‘Antigone’ Review: Modern, Timely and Necessary

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Alexandria King as Antigone, Photo: Richard Termine

Summer in New York City is replete with outdoor activities to fulfill the public’s yearning for quality music, film, fitness and cultural events. How do you choose from so many worthwhile attractions? If you were a theatre and cultural arts aficionado you’d be remiss not to take advantage of The Classical Theatre of Harlem’s free production of “Antigone.” This modern revival of Sophocles’ Greek tragedy is inspired by the Paul Roche adaption and infuses African-American traditions while adhering to the Greek tragedy format. Presented at the Richard Rodgers Amphitheater at Marcus Garvey Park and referred as the ‘Uptown’ Shakespeare in the Park by Ty Jones, Producing Artistic Director of The Classical Theatre of Harlem, lead actor in “Antigone”, and fellow theatre creatives – the space is conducive and complements “Antigone’s” production and set design with the names of those killed by police brutality.

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Alexandria King and Ty Jones as Antigone and King Creon, Photo: Richard Termine

Although the cornerstone of Greek plays emphasize tragedy, what stands out in this particular rendition and lauded by Carl Cofield, Director of “Antigone,” is the valor of conviction. The story of “Antigone” opens at the end of a battle between Antigone’s brothers, Eteocles and Polynices, both were vying for control of Thebes and died in combat. Ultimately, King Creon claims the throne as the new leader and proclaims one brother a hero (Eteocles) while the other a usurper. Antigone demands her slain brother (Polynices) receive a proper burial against the king’s wishes. The timeliness of “Antigone” couldn’t be more appropriate as we face an administration attempting to impose their unjust system on its citizens – and most of these citizens are challenging their ideology and taking to the streets to protests their policies – to salvage our Democracy. Alexandria King plays the main character of Antigone. Don’t be fooled by her small stature opposite King Creon, Ty Jones’s 6 ft. build. King’s powerful voice commands the stage and she does a superb job of portraying the defiant and valiant Antigone. Jones, known for his portrayal of Agent Donovan in the POWER series on the Starz Network is a natural as enforcer and upholder of law and order. But, Creon’s family and citizens of Thebes are reluctant in sharing his views.

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Ensemble from Elisa Monte Dance Company, Photo: Richard Termine

The choreography by Tiffany Rea-Fisher is stellar and the talented singers in the chorus are sensational. “Antigone” offers hope reflected in the selfless acts of sacrifice in the name of justice and even though the play, originally written by Sophocles in 442 B.C. – 2,500 years later, stands the test of time. Check out the free production of “Antigone” produced by The Classical Theater of Harlem at the Richard Richards Amphitheater at Marcus Garvey Park through July 29th, for more information, click here.

CREDITS:

The company of “Antigone” includes: Obie Award winner Ty Jones (as Creon; POWER, Julius Caesar), Alexandria King (as Antigone), Kahlil X. Daniel (as Teiresias), Avon Haughton (as Haemon), Ava McCoy (as Ismene), and Adaku Okpi (as Eurydice). The ensemble features dancers from Elisa Monte Dance.

Inspired by Paul Roche’s Adaptation of “Antigone” by Sophocles
Director: Carl Cofield
Choreographer: Tiffany Rea-Fisher
Costume Designer: Lex Liang
Lighting Designer: Alan C. Edwards
Scenic Designer: Christopher & Justin Swader
Sound Designer: Curtis Craig
Production Stage Manager: Megan Sprowls
Projections Designer: Katherine Freer
Props: Samantha Shoffner

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Review: ‘Sancho: An Act of Remembrance’ Emotional, Provocative and Timely

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Photo: Robert Day

If Paterson Joseph’s name doesn’t automatically invoke the phrase “thespian of our time”, then the acknowledgement is long overdue. Joseph’s career trajectory spans over two decades with a vast array of Shakespearean and other notable stage performances, film and television series (The Beach, Aeon Flux, NBC’s “Timeless,” and “Doctor Who,”). The talented and versatile British actor brings to life Sancho: An Act of Remembrance to the National Black Theatre in Harlem with an undeniable vibrancy and a steadfast energy. Written, conceived and performed as a one-man show, Joseph commands the audiences’ attention as soon a he steps on stage.

Paterson Joseph begins with a brief intro to his entertainment background and seamlessly segues into the character he’s portraying: Charles Ignatius Sancho. Sancho, an African man born on a slave ship – who was able to rise from poverty and servitude in 18th century England and become an educated social satirist, composer, abolitionist and ultimately a man of refinement evidenced by his portrait – painted and immortalized – by renowned artist, Thomas Gainsborough. I can’t recall mention of this prominent activist in school and welcomed the education lesson of this character’s vital role in becoming the first British-African to cast a vote in England in 1774; quite a feat for a man of color in this era in history. Joseph does a phenomenal job in reenacting Sancho’s birth, early childhood, and life-changing influences that led to his financial independence as a businessman within the oppressive environment bestowed upon him. Joseph transitions between the narrative with comedic and emotionally charged dialogue with ease. And as a theater patron, you can’t help but glance around the intimate setting, and notice other patrons are captivated by Paterson Joseph’s storytelling ability.

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Engraving by: Francesco Bartolozzi

The theme of oppression and strength of conviction to affect change is so timely in our current political system. This play is more than homage to a man who paved the way for British Africans, rose above unimaginable adversity and triumphed in light of the circumstances surrounding him; it’s a testament to the spirit of man and the belief that change and acceptance of marginalized groups is possible. Sancho: An Act of Remembrance will be playing at the Black National Theatre through May 6th. For more information on the performance and to get tickets, click here:

Conceived, written and performed by: Paterson Joseph; Co-Director: Simon Godwin; Music and Sound Design: Ben Park; Designer: Michael Vale; Lighting Designer: Lucrecia Briceno; Costume Designer: Linda Haysman.