Rawness and Unconventionality Captured The Essence of The 22nd Annual Brooklyn Film Festival

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Opening Night, 22nd Annual Brooklyn Film Festival

This year’s Brooklyn Film Festival broke new ground with superb storytelling. And, we couldn’t get enough of it. According to the festival’s Executive Director, Marco Ursino, “BFF featured the largest presence of female directors within a single festival edition to date. I’m also proud to say that four out of our six festival programmers are women and the festival is run mostly by women.” What a refreshing and revitalizing statement from a male festival organizer. Time will tell if other male festival directors will follow suit with domestic and international film festivals in the future. Brooklyn Film Festival’s (BFF) roster of films included 133 features and shorts from over 30 countries spread over six continents. The lineup included 37 world premieres, 29 east coast debuts and 34 first-time screenings in NY.  In addition to the 13 narrative features and 10 documentary features, the festival presented 39 short narrative films, 23 short documentaries, 28 animated films and 20 experimental projects.

Documentaries at their core are meant to raise awareness and provide a candid journalistic perspective on subjects completely devoid of mainstream coverage. The documentaries that rose to the occasion in this year’s festival are: Clean Hands and RocKabul.

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The Lopez Children At La Chureca, Photo: Courtesy of Clean Hands Press Site

Clean Hands, directed by Michael Dominic, follows a family in Nicaragua over the span of seven years (2011-2018) living in extreme poverty and relying on a garbage dump, La Chureca (Central America’s largest garbage dump) for food and everyday necessities. When we first meet the 4 children in the Lopez family, they are aged 6 – 10, unable to read and write and depend on each other for companionship and engage in sibling rivalry. They are unaware of a better life, unlike their parents. When they receive an opportunity from a foundation to move into a new home on the condition that the kids go to school, the family seems destined for a bright future until other underlying problems set in. Dominic’s storytelling is raw, and depicts his subjects as they are. The director captures moments that are heart-wrenching in its portrayal of this family and lets audiences experience the highs and lows with them. In the end: you’re rooting for the Lopez family instead of pitying them.

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L to R: Qais (Guitarist), Pedram (Drums), Yousef (Vocals), Qasem (Bass), Lemar (Vocals/Guitar) Photo: Courtesy of Rockabul Press Site

In RocKabul, Australian director/journalist, Travis Beard goes on a journey with the first metal band in Afghanistan: District Unknown. What’s so interesting and compelling about this movie is the universal love for music these subjects exhibit. Whether you love metal or not, you will be immediately drawn in by these subject’s relentless pursuit of their passion for music – a passion that is frowned upon by the conservative and extremist government of Afghanistan. Beard, having lived in Kabul for seven years, and a metal musician as well, injects himself in the documentary as an advocate and mentor for the group. District Uknown’s story is bittersweet as Beard chronicles the band’s discovery of rock music, playing an international festival in India, and capturing Kabul’s underground party scene. The band members face insurmountable threats by the Afghani system and ultimately must make a decision on the future of the band.

Two narrative features that boldly address unconventional themes in their films and were awarded Certificates of Achievement by the Brooklyn Film Festival this year are: #LIKE for Best Producer Award and Only Good Things for Best Original Score Award. Both directed by female filmmakers. These films are true standouts in their own right.

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Actress Sarah Rich As Rosie, Photo: Courtesy of Brooklyn Film Festival

In #LIKE, director Sarah Pirozek begins the story with the aftermath of suicide brought on by cyberbullying and the family members left to pick up the pieces, one year later. In this instance, it’s Rosie’s point-of-view, a teen from Woodstock New York confronted with the harsh reality that the anonymous man whom bullied her younger sister into committing suicide is back on the prowl trolling for new victims online. After getting nowhere with the local police and realizing their lack of interest to prosecute her sister’s assailant, Rosie decides to seek retribution. This is more than a vengeance-thriller film. Pirozek is smart to keep Rosie’s teenage perspective with every action and decision she makes – even if detrimental. We empathize with her situation and revel in the psychological exploration of captor vs. captee.

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Cast of Only Good Things, Photo: Courtesy of Brooklyn Film Festival

Only Good Things (Solo cose Belle) by director Kristian Gianfreda is delightful all around. The premise: a popular 16-year old teen starts to question her loyalties and character when a bizarre family moves into her small town of Rimini, Italy. Unwanted and stigmatized by town regulars and her own mother, father, who’s the mayor of the village; Benedetta can’t – in good conscience – follow the pack and mistreat her new neighbors that are quite odd, but familial and loving nonetheless. As Benedetta’s moral compass keeps getting tested, the surprise ending will leave you feeling warm and fuzzy. No wonder this film won the festival’s Achievement of Certificate for Best Original Score Award for composer, Bevano Est.

Two shorts in the documentary and narrative categories that left me smiling and hopeful are One Leg In, One Leg Out and Dunya’s Day.

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One Leg In, One Leg Out, Photo: Courtesy of Brooklyn Film Festival

One Leg In, One Leg Out, won Best Documentary Short at the Brooklyn Film Festival this year. The film is about a transgender female (Iman) sex worker who dreams about becoming a social worker to help her fellow transgender community. Canadian Director Lisa Rideout follows Iman as she seeks out johns on the street and interacts with them on the phone. Iman is skilled at her job, but knows her profession has a limited shelf life. In pursuit of bigger things, she seeks information about a social work program and seriously considers the career change. Rideout aptly lets the audience get to know Iman with no preconceived notions. The film paints the transgender subject in a positive light – especially in the era we are living in, where LGTBQ rights are being stripped away by the U.S. government and attacks against the group have increased exponentially.

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Sara Balghonaim as Dunya, Photo: Courtesy of Brooklyn Film Festival

Dunya’s Day, a narrative short by writer/director Raed Alsemari pokes fun at Dunya, a well-to-do Saudi Arabian woman who is in the midst of having her college graduation party and is abandoned by her help staff. Who doesn’t want to see entitled people struggle? I suspect just the entitled. Even through her desperate attempts to save her soiree, Dunya still wants to be perceived as “having it together” and a gracious host by her rival affluent friends. It’s comedic timing is spot on. Dunya’s Day is the winner of Sundance’s Short Film Jury Award for International Fiction at the 2019 Sundance Film Festival.

The Brooklyn Film Festival has been supporting competitive film events since 1998 to drive worldwide attention to Brooklyn as a purveyor of stellar cinema and independent filmmaking. This year the 22nd Brooklyn Film Festival collaborated with several South American film organizations: Proimagenes (Colombia), ChileDocs, IMCINE (Mexico), Universidad del Cine (Buenos Aires, Argentina), Festival Internacional del Cine Buenos Aires (FIDBA), Cinema Tropical and Proyector Film Series to increase Latin American film submissions. I’ll be waiting with bated breath to see what’s in store for 2020. To learn more about the Brooklyn Film Festival, click here.

 

 

 

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Female Filmmakers Rule The Spotlight At The 22nd Annual Brooklyn Film Festival

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Photo: Mercedes Vizcaino

If you’ve had enough of the quintessential Hollywood hyped films that have been – and will continue to be – splashed all over TV stations and streaming services with overly saturated ads (after all it’s only the beginning of June), then check out the roster of films at the 22nd Annual Brooklyn Film Festival to embrace global innovation and creativity. I’ve seen a few films thus far, in the narrative and documentary features and shorts, and experimental and animation categories, and wow! have they made an impact on me. And, we still have 6 more days of film festival-ing to revel in and see more fascinating films.

It all began with the presentation of The Gathering on BFF’s opening night and this year’s festival theme of empowering women to tell their stories and call out Hollywood for their inaction towards predatory powerful men. The Gathering, directed by Emily Elizabeth Thomas, showcases actresses dressed in character (the nun, elf queen, spy) all sharing personal accounts of sexual assaults within the film industry. The film and director’s message: “NYC…Brooklyn is a space for the other, the weird, the disruptors. And, that a better Hollywood is possible.” Following this powerful short film was the world premiere of Above The Shadows by Claudia Myers starring Olivia Thirlby, Alan Ritchson, Jim Gaffigan, and Megan Fox.

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Olivia Thirlby and Alan Ritchson, Photo: Courtesy of Brooklyn Film Festival

Above The Shadows is a supernatural action romance between a tabloid photographer (Holly) and a disgraced MMA fighter (Shayne). Holly has been invisible to her family and society for more than a decade. After discovering that one of her tabloid photos resulted in Shane’s downfall, she tracks him down to make things right and realizes he can see her and has the potential to restore her existence in the world. Director Claudia Myers brings a softer perspective to the sport of MMA and reverses the age-old boy-saves-girl paradigm with Thirlby as a believable heroine and savior of the day.

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Elephant in Africa’s Congo Basin Region, Photo: Courtesy of the Brooklyn Film Festival

Regardless if you love elephants or whether you just love all animals, the documentary, Silent Forests, is worth seeing. Taking place in Africa’s Congo Basin region, the film follows Cameroon’s first female eco-guard conversationalist, a Congolese biologist studying elephant behavior, an anti-poaching sniffer dogs team leader led by a Czech conservationist all tackling the unbelievable corruption, lack of funding and weapons, as they deal with the huge crisis of the decreasing population of forest elephants. The film is eye-opening and sentimental in the depths these activists undertake to examine the problem head-on,  from poaching to conversation and vice-versa. Check out director Mariah Wilson’s documentary feature on June 4th at 10pm at the Wythe Hotel.

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Numa Perrier as Susan (Center), Photo: Courtesy of Brooklyn Film Festival

A recent film that had me immersed in thought long after it ended was: Una Great Movie by Director Jennifer Sharp. The story begins with an African-American woman (Susan) traveling back to Mexico to rekindle a romance with a former lover; then it cleverly switches to the film’s screenwriter second-guessing her characters and their actions in the film and the all-too-familiar producers, “screen therapists,” agents, and movie insiders injecting their formulaic and over-used anchors to drive the film to “sell” and have a mass appeal. This film will speak volumes to all, but is especially poignant for any creative who has dreamt, tried-but-failed, or succeeded in making their vision come to life. It’s funny, full of heart, and entertaining for the entirety of its 96 minutes. Check it out and buy tickets to the world premiere on June 7th at the Wythe Hotel at 8pm.

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Mollie Cowen as Casey, Photo: Courtesy of Brooklyn Film Festival

The documentary short, 3 Sleeps, by painter-turned-director, Christopher Holt is based on the true story of a 9-year-old girl (Casey) left to take care of her younger siblings for a whole weekend in a tough London neighborhood. After her mother leaves young Casey with little money to watch over herself and sisters, her youngest sister, aged 5, becomes ill. While Casey is forced to make the harrowing decision to either protect her mom or save her sister’s life, the audience is at standstill – grappling and sympathizing with Casey’s predicament. Fine acting by actresses Mollie Cowen, Keira Thompson, and Emily Haigh. 3 Sleeps has its U.S. premiere tonight at the Wythe Hotel at 6pm and encore on June 7th.

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Bernard in Bristled, Photo: Courtesy of Brooklyn Film Festival

The animation short Bristled is a gem of a film that captures the idiosyncrasies of dating perceptions in the modern world. After countless failed blind dates, Bernard believes he may have found “the one,” only to find yet another fault in the person and is quickly consumed with his perceived “fault” she possesses, only to discover he’s not perfect either. The narration’s comedic dialogue and timing is superb. Bristled, by Scott Farrell has been selected by the Beverly Hills Film Festival, Chicago Comedy Film Festival, and Canadian International Comedy film Festival to name a few. Go see this quirky film on June 5th at the NY Media Center.

This year The Brooklyn Festival’s programmers are committed to advocating for filmmakers who are working in critical systems, taking risks and challenging themselves to tell stories that are breaking barriers. Please check out these amazing films and support these extraordinary and talented artists. To see Brooklyn Film Festival’s full schedule, click here. Plus, don’t miss my festival wrap-up piece next week. The Brooklyn film festival will be running through, June 9th.

Review: ‘Skin In The Game’ – Electrifying and Entertaining

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Photo: Courtesy of Urbanworld Film Festival, L to R: Christian Monzon and Erica Ash

An unlikely vigilante duo team up to track the abduction of a 15-year girl destined for human trafficking from a seemingly safe suburb of Los Angeles, California. This is the premise behind new film, Skin in the Game. First-time director, Adisa, tackles this subject of human trafficking and the lure traffickers use to find their victims. Leading actress, Lena (Erica Ash), a former prostitute-turned advocate for young women that have fallen into the sex trade has her hands full providing a safe house for girls looking to start anew and break free from the clutches of their pimps.

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Photo: Courtesy of Urbanworld Film Festival, L to R: Elisabeth Harnois and Erica Ash

Lena, played by Erica Ash (Survivor’s Remorse, Uncle Drew), is stoic and resilient. Conflicted with her own past trauma doesn’t deter her from helping others and convincing them there is a way out. When a former high school classmate, Sharon, (Elisabeth Harnois) contacts Lena in a desperate attempt to find her missing daughter Dani (Sammi Hanratty), Lena resists, as the two women are estranged and have a rocky past. We don’t know exactly what transpired between these two women and as the viewer you want to know their history– to understand their motivation to join forces and risk their lives. Skin in the Game’s plot is reminiscent of the Liam Neeson Taken trilogy, minus the CIA training, but with captivating female characters with their own set of survivor skills.

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Photo: Courtesy of Urbanworld Film Festival, Sammi Hanratty

Written by Adisa and Steven Palmer Peterson, produced by Oscar-nominated producer, Howard Barish, and founder of Kandoo Films, Skin in the Game explores the dark underworld of human trafficking. The threat it poses – to not just poverty-stricken and drug-addicted individuals with little resources– but also to young, misguided vulnerable girls in American neighborhoods. It’s no longer an international problem – it’s become a domestic problem. Human trafficking is a modern form of slavery with illegal smuggling and trading of people into forced labor and sexual exploitation. The human trafficking business is currently estimated at 150 billion up from $44 billion in 2005, according to The United Nations Office on Drugs and Crimes’ 2016 Global Report.

Urbanworld Film Festival recently Selected Skin in the Game for their narrative features’ category. To learn more about this suspenseful indie thriller, its’ female-led cast, and their upcoming national release date, click here.

Urbanworld’s 22nd Film Festival Wrap-up: Controversial, Thought-provoking, and Fearlessly Female

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Photo: Courtesy of Urbanworld Film Festival, L to R: Tiffany Haddsish and Kevin Hart

The Urbanworld Film Festival is the premiere global festival for emerging filmmakers, actors, and musicians to showcase their talent. The nation’s largest competitive multicultural film festival screened 76 selections, featured 4 original screenplay finalists and hosted digital, music, and spotlight events, which included narrative features, documentaries, shorts, animations and music videos this past weekend. Former Miramax executive and MoviePass co-founder, Stacy Spikes, recognized a void present in Hollywood during the 90s – there was a lack of African-American and culturally diverse films for audiences. And, in August of 1997 Urban Film Festival became the catalyst for change and the first internationally competitive black film festival in the U.S.

After perusing the festival’s schedule, I knew I was in store for some amazing films with well-known and not-so-well known talent that was going to leave a lasting impression. The results far exceeded my expectations. This year’s theme: badass and unapologetic. Actresses, female filmmakers, writers and producers brought unconventional and dynamic characters to the screen. On opening night the festival’s Spotlight Screening of Night School, starring funnyman Kevin Hart, comedienne and “actress-of-the-moment” Tiffany Haddish (Girl’s Trip, Keanu) attended the screening. Hart, who co-wrote and co-produced the movie, stars as Teddy Walker, a BBQ grill salesman living well above his means to impress and maintain his girlfriend (Megalyn Echikunwoke) happy. When unfortunate events ensue and Teddy ends up unemployed, he must face reality and go back to school to get his GED and land a better job, alongside a band of misfits and troublemakers. There are lots of laughs in Night School. Hart and Haddish’s comedic timing are impeccable. Although, there are a lot of far-fetched scenes that didn’t make sense, although the story moved at such a steady pace, you don’t mind it. After the screening, the audience was treated to a Q&A with producer, William Packer and director Malcolm D. Lee (Girl’s Trip, Best Man). Lee confessed that he almost passed on the film due to exhaustion from his previous film, the female-led comedy, Girl’s Trip. You’ll be glad he stuck around.

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Photo: Courtesy of Urban Film Festival, Ellis Haizlip

Winner of the Best Documentary Feature this year was Mr. Soul! Billed as the first “black Tonight Show, the revolutionary program, SOUL! was hosted and executive produced by Ellis Haizlip. SOUL! launched as a local, New York broadcast during the Civil Rights Movement in 1968. In 1969 SOUL! began airing nationwide on PBS. Considered a beacon of hope and pioneer of black American entertainment and arts programming, director and niece of Ellis Haizlip, Melissa Haizlip, provides a fascinating history of the show with clips and interviews with unknown then, turned A-list stars, Al Green, Maya Angelou, Ashford and Simpson, Harry Belafonte and Sidney Poitier – to name a few. Radical poets, dancers, and experimental artists filled the broadcast airwaves of this groundbreaking show. Mr. Soul! is delightful, historic, and so timely and replete with parallels to the current political climate.

 

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Photo: Courtesy of Urbanworld Film Festival, Viola Davis

Categorized under the Spotlight Screenings series, the film Widows, starring Viola Davis, Liam Neeson, Michelle Rodriguez, Robert Duvall, Colin Farrell and Daniel Kaluuya (Get Out); director Steve McQueen (12 Years a Slave); packs a punch with the powerful ensemble of actors. I’ve seen just about every film and TV series actress, Viola Davis has been in, and she is incapable of any wrongdoing or missteps. As the film’s lead, she is tasked with forming an alliance with four women she has nothing in common, except each of their husbands’ past criminal activities, and a debt left behind by Davis’ husband (Liam Neeson). Davis is the mastermind behind a plan to eradicate her husband’s mess and reinvent a new future for her and her newfound friends. The twists and turns in this movie will have you one edge until the end. It’s incredibly refreshing to see Viola Davis and her female counterparts acting in roles typically reserved for male actors. Slated for release in mid October. Do not miss this film!

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Photo: Courtesy of Urbanworld Film Festival

Awarded the Best Young Creator Award, short film Three in Stride follows the harrowing journey three African-American sisters (Rainn Sheppard, Tai Sheppard, and Brooke Sheppard) endure, from homelessness to becoming track and field stars in Brooklyn and possibly the Olympics. Director Sasha Whittle’s candid interviews with the sisters, their mother, and coaches will melt your heart and leave you rooting for these future sports stars.

The Hate U Give closed the Urbanworld Film Festival. The much-anticipated film, adapted from the book with the same name and written by young-adult novelist, Angie Thomas and #1 New York Times bestseller, is currently trending and all the rage. The lead young star, Amandla Stenberg (The Hunger Games, Everything, Everything) is the breakout star of the year – by far. Stenberg (Starr) witnesses the fatal shooting of her childhood friend, Khalil at the hands of a white police officer. Starr resides in two worlds: an unsavory neighborhood with her family and friends and the private, predominately white high school she attends with her brother, and Caucasian boyfriend. Stenberg does an incredible job portraying this multi-dimensional character so seamlessly and genuinely. The rest of the casts’ performances are stellar. Regina Hall and Roger Hornsby as Starr’s parents are smart, stern, funny and practical, attributes rarely seen in a movie with a teen lead. Not surprised if this film is Oscar-bound. The audience enjoyed a Q&A with director, George Tillman Jr. (Fun-fact: Tillman’s film: Soul Food, closed Urbanworld’s first film festival in 1997), actors Amandla Stenberg (Starr), Algee Smith (Khalil) and moderator and filmmaker, Ava DuVernay. The audience’s reaction to this film was so powerful. Mine as well. It validates the term code-switching that so many cultures must participate in to assimilate into society – or really, just American culture. The constant police brutality communities of color endure and how activism will affect change.

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Photo: Courtesy of Urbanworld Film Festival, L to R: Russell Hornsby, Regina Hall, Amandla Stenberg and Common

The 22nd Urbanworld Film Festival came to a close with bang. The abundance films addressing thought-provoking and risqué subject matter need to be told and distributed and will continue to set a precedent and inspire future filmmakers to share their stories. To check out Urbanworld’s Film Festival’s film schedule, click here.

The Kew Gardens Festival Of Cinema’s 2nd Year Anniversary Review: Tragic, Timely and Titillating!

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Song of Sway Lake, Photo: Courtesy of Kew Gardens Festival of Cinema

Kew Gardens isn’t known to be epicenter of film, but with this year’s film festival lineup – it is well on its way. This culturally rich Queens enclave is currently hosting 110 films from 23 countries, including the U.S. Canada, Italy, Turkey and South Africa. The Kew Gardens Festival of Cinema, now in its 2nd year, is claiming its status as a purveyor of cutting edge cinema. Watch out Cannes! This year’s festival categories include narrative features, documentaries, short films, animation, experimental, music video and web series. The Kew Gardens Festival of Cinema has partnered with the Regal Entertainment Group’s UA Midway Stadium 9 and The Queens Museum to bring these brilliant films the recognition they deserve. After meeting their crowdfunding goals, festival organizers are committed to endorse neighborhood businesses to festival attendees.

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(L to R, Elizabeth Pena and Mary Beth Peil. Photo: Courtesy of Kew Gardens Festival of Cinema

On opening night, there’s always a film that steals the spotlight and sets the bar for the rest of the festival, At the Kew Gardens Festival of Cinema, this night was no exception. “The Song of Sway Lake” directed by Ari Gold was it. The film about a young man, Ollie Sway (Rory Culkin), who travels along with his friend, a comical and sly Russian transient, to the his family’s once glamorous lake house in the Adirondacks to steal a one-of-a-kind vintage record with the secret recording of the hit “Sway Lake.” Ollie believes the record will improve his life and help him understand his father’s suicide at the famed lake – until his plans are thwarted by his grandmother, Charlie Sway (Mary Beth Peil). The cinematography and original music by the director’s brother, Ethan Gold are expertly sprinkled throughout the film and transport the audience back-and-forth to a simpler elegant era in America. The scoring in the film is a character in itself with nostalgic interludes between scenes. “The Song of Sway” is a romantic drama tackling the complexities of family, love, friendships, and death with beautiful storytelling. Rory Culkin and Mary Beth Peil are extraordinary to watch. The late actress, Elizabeth Peña as Charlie’s housekeeper/confidante/friend/punching bag is resilient and stoic. Known for “La Bamba” and “Jacob’s Ladder,” Peña will be missed.

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(L to R, Aurora Perrineau (Addison) and Rachel Hendrix (Lyle), Photo: Courtesy of Rushaway Pictures

Festival closer and critically acclaimed film, “Virginia Minnesota” also examines complicated friendships. The indie film by Daniel Stine about two friends reconnecting after 15 years for a will reading at the foster home they both lived in as young girls and vowed never to return, due to the mysterious childhood tragedy bestowed on their young friend Virginia. Now in their mid-twenties, Lyle and Addison embark on a journey of painful childhood memories, turbulent relationships, and self-reflection. This film will make you believe in fairy tales and the monsters that sometimes inhabit them – with optimism and faith.

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Murder Made Easy, Jessica Graham (Joan) and Christopher Soren Kelly (Michael), Photo: Courtesy of Kew Gardens Festival of Cinema

Two whodunits worthy of recognition are “Murder Made Easy” by director Dave Palamaro and Canadian film “The Doctor’s Case,” directed by James Douglas and co-director Leonard Pearl. Each offers a creative spin on the murder-mystery genre. “Murder Made Easy” follows Joan and Michael, two friends throwing an elaborate dinner party for their close friends to remember the passing of Joan’s husband, Neil, on the one-year anniversary of his death. The friends may not want to ingest what these hosts are serving – literally and figuratively. Although some of the scenes are far-fetched and a little over-the-top, the plot twists are so entertaining you’re willing to forego some of the missteps in this clever pop horror film. Based on the short story by Stephen King, “The Doctor’s Case” shines the spotlight on Sherlock Holmes’ assistant, Dr. Watson, as he takes the lead in solving the murder of a contemptuous English lord. When you couple The King of Horror’s story with the mastermind detective, audiences are in store for a thrilling ride. Add to that, actors William B. Davis as Dr. Watson from “The X-Files” series and Denise Crosby (also guest-starred on “The X-Files”) as Captain Norton from “Star Trek: The Next Generation,” who keep the suspense going throughout the movie.

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The Doctor’s Case, Photo: Courtesy of Kew Gardens Festival of Cinema

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Modified, Photo: Courtesy of Kew Gardens Festival of Cinema

A film festival isn’t complete without stellar documentaries making powerful statements. And, after watching “Modified” and “Beneath the Ink,” mission accomplished. Filmmaker Aube Giroux takes a startling look at the inclusion of GMOs – Genetically Modified Organisms – for instance: corn crops being injected with pig genes by food manufacturers in the US and Canada with no regulations in place. Scared yet? You will be after viewing “Modified.” Giroux took over 10 years to finish this personal project and interjects touching memoir-style scenes of her family and her love of food throughout the years. It’s eye opening, frustrating and necessary to watch. “Beneath the Ink” by director Cy Dodson is a timely documentary exposing the hate and racism in a Southeastern Ohio (Appalachian region) community and what one tattoo artist is doing to help change people’s views and a chance at redemption. The film shows various facets of racism – how it is taught through generations and the individuals in this community that are committed to changing their indoctrinated hateful beliefs. It’s raw and real and we need more films like these highlighting solutions – not problems – with racism, exacerbated by the current administration.

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Beneath the Ink, Photo: Courtesy of Kew Gardens Festival of Cinema

Short film “R.V” was made right after the 2017 elections by directors Will Hawkes and Melissa Center to give women a voice and take a stand on the injustices seen in this country as basic human rights are consistently stripped away by elected officials. The film follows a couple after they make a difficult decision to have an illegal abortion in a seedy motorhome after the wife is left with no other legal alternative. This film’s subject matter couldn’t be any more relevant as the looming induction of Supreme Court Justice Brett Kavanaugh is underway. Kavanaugh is a vocal opponent of Roe v. Wade. Time will tell if the landmark case and law that followed to make abortions legal will be phased out.

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R.V, Photo: Courtesy of Kew Gardens Festival of Cinema

On a lighter note, the Belgium animated film “Catherine” by director Britt Raes, is about a girl who loves pets, but has a hard time keeping them alive, until she gets a cat. The film illustrates the universal empathy children display to animals. As she grows up she has a hard time socializing with other people but is comforted by her cat and ultimately becomes a crazy old cat lady. This film is reminiscent and a sweet reminder of the childhood pets we love and become accustomed to and how we recover from the limited time they spend with us – funny and bittersweet film worth seeing.

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Catherine, Photo: Courtesy of Kew Gardens Festival of Cinema

Apart the fantastic screenings, The Kew Gardens Festival of Cinema presents two panels: The Jury’s Out: Meet the 2018 Festival Jurors, and A Change Overdue: Diversity in Cinema, a discussion on diversity in independent film featuring invited filmmakers from the festival at the Center at the Maple Grove in Queens. On Sunday, August 12th, the final day of the festival, the Awards Dinner Gala returns to Terrace on the Park in Flushing Meadows-Corona Park. Do not miss out on this incredible film festival! To get more information and to buy tickets to the Kew Gardens Festival of Cinema, click here:

Brooklyn Film Festival’s 21st Season Delivered Its Finest Cinema To Date!

The 10-day Brooklyn Film Festival Wrapped up its 21st Season. And its festival slogan: “Bad times make great art” undoubtedly established a theme for an array of sentimental, political, satirical, activist, and unflinchingly honest films projected on screens all throughout Brooklyn. What was glaringly different from last year’s festival? Filmmakers commanded the audiences’ attention with their eye-opening subject matter: global female exploitation and oppression, political strife – domestically and internationally, mental illness, prison reform, terrorism and racism. Yes, there was some comedic relief in the mix – worthy of artistic recognition, but 2018’s films I mention below will grab hold of your sensibilities and perceptions of the world with a winding rollercoaster ride of emotions.

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Photo: Courtesy of Brooklyn Film Festival

Winner of Best Documentary, “Afghan Cycles” takes you on a journey with the first National Cycling Team for girls in Afghanistan. It’s heart-wrenching to learn, watch and try to fathom the obstacles these girls, featured in the film, endure to be free – to enjoy their favorite hobby: cycling, all while succumbing to oppressive conditions placed on them by their country. It’s often said, that you don’t know what you have until it is gone, is fitting to describe the sacrifices the subjects make to live out their life’s dreams. Director, Sara Menzies seamlessly captures this poignant narrative and makes the audience sympathize and root for these girls.

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Photo: Courtesy of Brooklyn Film Festival

Two films about prison life, albeit with starkly opposite narratives are “Hidden BluePrints: The Story of Mikey” and “Prison Logic.” “Hidden Blueprints,” a documentary short by prisoner turned filmmaker, Jeremy Lee Mackenzie is auto-biographical and describes his time in a Kentucky prison as a teenager, after a bank robbery and drug-trafficking charges put him there. The jail that housed Mackenzie burned to the ground after a riot. The director illustrates his time in prison through intricate art and a praying mantis named Mikey – both cathartic outlets to get him through the trials and monotony of life in jail– which later fate manifests into creative professional endeavors. It’s a refreshing perspective on prison life, emphasizing a willingness and fortitude a person can muster to turn their life around. With hope and creativity – anything is possible. The narrative feature “Prison Logic” by multi-talented actor, writer, and first-time director, Romany Malco Jr. gives us the story of Tijuana Jackson, a character he’s been playing on-and-off on the web since 2007, now immortalized on screen. Tijuana Jackson has a dream of becoming a motivational speaker, but his penchant for not following the rules, coupled with his ball-busting, by-the-book parole officer, played by the supremely talented and ageless actress, Regina Hall, present many obstacles in his quest for stardom. We see many stereotypical nuances and gags in this film genre, but Romany Malco Jr. does a great job to inflect humor, evoke laughter from the audience at the right time, and make these scenes memorable. “Prison Logic” won the Best Actor, Male and Best Editing Awards.

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Photo: Courtesy of Brooklyn Film Festival

Three female directed films about female oppression that made a huge impact at this year’s festival are: experimental short, “That Part,” narrative features “Are You Glad I’m Here?” and “Can Hitler Happen Here?” Directors Mia Sorenson and Catherine Delaloye’s experimental short “That Part” is a 4-minute spoken word film exploring adversity, inequality, and the ongoing challenges women face in everyday life; voiced by women from different backgrounds and captured visually by dancers expressing the words’ intensity through choreographed dance. This film’s powerful message to women to champion and persevere for their rights – to live freely and happily – on their own terms, is necessary.

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Photo: Courtesy of Brooklyn Film Festival

When a curious-yet-naive 20-something American (Kristin) teaching English in Beirut crosses paths with a resilient, yet unhappy 30-something Lebanese housewife (Nadine) – an unusual friendship forms that will compromise each woman’s moral beliefs, we have the film: “Are You Glad I’m Here?” Director, Noor Fay Gaharzeddine does a wonderful job of developing these two characters’ friendship organically, as each woman attempts to learn more about the other’s culture. Tensions rise and each must face a shocking truth about Nadine’s abusive husband that will determine their future. Awarded the Audience Award for Best Original Score, this film addresses complex female relationships we need to see more of in cinema.

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Photo: Courtesy of Brooklyn Film Festival

The third female-directed film by Saskia Rifkin awarded the Best Female Actor award is “Can Hitler Happen Here?” Rifkin shoots the film in black and white and her female lead is 74 years old – a reclusive artist played by Laura Esterman (Miriam Kohen) with candor and conviction. Rifkin allows us to enter Miriam’s mind while she endures endless harassment by her neighbors who insist she conform to societal norms and presentation, when Miriam refuses and holds her ground, we enter her shifting psyche’s interpretation of her neighbors’ motives, her sexuality, and creative persona – all clashing to make sense of her current situation. “Can Hitler Happen Here?” explores taboo subject matter through the eyes of a septuagenarian – that is captivatingly eccentric – and we are here for it!

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Photo: Courtesy of Brooklyn Film Festival

Lastly, a film that explores the universal themes of family and loss are present in “My Country.” The film about two brothers, one American, one Italian – who’ve never met – take a road trip together to spread their late father’s ashes in the small town (Molise, Italy) where he was born. As the brothers get to know one another, cultures collide, and each find faults in the other, they contemplate their situation and wonder whether they should continue their journey together. The beautiful Italian countryside, its warm and inviting residents, the bittersweet interactions between actor/director, Giancarlo Iannotta and his on-screen brother (Antonio Palumbo) will make you hug your sibling and forget your rivalries – for good!

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Photo: Courtesy of Brooklyn Film Festival

Brooklyn Film Festival’s 21st season has come to end, but the extraordinary films they showcased and hosted will not. To learn more about the Brooklyn Film Festival’s line-up and the films featured in this article, click here.