Rawness and Unconventionality Captured The Essence of The 22nd Annual Brooklyn Film Festival

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Opening Night, 22nd Annual Brooklyn Film Festival

This year’s Brooklyn Film Festival broke new ground with superb storytelling. And, we couldn’t get enough of it. According to the festival’s Executive Director, Marco Ursino, “BFF featured the largest presence of female directors within a single festival edition to date. I’m also proud to say that four out of our six festival programmers are women and the festival is run mostly by women.” What a refreshing and revitalizing statement from a male festival organizer. Time will tell if other male festival directors will follow suit with domestic and international film festivals in the future. Brooklyn Film Festival’s (BFF) roster of films included 133 features and shorts from over 30 countries spread over six continents. The lineup included 37 world premieres, 29 east coast debuts and 34 first-time screenings in NY.  In addition to the 13 narrative features and 10 documentary features, the festival presented 39 short narrative films, 23 short documentaries, 28 animated films and 20 experimental projects.

Documentaries at their core are meant to raise awareness and provide a candid journalistic perspective on subjects completely devoid of mainstream coverage. The documentaries that rose to the occasion in this year’s festival are: Clean Hands and RocKabul.

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The Lopez Children At La Chureca, Photo: Courtesy of Clean Hands Press Site

Clean Hands, directed by Michael Dominic, follows a family in Nicaragua over the span of seven years (2011-2018) living in extreme poverty and relying on a garbage dump, La Chureca (Central America’s largest garbage dump) for food and everyday necessities. When we first meet the 4 children in the Lopez family, they are aged 6 – 10, unable to read and write and depend on each other for companionship and engage in sibling rivalry. They are unaware of a better life, unlike their parents. When they receive an opportunity from a foundation to move into a new home on the condition that the kids go to school, the family seems destined for a bright future until other underlying problems set in. Dominic’s storytelling is raw, and depicts his subjects as they are. The director captures moments that are heart-wrenching in its portrayal of this family and lets audiences experience the highs and lows with them. In the end: you’re rooting for the Lopez family instead of pitying them.

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L to R: Qais (Guitarist), Pedram (Drums), Yousef (Vocals), Qasem (Bass), Lemar (Vocals/Guitar) Photo: Courtesy of Rockabul Press Site

In RocKabul, Australian director/journalist, Travis Beard goes on a journey with the first metal band in Afghanistan: District Unknown. What’s so interesting and compelling about this movie is the universal love for music these subjects exhibit. Whether you love metal or not, you will be immediately drawn in by these subject’s relentless pursuit of their passion for music – a passion that is frowned upon by the conservative and extremist government of Afghanistan. Beard, having lived in Kabul for seven years, and a metal musician as well, injects himself in the documentary as an advocate and mentor for the group. District Uknown’s story is bittersweet as Beard chronicles the band’s discovery of rock music, playing an international festival in India, and capturing Kabul’s underground party scene. The band members face insurmountable threats by the Afghani system and ultimately must make a decision on the future of the band.

Two narrative features that boldly address unconventional themes in their films and were awarded Certificates of Achievement by the Brooklyn Film Festival this year are: #LIKE for Best Producer Award and Only Good Things for Best Original Score Award. Both directed by female filmmakers. These films are true standouts in their own right.

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Actress Sarah Rich As Rosie, Photo: Courtesy of Brooklyn Film Festival

In #LIKE, director Sarah Pirozek begins the story with the aftermath of suicide brought on by cyberbullying and the family members left to pick up the pieces, one year later. In this instance, it’s Rosie’s point-of-view, a teen from Woodstock New York confronted with the harsh reality that the anonymous man whom bullied her younger sister into committing suicide is back on the prowl trolling for new victims online. After getting nowhere with the local police and realizing their lack of interest to prosecute her sister’s assailant, Rosie decides to seek retribution. This is more than a vengeance-thriller film. Pirozek is smart to keep Rosie’s teenage perspective with every action and decision she makes – even if detrimental. We empathize with her situation and revel in the psychological exploration of captor vs. captee.

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Cast of Only Good Things, Photo: Courtesy of Brooklyn Film Festival

Only Good Things (Solo cose Belle) by director Kristian Gianfreda is delightful all around. The premise: a popular 16-year old teen starts to question her loyalties and character when a bizarre family moves into her small town of Rimini, Italy. Unwanted and stigmatized by town regulars and her own mother, father, who’s the mayor of the village; Benedetta can’t – in good conscience – follow the pack and mistreat her new neighbors that are quite odd, but familial and loving nonetheless. As Benedetta’s moral compass keeps getting tested, the surprise ending will leave you feeling warm and fuzzy. No wonder this film won the festival’s Achievement of Certificate for Best Original Score Award for composer, Bevano Est.

Two shorts in the documentary and narrative categories that left me smiling and hopeful are One Leg In, One Leg Out and Dunya’s Day.

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One Leg In, One Leg Out, Photo: Courtesy of Brooklyn Film Festival

One Leg In, One Leg Out, won Best Documentary Short at the Brooklyn Film Festival this year. The film is about a transgender female (Iman) sex worker who dreams about becoming a social worker to help her fellow transgender community. Canadian Director Lisa Rideout follows Iman as she seeks out johns on the street and interacts with them on the phone. Iman is skilled at her job, but knows her profession has a limited shelf life. In pursuit of bigger things, she seeks information about a social work program and seriously considers the career change. Rideout aptly lets the audience get to know Iman with no preconceived notions. The film paints the transgender subject in a positive light – especially in the era we are living in, where LGTBQ rights are being stripped away by the U.S. government and attacks against the group have increased exponentially.

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Sara Balghonaim as Dunya, Photo: Courtesy of Brooklyn Film Festival

Dunya’s Day, a narrative short by writer/director Raed Alsemari pokes fun at Dunya, a well-to-do Saudi Arabian woman who is in the midst of having her college graduation party and is abandoned by her help staff. Who doesn’t want to see entitled people struggle? I suspect just the entitled. Even through her desperate attempts to save her soiree, Dunya still wants to be perceived as “having it together” and a gracious host by her rival affluent friends. It’s comedic timing is spot on. Dunya’s Day is the winner of Sundance’s Short Film Jury Award for International Fiction at the 2019 Sundance Film Festival.

The Brooklyn Film Festival has been supporting competitive film events since 1998 to drive worldwide attention to Brooklyn as a purveyor of stellar cinema and independent filmmaking. This year the 22nd Brooklyn Film Festival collaborated with several South American film organizations: Proimagenes (Colombia), ChileDocs, IMCINE (Mexico), Universidad del Cine (Buenos Aires, Argentina), Festival Internacional del Cine Buenos Aires (FIDBA), Cinema Tropical and Proyector Film Series to increase Latin American film submissions. I’ll be waiting with bated breath to see what’s in store for 2020. To learn more about the Brooklyn Film Festival, click here.

 

 

 

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TOMS’ Gun Violence Call-To-Action Campaign Unites Activists and Community Leaders in Brooklyn

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Photo Credit: Youtube, L to R: TOMS Founder, Blake Mycoskie and Jimmy Fallon

As of mid December there have been 338 mass shootings in the United States, not the most in one given year, 2017 saw 346 shootings and this year may surpass that number, according to the Gun Violence Archive, a nonprofit organization that collects data and provides public information on mass shootings – a crisis that has gained significant recognition after the Marjory Stoneman Douglas shooting in Parkland, Florida and the March For Our Lives Movement started by the students-turned-activists affected. Recently, TOMS shoe founder, Blake Mycoskie announced on The Tonight Show with Jimmy Fallon that he would be forming partnerships and financially back organizations committed to changing legislation on gun laws addressing the mass shooting epidemic with 5 million dollars. Mycoskie believes this can be accomplished “through various tactics including programming in communities of color, mental health, research and policy, suicide prevention and more.” Mycoskie felt compelled to act after the November 7th college-bar mass shooting in Thousand Oaks, California, which killed 13 people. The Borderline Bar & Grill is close to Mycoskie’s home and near TOMS’ corporate campus.

 

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Photo Credit: TOMS, L to R: Moderator, Kim Hoyos, Panelists: Sara Mora, Shira Erlichman, Angel Nafis, Glory Edim

TOMS is up for the challenge and recently hosted an event at their Williamsburg store and café with local Brooklyn community activists and tastemakers. The evening was moderated by Kim Hoyos, Digital Strategy Coodinator at MTV Social Impact and founder of Light Leaks – Hoyos founded the Light Leaks website (empowers GNC filmmakers and diverse storytelling) as a college junior from her dorm room in 2017. Accompanying Hoyos in the discussion, were panelists Shira Erlichman, author, visual artist, and musician. Erlichman tours the country promoting her electronic-pop album, Subtle Creatures, and teaches personalized online workshops. Angel Nafis, author and poet of the well-received book, BlackGirl Mansion and Cave Canem Fellow was on hand to discuss the power of self-expression through poetry. Glory Edim, author of the popular book, Well-Read Black Girl and founder of the Well-Read Black Girl festival began her brand with a T-shirt gifted by her boyfriend. Gun reform activist/organizer and DACA recipient, Sara Mora is an advocate and speaker for immigrant rights around the country. Apart from being social influencers, what do all these women have in common? They are using their art, voice, and activism to impact change and shed light on gun reform.

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Despite all the hardships TOMS and fellow retailers are currently facing; one thing is certain; TOMS is not backing down from their social responsibility endeavors they were built upon. TOMS is urging other corporations, their customers, and the public to follow suit and make a difference. To learn more about how you can get involved with ending gun violence, click here and get the latest news on TOMS’ programs and product offerings.

 

The Brooklyn Film Festival’s 21st Season is Upon Us: Get Ready for Love, Loss, Triumph and Controversy

The Brooklyn Film Festival is back with a vengeance – an artistic, thought-provoking reprisal – in the form of documentaries, features, narrative and animated shorts meant to strike a nerve, inform and leave audiences with a welcomed or unwelcomed – shock to the system. The film festival kicked off its 21st season at the Wythe Hotel in Brooklyn with a treasure trove of documentaries produced by The New York Times and a mix of animated and experimental films from the Brooklyn Film Festival. The 10-day festival is comprised of approximately 125 features and shorts from 30 countries spread over all continents, except Antarctica. The lineup includes 19 world premieres, 21 from the USA – 37 east coast debuts and 30 first-time screenings in New York City. The festival will present in total 36 short narrative films, 16 short documentary films, 25 animated films and 20 experimental films. There is bound to be a film for all tastes in this roster of diverse presentations from around the globe.

I’m a film buff and constantly seek out new and exciting films – especially independent films that will stake a claim on my brain and will leave me deep in thought for days. Two films that have ambushed my psyche so far: “Lieutenant of the Alt-Right” and “The Story of Esraa.” As the title suggests, “Lieutenant of the Alt-Right” is about one of the members of an extremist, white nationalist group. At first, I scoffed at this documentary, but as I was watched the film’s subject, Eli Mosley, a rising white supremacist leader, whose deep-rooted white male inadequacies was becoming the focus of his drive to spew hate and present himself as an American hero – was quickly challenged in the film. Bravo! To filmmakers, Emma Cott and Andrew Michael Ellis for letting the narrative take shape and expose Eli Mosley and his group’s false, albeit dangerous beliefs, and shed light on to an unfortunate rising movement.

Lieutenant of the Alt-Right, Credit THE NEW YORK TIMES

Photo: Courtesy of Times Documentaries

The second film that left a lasting impression on me is: “The Story of Esraa” – a young 20-something woman who challenges Egypt’s system by attempting to live her life free of her country’s constraints on family, religion, and personal freedoms as she embarks to rent an apartment with her like-minded friends, only to find obstacles and disappointment. This film will resonate with everyone who’s struggled to find their identity and establish themselves on own their own terms. I felt sorrow and hope for this woman, and as I chatted with one of the filmmakers, Mona El-Naggar, Mark Meatto, and Yousur Al-Hlou, I learned about Esraa’s story further. It made me question the freedoms and choices I currently have in the U.S., but for how long? With this administration at the helm chipping away at our Democratic freedoms daily, who’s to say, we can’t find ourselves like Esraa one day?

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Photo: Courtesy of Times Documentaries

The accompanying films on opening night were fantastic as well. The animated short from Italian director Fausto Montanari, “Weird” about girls being different and perceived as odd is a painstaking glimpse of society’s judgmental lens on how we see each other and ourselves. “Deportation Deadline’s” subject matter, by directors Brent McDonald, John Woo, and Jonah M. Kessel is straight from our current news cycle, as many families are continuously torn apart by ICE agents with deportation orders enforced by the Trump administration. The relevancy is strikingly accurate and telling of the injustices currently happening to undocumented immigrants in our country.

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Photo: Courtesy of Brooklyn Film Festival

The Brooklyn Film Festival’s (BFF) theme this year is: “Bad times make great art.” And I for one can’t wait to see what’s in store for the duration of this provocative festival that has been staging international and competitive films and independent production of films and drawing worldwide attention to Brooklyn as a center for cinema. BFF promotes artistic excellence and creative freedom without censure, and has done so since 1998. To see an encore of The New York Times produced documentaries and the Brooklyn Film Festival’s stellar films, click here for ticket info, venues, dates and times. Viva la Cinema!