonment. It’s inevitable. Failed bureaucratic agencies doing the minimum to assist these kids and overworked staff unable to meet the influx of homeless teens in overcrowded facilities, as Leoni experiences when reaching out to them. But, the filmmaker doesn’t solely rely on the mishaps and the negative circumstances these young people endure to tell the story, he incorporates narrative elements to build storylines with these real-life characters – to not just keep you engaged and sympathize with their abysmal situations, but root for them as you’d be inclined for protagonists in any narrative drama or comedy. It’s a refreshing spin. And it works.

Homeless kids on the streets of Los Angeles, Photo: Jeff Farkash

What started as an assignment to produce a 2-minute PSA on America’s homeless youth turned into an 8-year journey for director, Michael Leoni. Compelled to document the struggles and hardship of America’s 1.8 million forgotten homeless youth, after struggling with financial hardship in New York City at the age of 19, became more than a passion project for him. Leoni launched the Spare Some Change nonprofit to engage and empower homeless youth to change their lives and create a stable future. The film earned the Social Impact Award at the Hollywood Film Festival and Excellence Award at the Impact Doc Awards! The film has a run time of 104 minutes. American Street Kid begins streaming worldwide today on Apple, Amazon Prime, Spectrum, and another popular services. To learn more about more the American Street Kid documentary, click here.

July 6, 2020July 7, 2020 by mvfour

Review: ‘Mucho Mucho Amor: The Legend of Walter Mercado’ – Nostalgic and Magical!

Walter Mercado, Photo: Courtesy of Netflix

Growing up in my Latin household, I was guaranteed three things: flavorful rice and beans, the sound of salsa, and exposure to astrological phenomenon, Walter Mercado. I miss and relish all three, but what stuck with me throughout the years is the influence of the latter. I attribute my love of sparkles and all things astrology to the enigmatic Walter Mercado. I can’t remember any other time during my Cuban childhood home, or my extended family’s, where we’d sit in complete silence, listening to Walter Mercado deliver new developments for each sign of the horoscope. We were all captivated by his presence and larger-than-life TV persona. And, come July 8^thyou will be too, as Netflix begins streaming Mucho Mucho Amor: The Legend of Walter Mercado globally, to entice – existing and new fans – with this wonderful documentary of the iconic clairvoyant.

Eugenio Derbez, Photo: Courtesy of Netflix

The documentary begins with a series of Walter Mercado images from the height of his popularity on television, displaying his signature choreographed arm moves to draw the viewer’s attention, and in true Mercado form – he succeeded in commanding it! Millions of Latin families tuned in daily to listen and absorb new astrological insights pertaining to the zodiac. Actor/Comedian, Eugenio Derbez says: “ When I first saw him on TV, I was like, What is this I’m watching? Is it a woman, a man, a sorcerer?” Derbez was hooked! Legions of Walter Mercado fans continue to experience this sentiment. With his grandiose beautiful outfits, soothing voice, and mesmerizing gaze he was unstoppable. Undoubtedly, gender non-confirming Walter Mercado was a pioneer for LGTBQ+ personalities we see today. As the documentary delves deeper into his life, we learn that he refused to adhere to societal rules, and instead, opted to break them.

Mercado, born in 1932, knew he was different from the outset and destined for a different life from that of his siblings and the poor rural area of Ponce, Puerto Rico where he was from. After breathing life into a small bird on the brink of death, young Walter Mercado became the talk of his town and was deemed a mystic figure people sought advice and help from. His mother accepted and encouraged his newfound adulation and set up a designated space in their home for Walter to thrive as fortune consultant. Following his natural gift for entertainment, Mercado enrolled in the University of Ponce and pursued dancing and acting and landed telenovela roles with Telemundo.

Walter Mercado at home, Photo: Courtesy of Netflix

A momentous visit to the set from the head of Telemundo at the time, prompted Mercado to create a promo for the soap opera that would launch his astrological career. For decades, Mercado’s message of peace, love, and prosperity has impacted Latinos and Americans around the world. He’s the most renowned astrological figure nationally and internationally, meeting the likes of prime ministers, former presidents with special guest appearances on American talk shows. The documentary doesn’t just focus on his successes, tragedy befell the icon, which almost left him for dead and the film does a superb job allowing Mercado, and those close to him, tell his story. Mucho Mucho Amor (Mercado’s signature catchphrase) captures the essence of the legend and depicts his ups and downs with authenticity and grace, from the music to the use of tarot cards. Although Mercado left the limelight and remained dormant for a while, his comeback was almost inevitable as a new generation of adoring fans surfaced on social media and beyond.

Walter Mercado and Lin-Manuel Miranda, Photo: Courtesy of Netflix

Mucho Mucho Mucho Amor: The Legend of Walter Mercado directed by Cristina Costantini and Kareem Tabsch, and produced by Alex Fumero has a run time of 93 minutes and begins streaming on Netflix, July 8^th. Don’t miss this spectacular documentary and special appearance by Lin-Manuel Miranda fan-boying Walter Mercado as he meets the iconic psychic in Puerto Rico. To learn more about the film, click here.

April 30, 2020April 30, 2020 by mvfour

Film Review: ‘The State of Texas Vs. Melissa’ – A Gripping Doc on the Judicial System’s Exploitation of the Marginalized in America

Melissa Lucio, Photo: Courtesy of The 2050 Group

As the first Hispanic woman facing death row in the state of Texas, Melissa Lucio’s milestone or accomplishment isn’t worthy of recognition, especially for Latinos, yet her story and impending fate is compelling and requires attention. The State of Texas vs. Melissa, a documentary by French-American director, Sabrina Van Tassel (The Silenced Wall) asserts how the laws of injustice favor poor, uneducated people of color. And how their cases are inevitably swept into the vortex of anonymity. Sabrina Van Tassel first encountered Melissa as she was researching for her documentary about women in jail. Van Tassel, an investigative journalist and filmmaker for over 15 years, was reluctant to meet Lucio as her case centered on the homicide of her 2-year-old daughter, Mariah. An abhorrent charge, undoubtedly. What drew Van Tassel to Melissa’s case was the inmate’s demeanor, the facts of the case, and belief that she’s innocent.

Director, Sabrina Van Tassel, Photo: Courtesy of The 2050 Group

The director does a fantastic job of letting the images and cast of characters guide the narrative- everyone from Melissa’s family members to defense attorneys and forensic scientists play significant roles in how the documentary unfolds. From the beginning, as Melissa is interrogated for over 7 hours by unrelenting police in Southern Texas, the audience can surmise she was coerced into confessing to the murder. The filmmaker paints a vivid picture of Melissa’s life. We see she comes from a broken home, suffered physical abuse at the hands of relatives and her mother’s ex-boyfriends. The indifference Melissa’s mother shows towards her daughter’s sexual abuse and current situation is quite telling of the lack of parental and emotional support Melissa received. The drug abuse, abject poverty and guardianship of 14 children overwhelmed Lucio. It’s obvious her unresolved trauma led to her downward spiral, but this impossible situation does not make a murderer. Or does it? With no history of violence, as confirmed by family members and psychologists, there wasn’t sufficient evidence she was prone to commit this heinous crime. Melissa Lucio was a negligent mother and child services eventually removed her children from her care, the director glosses over these facts. The audience could have benefitted from learning more about Melissa’s state of mind during the actual death of Mariah.

Screen Shot 2020-04-30 at 5.30.55 PM

Although some details were omitted, the documentary chronicles the turn of events that make Melissa’s story so fascinating. A corrupt DA looking to seek re-election in Texas’ Cameron county; a defense attorney with career aspirations that trumped his client’s best interest and goal of being freed; Melissa’s other daughter, who may have been responsible for her sister’s death. Van Tassel sets the stage for a documentary-style whodunit. And in doing so, we see how easily Lucio was railroaded in a failed judicial system. Sitting on death row for over 13 years, Melissa Lucio is on her last appeal, which if overturned, may go to the Supreme Court.

Making its Tribeca 2020 Film Festival world premiere, The State of Texas vs. Melissa has received well-deserved media attention from virtual festival filmgoers and panelists. Written and Directed by Sabrina Van Tassel, produced by Vito Films in co-production with Tahli Films and Andaman Films has a running time of 97 minutes. To learn more about The State of Texas vs. Melissa, click here.

January 13, 2020January 13, 2020 by mvfour

Review: ‘The Woman Who Loves Giraffes’ – Moving, Inspirational, and Triumphantly Valiant

Anne Innis Dagg, Photo Courtesy of Zeitgeist Films

To say Anne Innis Dagg was a trailblazer is an understatement. Making her mark before Jane Goodall studied chimpanzees and Dian Fossey gorillas in mountains, Dagg ventured on a solo trip to Africa and became the first female scientist/researcher to study giraffes in 1956. Giraffes have intrigued Dagg, a scientist/feminist/animal conservationist, since the age of three when her mother took her to a zoo. Twenty-years later, this life-altering, fateful encounter at the zoo; set in motion Anne’s quest to study giraffes in their natural habitat. Encouraged by her mother and then-boyfriend Ian Dagg, Anne began her research in the middle of the African bush when such endeavors by women were unheard of, yet Anne Innis Dagg pioneered the study of giraffes and discovered behavior never before documented. And, director Alison Reid, fascinated by Dagg’s life, embarked on bringing Anne Innis Dagg’s story to the screen after Listening to a CBC radio documentary, ‘Wild Journey’ on Dagg’s experiences.

Director, Alison Reid, Photo Courtesy of Zeitgeist Films

Award-winning director Alison Reid (The Baby Formula) wrote, developed, and shot the documentary, The Woman Who Loves Giraffes. Audiences will be thrilled she did. Besides bringing phenomenal historical context to the film, Reid does a beautiful job of capturing Dagg’s spirit and passion for giraffes. Reid chronicles Anne Innis Dagg’s life with rare footage from Dagg’s time in Africa by herself, the recreation of letters read between Anne, her mother, and boyfriend Ian Dagg. Anne’s unbelievable journey as a scientist, researcher, and feminist crusader fighting for her career against the patriarchy and male-dominated Canadian university staff. Her determination is admirable as she’s led the charge in challenging existing beliefs on female scholars.

Through Alison Reid’s lens and Anne Innis Dagg’s intact footage from over 60 years ago, we experience the highlights and low points of Anne Innis Dagg’s life. And complementing the film are the voices of Tatiana Maslany (Orphan Black), Victor Garber (Argo, Alias) David Chinchilla (The Expanse) and Lindsay Leese (Bomb Girls). We witness a seamless real-life story unfold of an extraordinary woman following her passion with grace and perseverance. Dagg’s multiple books on giraffes laid the foundation for future wildlife conservationists to study Anne’s findings and pursue careers in the field. Her contributions to the study of giraffes led to a resurgence in her career, and at almost 87 years-old, Anne Innis Dagg, currently known as a “giraffologist”, is still advocating for her beloved animals.

Anne Innis Dagg at age 23, Photo Courtesy of Zeitgeist Films

First airing in Canada, Zeitgeist Films and Kino Lorber Inc. acquired the U.S. rights for The Woman Who Loves Giraffes. Opening this past week in New York and slated to open February 21^st in Los Angeles, with subsequent engagements nationwide, The Woman Who Loves Giraffes is a must see! Whether you love animals, science or fighting for women’s rights, this film is for you. To learn more, click here.

December 9, 2019December 9, 2019 by mvfour

Film Review: ‘People of the Wasteland’ – Frenzied, Raw Storytelling

Courtesy of Jouzour Film Production

Anxiety levels are sure to soar after watching, People of a Wasteland, mine sure did! Heba Khaled’s experimental documentary short; shot on a Go-Pro for two years, chronicles Jihadist fighters, working under the command of Turkish president, Recep Tayyip Erdogan, on the frontlines of war in Syrian-occupied territories against the Kurds and the Syrian army. This film isn’t an US vs. Them type of war genre. We don’t know whom we’re rooting for, since the audience is limited to the Go-Pro’s footage and essentially, it’s point-of-view, and we depend on the sights and sounds captured. We see what the soldier(s) sees.

Director Heba Khaled, Courtesy of Jouzour Film Production

And, first-time Syrian-born female filmmaker, Heba Khaled, weaves and edits different moments where the audience witnesses brutal warfare, fighters interacting with each other and performing basic acts like drinking water and taking pictures of one another drawing empathy from the audience. Her time spent with CNN and Reuters allowed Khaled access to cameramen and the fighters because there’s absolutely no way she would have survived as a female in the trenches and she knows it. According to Khaled: “As a female filmmaker, it was impossible for me to be there to film this. It was very urgent to learn how men and masculinity controls radicalism, and this experience at the moment of killing in a war, and to transfer it in a cinematic way through my own eyes, mind and heart.” War and devastation: a familiar theme in Heba Khaled’s life has been ingrained in her; she’s lost 20 relatives to bombings throughout the years.

Courtesy of Jouzour Film Production

People of the Wasteland’s experimental nature and powerful composition exposing fighters from both sides, even if it’s vague on identifying who’s who – done intentionally by the filmmaker, poses the question: What is the point of war when ultimately, everyone loses? Judge for yourself. Produced by Talal Derki, winner of Sundance’s Sundance Film Festival’s World Cinema Grand Jury Prize in 2018 for directing Of Fathers and Sons, and the Oscar® nomination for “Best Documentary Feature” in 2019. People of the Wasteland has fared well in the festival circuit, winning The Grand Prix for Best Short in the Berlin Liberi Film Festival, where Khaled now resides. The 21-minute short is under consideration for “Best Documentary Short”, and rightfully so. It merits all the accolades it has received thus far, and I would love for it to be expanded into a full-length feature. To learn more about People of the Wasteland, click here.

November 15, 2019November 16, 2019 by mvfour

‘Hurdle’ Review: Palestinian Youth Combat Political Strife With Inspiring Creative Outlets

Activism, Arts, Democracy, documentaries, Film Review, Filmmaking, Human Rights
Freedom, Hurdle, Muslim Youth, Palestine
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Photo: Courtesy of Hurdle Film

The world is in political turmoil domestically and internationally as evidenced by the ongoing deadly protests in Hong Kong, Venezuela, Chile and Bolivia. Reaching its 50^th year of Israeli military occupation, Palestinians have mastered the virtue of resiliency in fighting for their rights to exist and living with the oppression that brings social injustice; they’ve taken to the streets for half a century, and attempting to reclaim their land is nothing new. But what has emerged, and shed light on this age-old Middle Eastern conflict, is a fresh perspective by documentary filmmaker, editor, cinematographer, producer: Michael Rowley. In his film Hurdle, audiences can judge for themselves what Palestinians are fighting for.

Photo: Courtesy of Hurdle Film, Mohammed by Wall In Occupied Palestine

Hurdle begins with Mohammed, a Palestinian photographer examining a wall built to confine Palestinians to their “territory” by the Israeli military. Mohammed is clearly anxious and frustrated by his and his family’s current situation, but uses his photography business to enlist the youth in his community to find what’s beautiful and intriguing in the midst of all the violent attacks on their people. It’s gut-wrenching yet hopeful to see this community persevere and strive for a better life and brighter future.

Photo: Courtesy of Hurdle Film, Parkour Team Member Jumping

The film then follows Sami, a parkour instructor who teaches young men to jump and flip over rooftops and structures with measured form. Apart from the mental and physical demands the sport requires – it invokes the spirit of these young men to persevere, to attain the unattainable and overcome obstacles in currently occupied Palestine, even with all the violence and bloodshed simultaneously consuming their daily lives.

Rowley’s Hurdle film is candid. It shows daily Palestinian life: the celebrations, familial moments, triumphs and tribulations that connect us on human level. There are devastating violent attacks that can strike at a moment’s notice. On one side, we see people (Palestinians) fighting for their very existence, and on the other, Jews waving their flags rejoicing as they claim victory over their enemies. It’s an eye-opening experience to see basic freedoms we are all entitled to, squashed, but in succession, witness a movement of self-preservation and determination. Rowley documents the breathtaking landscapes and energy of Jerusalem with captivating cinematography and music. Winner of the Best Documentary Feature Film from the 2019 Tulsa American Film Festival, Hurdle is destined for more accolades and world-wide recognition. To learn more and check out future screenings of the Hurdle documentary, click here.

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