DVF Sets NY Fashion Week Ablaze with Reimagined and New Sultry Animal Prints with Her Spring 2025 Odyssey Collection

The heritage brand, launched in 1974, catapulted Diane von Furstenberg’s signature wrap dress into a mainstay in women’s wardrobes more than fifty years ago. It continues to evolve with daring designs!

From Left to Right: Photograph of Diane von Furstenberg from the 1970s and Collage
of DVF’s First Wrap Dress; Photo: M. Vizcaino/DVF Flagship NYC Store.

This year, the renowned designer drew inspiration from previous collections and created versatile pieces in knit, silk, and cotton blends with stunning blue/green, pink and purple, and black hues ready to transform your closet dramatically.

Step into the Wild

Choose between tiger, cheetah, or zebra prints in luxury, lightweight fabrics that perfectly meet the moment at any time of day or night. Whether in a business meeting, brunch setting, or evening excursion, these designs have you covered in effortless style, from a show-stopping print trench that can double as a dress to light up the room or sidewalk to a playfully plunging neckline tiger-print wrap or a fabulously form-fitting dress for the trendsetting woman.

From left to right: The Amara Wrap Dress Retails for $498, the Jasper Trench Coat for $698, and the Florence Short Sleeve Dress for $458. Photo: DVF.com.

Classic Prints Are The Rage, Too!

Diane von Furstenberg channels designs from past collections to create silk cotton and viscose ensembles for a new generation of fashion-forward and fearless females, embracing femininity and empowerment in their everyday lives with bold, vibrant pieces.

*Standout piece: A dazzling black and white, bohemian chic 70s-style jumpsuit that exudes confidence in any room.

The Delia Jumpsuit Retails for $498; Photo DVF.com.

Bonus accessory: A flag scarf ( in various colors retails for $258) can instantly transform your outfit from 100 to 1000!

Black Hues Are Back Better Than Ever

You can never go wrong with black if you’re looking for a solid, contemporary hue. It’s sleek, elegant, and transitional. And this season, the fashion legend created pieces to mix and match with staples in your fashion arsenal or wear as a sensational stand-alone.

DVF Ballerina Dress retails for $588; Photo: DVF.com

Meet the Ballerina dress, made with a smooth matte jersey for traversing the city and dancing the night away—in deliciously unrestricted construction! Click here to shop Diane Von Furstenberg’s Odyssey Collection!

Fashion Designer Andrea Lauer Reimagines Your Wardrobe Staple of the Future: The Jumpsuit — Replete with History, Individual Flare, and Functionality

By intertwining technology, sustainable fabrics, and customizable silhouettes, Lauer has given the one-piece garment a much-needed makeover that rivals contemporary luxe brands.

Fashion designer Andrea Lauer at her Risen Division shop in Red Hook, Brooklyn; photo; Risen Division website.

The award-winning artist, scenic, and costume designer is no stranger to creating statement fashion pieces. Andrea Lauer has outfitted musicians and Broadway, TV, and film stars for years, taking their wardrobes to new heights. From Billy Joe Armstrong to Melissa Etheridge, now she’s more than ready to adorn the rest of us with her stylish jumpsuits.

I love fashion. Always have. As a kid, my older cousins would parade their fabulous eighties shimmery threads at family functions. They had the build for all types of clothing. I didn’t. I was short and plump and wore what was flattering and unexciting. One recurring fashion memory in my childlike mind involved an iridescent gold lamé jumpsuit with accentuating attributes my cousin once wore. She resembled a golden goddess ready to climb into her Formula One racing car with the same hue as her outfit. At a book signing in NYC’s Gotham restaurant, I came across someone wearing a jumpsuit reminiscent of this sparkly one-piece designed by Andrea Lauer.

Lauer had models of varying body types and ages wearing her whimsical fitted jumpsuits. What struck me the most was that each piece looked completely different on each model, as if the garment was an extension of their personalities. There was a sea of jumpsuits in black seersucker, navy with white pinstripes, metallic, a rich, satiny blue that reminded me of a beach in Cote d’Azure worn by a sixty-something model that slayed the look. Think Debbie Harry meets the lead singer of The Runaways, Cherie Currie. I was mesmerized.

I chatted with Andrea Lauer, Founder and Creative Director of Risen Divison, a fashion brand specializing in the cult and art of the jumpsuit. She shared her insights into sparking a renaissance of the one-piece garment.

M. Vizcaino: What was the impetus to create a fashion line centered solely on one garment?

A. Lauer: My background is in clothing and costume design, working in theatre and film, television, and music. A few years ago, I decided to launch Risen Division and open a store that doubles as my atelier and studio for all my other projects. I’ve always been curious about the history of the jumpsuit, not just in fashion but also in its connotations in our culture. Studying costume history, I discovered the inventor of the one-piece garment was Ernesto Michachelles, an Italian futurist who went by the pseudonym of Thayaht. He wanted to make a utilitarian garment available to the public and printed the design in the newspaper for anyone to make. After learning this, it sparked an interest in the garment, as an artist looking at what clothing can tell you about a moment in time. From there, I started looking at space and space travel. In space, you need to wear a one-piece garment. In other cultural carriers of this idea of uniform in our society, predominantly used for incarceration, mechanics, and workers in varying industries — historically, the jumpsuit is representative of the uniform of the masses. I wanted to take this concept of the uniform and the masses, flip it on its head, create a garment that was an elevation of the individual, and adjust the perception of the jumpsuit — how to step into it. And that’s when Risen Division was born.

Fashion designer Andrea Lauer making adjustments to her Risen Division jumpsuit; photo Craig La Court.

M. Vizcaino: What’s the meaning behind the brand name?

AL: Garments used for the division of labor. That’s where the division comes from. But then I considered taking it to a higher power if you raise something to the square power in mathematics, like R-squared. The idea of dividing labor, bringing it to the masses with a different version of workwear encompassing couture, in how it’s made, and raising the individual aesthetic through the garment. The concept for the brand also materialized from people in history. I love literature and am inspired by people who have had an unusual path, broken barriers, and impacted culture.

MV: Which figure in history did you choose for your first design?

AL: My muse for my first jumpsuit is Virginia Woolf. I named it the Woolf piece. Although she disliked fashion, she moved through life by her own rules, not letting societal conventions dictate her existence. Another inspiration for one of my signature jumpsuits is the Quimby, an homage to Harriet Quimby. She was the first female aviator (not Amelia Earhart) to acquire a pilot’s license and travel across the Atlantic on a plane in a violet flight suit — and the original Quimby is a plum metallic jumpsuit. My pieces reflect the contributions these fascinating outliers made to society. It’s important for me to imbue their stories through design and capture the details.

MV: You mention sourcing sustainable materials to make your garments on your site. Can you walk me through the process of creating your jumpsuits?

There are two ways I think about jumpsuits: style and material. I’ve created seven different styles. Each of the styles is based on a person from history. I created a specific collection based on a movement, not a person, called the Bauhaus Collection. I wanted this collection to be accessible to every human, not just one person; it’s unisex and for every gender. What does the material tell us, the fabric and the weave? It has to tell a story. I’m inspired by seersucker, the traditional fabric for the gentleman’s suit of the South. I found a Japanese company, a mill, that makes sustainably produced seersucker using low water consumption and organic cotton with high twists, a strong material with high longevity. That means that it can withstand washes and is stain-repellant, an elegant and functional material. I interchange materials based on seasons and what’s available. I was thinking about scarcity wisely. Just because we have small amounts of something doesn’t mean we can’t use it. Scarcity challenges my design sensibility and forces me to think outside the box of mass production and design something special. I’m sustainable by nature, and it echoes in everything I do. People can come to the shop in Brooklyn and try on ten different jumpsuits with one-of-a-kind embroidery, sequins, or vegan leather (materials that can’t be reproduced) and leave with an incredible piece. Customizable jumpsuits that aren’t available on the website.

Customized Risen Division jumpsuit with sequins flower; photo Keymotion Sound Design.

M. Vizcaino: What are your plans for Risen Division? How do you see the brand evolving?

A. Lauer: Risen Division focuses on enhancing the jumpsuit’s beauty in its one-and-done practicality. You can style it up or down by adding something and transforming it from day to night. I’m a fan of all jumpsuits. I even had a jumpsuit party, encouraging guests to wear their favorite designs. I’d love to collaborate with other brands. My dream is to reimagine the flight attendant’s uniform and create a jumpsuit that embodies the service they provide, transcending their individuality.

Andrea Lauer’s creative work in scenic and fashion design and her innate understanding of materials share a common theme of design and body composition. Her curiosity about the human form has led her to create designs with AI and solve design challenges, pushing the boundaries of the one-piece garment while maintaining a sustainable business model.

According to Lauer, “Technology can aid human design but not replace it.”

Andrea Lauer is a maker at heart. She believes the Risen Division is a meditation on the body, with the one-piece garment as the vessel. This reflects the brand’s mantra: “In jumpsuits, we trust.”

Click here to shop Risen Division’s spectacular, versatile, sustainably made jumpsuits. You can also visit her Brooklyn storefront for a custom-made piece.

CEO And Entrepreneur, Sandra Campos, Gets Candid About Life After DVF, Her New Startup, And Embracing Her Latin Heritage

Photo: Sandra Campos’ Instagram

Women in the C-suite are having quite a moment. As of this year, 37 women are leading Fortune 500 firms – up 12% from last year. Progress, certainly. But what about women of color, primarily Black and Latina women holding these leadership roles? That stat has dropped to 0%? Dismal, sure, even after the resurgence of the Black Lives Matter movement this past summer, with corporations “committing and pledging” to diversifying their workforce and hiring minorities to executive positions. Seems like the enthusiasm and solidarity has died down, hasn’t it? But, the good news is that women-owned businesses, specifically those of color are starting businesses faster than anyone else, according to Fast Company. Women of color account for 89% (1,625) of the new businesses opened daily for the last year. And they are just getting warmed up!

Women-owned businesses generate 1.8 trillion a year. This year, Latina-owned businesses grew more than 87%, as evidenced by statistical data. Women in business are the driving force in our nation’s economy. A testament to this fact is former and the first Latina CEO of Diane Von Furstenberg, Sandra Campos. Under her leadership, the veteran fashion executive has restructured 6 contemporary women’s brands for the Global Brands Group – popular labels such Juicy Couture and the BCBG.  We recently chatted with Sandra Campos to discuss the current state of fashion and her next career venture in the continuously evolving industry.

You’ve recently parted ways with Diane von Furstenberg (DVF). Can you go into detail about the split?

Yes, I left in mid-June, or rather resigned. It was completely amicable. COVID has impacted retail significantly. There has been a plethora of bankruptcies. With DVF, we had a complicated turnaround – which is why I was brought into the company.  COVID presented an opportunity, as a private company, to change their business strategy – and it needed to for a while. Diane was looking at the future – to maintain and leave a legacy; the business model was changing; it didn’t make sense to have a CEO, especially with DVF becoming an IP business and transitioning into a small company by early 2021. We’re still on good terms. I’m a big believer of DVF’s “Women In Charge” mission – if you are around it, you become it. Whatever we can do as women to help other women become more confident is the biggest priority for me.  Since then, I founded a fashion startup called Fashion Launchpad – a digital online continuing education platform for fashion and retail. It’s a Master class-type of micro courses that really touch upon every aspect of the industry and it is all continuing education. Fashion Launchpad will be up and running early 2021.

Photo: Sandra Campos’ Instagram

That’s fantastic for individuals looking to get into the fashion business. Can you walk us through your career trajectory, some of the milestones you’ve had?

I’m first-generation. Both my parents are from Mexico, my mother from Mexico City D.F. and my father from Zacatecas. I was raised 1 of 6 kids in Texas. When I was growing up, for whatever reason, I had a very strong interest in color, prints, sewing and fashion. I was changing my mother’s drapes, making slipcovers. I went to college in Western Texas – Texas Tech University. Not at all a fashion mecca. I was making clothes for friends and sisters and forcing everyone to wear my stuff. I thought I wanted to be a designer, but instead, I went into a pattern-making internship and decided design was not for me.  So I pursued a job in New York City. I had never traveled New York City and I was so naïve. I knew I had to go to the fashion capital of the world. I was making 17,000 year as a salary, so I had to have 3 jobs to live in the city. I was working at a retail store, the buying office, and in sales. It was all fashion-oriented, more business than design. With that, I was always motivated to become a CEO.  I knew I wanted to be a VP young, and hit these different title milestones sooner rather than later. At that time, presidents and CEOs in fashion and retail had come out of sales. My career trajectory was one in product merchandising, being in stores, really understanding the consumer, then in sales, understanding the clients from a retailer’s standpoint: planning, financial analysis. And, eventually I worked my way up to becoming CEO of Diane von Furstenberg, prior to accepting this role, I held executive roles within Donna Karen, Ralph Lauren, and a license of Oscar de la Renta. I also had my own company a couple of times as well. I had corporate and entrepreneurial experience. The entrepreneurial experience more than anything else gave me exposure to all things. When you’re running your own business, you are all things to everyone. I was going out and pitching, doing the press releases. I was customer service, production, and manufacturing. It helped my understanding of business, my corporate roles, and how to build a brand and generate awareness and engagement from the customers.

It can be very gratifying, if you’ve worked in every facet of production and are privy to the ins-and-outs of any given department and what makes it tick.

That’s exactly why I’m launching Fashion Launchpad. It is all about knowledge and understanding your industry, inside-and-out. There used to be some training programs that allowed you the flexibility to be in the warehouse and understand how that operates, on the sales floor of a retail store, then go back into the financial office and be in sales showroom – and get to experience all the different aspects of the business. Not anymore. And if you’re in a silo you don’t know what goes on in other areas and unless there’s a lot of cross-functional partnerships, it’s very hard for somebody to understand the business as a whole and become a well-rounded individual. These courses will be taught by top industry executives – executives who are operating businesses on a day-to-day basis, therefore individuals will be able to really understand – in-depth – what a merchandising life plan is, what an PNO means? All kinds of things people need to comprehend; whether they are starting out in the industry or still in the C-suite level; crucial elements people should possess to be a team player, a better collaborator and the ability to run a profitable business.

As you ascended into your executive roles with various fashion brands, did you ever encounter obstacles because of your Latin background as opposed to your white counterparts in Texas or New York City?

I’ve thought about this topic a lot recently. There’s 2 parts right now that create barriers: 1) One is being woman 2) The other is being a minority.  For me, I saw the impact and bias against women more than I saw the bias against Latinos. That said, I was very unaware, until 5 years ago, I was told that when I joined my sorority, they actually had a conversation on whether or not they wanted a Mexican in their sorority. Now, I didn’t know that at the time.  I became a member of that sorority and became one of their leadership VPs. I love that sorority and I’m so involved with it. You don’t really know what people are thinking and what those racial biases might be – the undertones of that. Really some of it is subconscious as well. As a female, you see a lot more of that because there are a lot of men in my industry – especially in the C-suite and board-level executives. Thankfully, that’s changing. There is focus on building and supporting women to get to the C-suite – which is incredible; there are quite a few organizations and memberships helping women by providing so many resources and tools to succeed. That didn’t exist when I was starting out in the industry. I’ve put aside my own inhibitions of being Latina and decided to move out of Texas, because at the time, it wasn’t diverse enough. I wanted to be part of the diverse melting pot that makes up New York City.

Photo: Sandra Campos’ Instagram

Latino consumer buying power will be reaching 1.7 trillion within the next year. Shouldn’t luxury brands and other mega brands make a concerted effort to reach this huge demographic with this kind of disposable income?

There are so many conversations happening right now about race and racial bias, and not just with Latinos; Latinos start 80% of startup businesses, exactly to your point of representing a huge percentage of consumer spending power. Change needs to start from the top in a couple of different ways. First and foremost: we have to push to have more diverse boards in companies, more diverse leadership. When I say diverse – it’s not just about Latinos, but diversity in general, male and female. Unless you have diverse C-suites and a diverse group of leaders that understand and empathize with consumers’ needs, things won’t change. They have to be able to really walk the walk, instead of saying: Hey! Here’s a segment – a group on a piece of paper we’re targeting. That’s futile. Instead, let’s try: truly understanding this segment by making them part of the corporate community, the board, and executive suite reflecting the group(s) targeted.

As far as Latinos demanding representation in advertising and entertainment with real diversity to reflect their increasing spending power, do you think Latinos from different nationalities lack a united front?

That has definitely something to do with it. We are all so separated in a way. We should be able to figure out a way to come together, because together we are more powerful and a stronger force. That has an impact, sure!

Have you confronted colorism biases within your personal and professional life as a Latina as you’ve paved your way into the C-suite?

Absolutely. It’s not a conversation I’ve had a lot of discussion about. Honestly speaking it’s there. Skin tone has been a topic since I can remember. I’ve never really embraced my Latina heritage until 5, 8 years ago. Only then because of my own kids – seeing my oldest daughter embrace her Latina heritage, feeling more Latina than I did. And I thought: Why is that? I realized it was because I grew up in a situation where I had lighter skin than the Mayans, Mexicans growing up in my area. My last name wasn’t specifically Latino. Campos could be from Spain, European and I felt that it put me in a situation where I could walk away from certain responsibilities of being a Latina. I lightened my hair. People would say I looked Greek, Italian or from Spain. No one ever said you look like a Mexican. I felt I needed to cover that up throughout my career and life to move upwards. I didn’t embrace my Latin heritage. That was an issue I didn’t address. Now, the conversations are so much more prevalent. I see first and second-generations, like my kids, part of Generation Z that are activists and being prideful of their heritage, I look at that and I realize that girls can’t be what they don’t see. So I have a responsibility to share my story and help the next generation not have that level of prejudice I dealt with. 

Sandra Campos is among the many Latina pioneers consistently breaking barriers in their respective industries after achieving many firsts in business, government and heads of households. It the responsibility of the next generation to receive and pass the torch of opportunity, forge ahead and fight for seats at the decision-making tables in every aspect of our lives. We must harness our voices for the collective advancement of Latinas in the United States to impact change and see true representation of multidimensional cultures claiming our over due space in this country.

Rock The Vote: Teen Vogue X TOMS Event Slayed! – Politically and Socially

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Photo: Courtesy of TOMS, Rock the Vote Attendees at the New TOMS Williamsburg, Brooklyn Store

Covering the Rock the Vote: Teen Vogue X TOMS event has been one of my most thrilling moments this year. Why? It was unexpectedly delightful and inspirational. It moved me to act, to care more, to save our democracy, to donate, to tweet, and to raise awareness about the impact of the midterms and how each of us – really can make a difference. I had this preconceived notion that this event, geared toward Teen Vogue’s Gen Z audience, a far cry from my hazy Generation X/ millennial cusp residency, wouldn’t be relatable to me. Thoughts of ill-conceived, potentially overheard conversations I’d succumbed to fill my head: From Cardi B’s/Nicki Minaj’s latest feud-y clap-backs to the best unicorn hair color dye brands on the market. Boy, was I proven wrong. I was surrounded by teens and girls in their early twenties who had founded nonprofits for trans youth in need and created grassroots organizations to get women elected. Young activists who launched crowdsourcing campaigns for victims of gun violence. These girls have powerful messages to convey: Get ready. We are changing the world!

Founded in 2003 by parent company Condé Nast, Teen Vogue still caters to fashion lovers, keeping up with the beauty and fashion trends; its sister magazine, Vogue, personifies the beacon of high fashion and beauty. These days, Teen Vogue, primarily a digital magazine, captures the attention and support of political and social activists. According to Alli Maloney, Teen Vogue’s news and politics feature editor: “We cover news as it happens. But we also cover things that we reframe in a new lens. We get pushback daily, with people telling us to stay in our lane, but our readers’ lane includes politics now. It’s a political world.” And on this night, the political world took center stage. New York Senator Kirsten Gillibrand was the guest speaker for the Rock the Vote discussion, moderated by Teen Vogue’s news and politics editor, Lucy Diavolo. Gillibrand, who began her political career in Congress in 2006, ran for an incumbent Republican seat, which she defeated, and in 2009 became Senator of New York State.

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Photo: Courtesy of TOMS, from L to R, Senator Kirsten Gillibrand and News+ Politics Editor Lucy Diavolo

Gillibrand, whose seat is also up for re-election, didn’t shy away from audience questions on our failed political system under-serving Americans. She acknowledged that the system is broken and that young people, women, and people of color must take action to see themselves represented in the House and Senate. The work is tireless and essential to protecting people’s rights for adequate healthcare, education, and women’s reproductive rights. Gillibrand became the first member of Congress to post her official daily meetings and personal financial disclosures. Her push for transparency in politics led to the passing of the STOCK act, making it illegal for members of Congress, their families, and their staff to benefit from insider information gained through public service. Diavolo posed questions to Gillibrand on the minds of many Americans right now: What pressing issues will take precedence if Democrats take back the House and Senate? Is she running for president in 2020? What are some bipartisan solutions both parties can agree on and pursue – with gun reform regulation? And, of course, with Trump’s proposed agenda to erase Transgender rights, mainly affecting trans youth. I asked Lucy, as a transgendered journalist, her thoughts on the following:

DSMC: In a Teen Vogue article from October 24, wrote: “As I said in the speech I gave during the Hell No to the Memo rally on Sunday, October 21, believe voting alone is not enough right now. It is important to go beyond the polling booth and provide direct, material support to transgender people.” Can you elaborate on this statement? What do you mean by “material support?”

Lucy Diavolo: In terms of providing material support to transgender people, I think there are several options. As I wrote in the 22nd article, it can be as simple as just checking in on your trans, non-binary, and gender non-conforming friends with a kind word, calling a congressperson, or educating your family and friends. In terms of material support, simple things like donating directly to a trans person, taking the time to make a trans friend a meal, helping them cook or clean, giving them a place to crash if they don’t have one, or weighing in on a job application can all be straightforward ways to do so.

DSMC: Should the proposed Trump bill reversing Obama-era protections for LGBTQ citizens be instated, what can the LGTBQ community and their supporters do to fight back?

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Photo: Courtesy of TOMS, Lucy Diavolo, News + Politics Editor, Teen Vogue

Lucy Diavolo: If you’re talking about the transgender HHS memo, absolutely not. Under Obama, the LGBTQ community saw serious progress made at the federal level for the first time in history — it’s a low bar, but Obama (like many Democrats) changing his tune on marriage equality and standing up for trans kids in schools was unprecedented. Many of us believed a Trump presidency would undo much of that progress, and the HHS memo was the latest horrifying proof that the current administration is actively engaged in looking for ways to strip our community’s fundamental human rights.

Lucy Diavolo: Whether you’re a binary trans person, a non-binary trans person, or experiencing your gender in other ways, know that you’re valid. Being young and trans (or any kind of queer) in a hostile environment can be very challenging. I know because I was outed as bisexual in the 8th grade and spent most of high school suffering for it. My best advice for a young person in a situation like that is to look for a community where you can. It can be online, with many great community spaces for learning and having conversations. Or it can be in the other folks who might be struggling at your school, who can commiserate with you over your situation, even when no one else is listening. A sense of community has made even the most difficult, painful, and ugly parts of my transition feel safe and supported.

If you find yourself in a truly untenable situation, know that, in many cities, there are people, social services, and communities that will support you. Young LGBTQ people have been running to the cities for decades, and in many places, there are not only organizations working to serve them but entire populations of older LGBTQ folks who want to support them. Look for those organizations and people in online spaces if you have to get away from wherever you are.

Apart from curating news and politics for Teen Vogue’s 5 million plus monthly visitors to the site, Diavolo helped founded the Transfeminine Alliance of Chicago and plays bass in the Chicago-based band The Just Luckies.

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Photo: Courtesy of TOMS

Rock the Vote event host and Teen Vogue advocate TOMS opened their new store/café with an outside patio in Williamsburg, Brooklyn. DSMC asked TOMS’ Director of Global Brand Marketing, Kate Faith, to discuss the successful and impactful collaboration between Teen Vogue and TOMS.

DSMC: TOMS has partnered with Teen Vogue, including the recent Teen Vogue Summit in Austin last month. What makes this partnership so special?

Kate Faith: Our partnership with Teen Vogue started last year with the first-ever Teen Vogue Summit, where we hosted the opening day reception at TOMS HQ in Los Angeles. To continue this partnership, this year, we hosted meet-ups at our TOMS stores across America, including Chicago, Austin, Los Angeles, and finally, at our new store here in Brooklyn. Teen Vogue educates and inspires young people to take action, which is at the heart of what we’re doing here at TOMS. We both know that Gen Z has the power and courage to change the world. We support Teen Vogue as they rally the next generation to create a better world.

DSMC: With over 60 million pairs of shoes donated to children worldwide, what does TOMS hope to establish with the one-for-one model eyewear? Is eyewear as scarce as shoes around the world? Why this product line?

Kate Faith: Since our founding in 2006, TOMS has given over 80 million pairs of shoes to those in need abroad and in the United States. We’re very proud of that number, but we also recognize we can do more and have the opportunity to scale our impact beyond our shoe gives. TOMS launched eyewear in 2011 as we saw a need to help more people in a new way that would make a massive difference in their lives. During Blake’s travels, he saw many kids who couldn’t see the chalkboard at school, so they would fall behind, and elderly people developed cataracts, which affected their work life and the livelihood of their families. Wanting to find a solution, he came up with TOMS eyewear – with every pair of sunglasses and optical glasses purchased, a person is provided an eye exam and treatment through prescription glasses, medical treatments, or sight-saving surgery. We have now provided sight to over 600,000 individuals around the world. I recently witnessed cataract surgery firsthand in India on a Giving Trip. It was incredibly moving to see people’s reactions when their bandages came off and they could see their loved ones – some for the first time! I’m proud to work at a company creating this level of impact worldwide.

DSMC: Does TOMS support/endorse certain politicians for the midterms?

Kate Faith: Our #1 objective is to inspire and educate young people about the importance of using their voice to create positive change. Voting is one (significant) avenue for people to address the issues they care about most, and we want to provide the tools for people to make informed decisions when heading to the polls. We don’t endorse specific politicians but hope elected officials support all individuals’ fundamental human rights. We are in this together and must create a world that works better for all of us. To learn more about TOMS global work and products, click here.

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Photo: Courtesy of TOMS, Attendees at the Rock The Vote Teen Vogue X TOMS Event

This event opened my eyes to a new group of passionate activists committed to making a difference in our nation. I had once solely perceived them as meme-creating, snap-chat, happy, simplistic youth consumed with finding the perfect selfie. Sure, they may engage in these activities in their downtime, as most of us have, but they are laser-focused on championing vital causes for their generation and ours.

Statement Toques: Your Latest Winter Accessory

The winter months in New York can be brutal, but that doesn’t mean you have to endure the cold weather with bland winter accessories as you tackle each day. Enter: Tuck ShopTrading Co., founded in Toronto, Canada by Lyndsay Borschke and inspired by her and her husband’s time spent between cottage and city life. Their new line: City of Neighborhoods pom-pom beanies or toques (as commonly referred to in Canada) are fun, playful and pride-inducing. What started as homage to cities around Canada, now includes neighborhoods all over the United States.

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From the East Village to Morningside Heights, and from Hell’s Kitchen to Bushwick, the City of Neighborhood’s toques include nearly every district in New York City. The Tuck Shop Trading Co. features cozy, ready-to-wear clothing and accessories for men and women. Their products are designed and manufactured solely in North America. These unisex casual luxe headgear pieces are ideal for battling the frigid temperatures and reppin’ your favorite neighborhood – simultaneously! I was lucky to be armed with one of the Bronx toques on a long drive to Canada to visit relatives, and yes, I’m known to always be the coldest person in the room, but this toque kept my noggin warm for the duration of my trip. Spotted on the streets of the famous heads of Method Man and Cara Delavigne, these popular toques are everywhere. Get yours now for $38 on: https://www.tuckshopco.com/collections/city-of-neighbourhoods/